Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 1110
Book Description
Index to the Reports of Committees of the House of Representatives
House documents
Author: Prominent Families of New York
Author: Lyman Horace WeeksPublisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 64
Book Description
A History of the Committee on House Administration, 1947-2012
Author: The Memorial History of Hartford County, Connecticut, 1633-1884
Author: James Hammond TrumbullPublisher:
ISBN:
Category : Hartford County (Conn.)
Languages : en
Pages : 726
Book Description
The Baldwin genealogy from 1500 to 1881
Author: C.C. BaldwinPublisher: Рипол Классик
ISBN: 5874721363
Category : History
Languages : en
Pages : 989
Book Description
The Law Times
Author: List of Cartographic Records of the Bureau of Indian Affairs (Record Group 75)
Author: United States. National Archives and Records ServicePublisher:
ISBN:
Category : Archives
Languages : en
Pages : 140
Book Description
Sherman Genealogy Including Families of Essex, Suffolk and Norfolk, England
Author: Thomas Townsend ShermanPublisher: New York : T.A. Wright
ISBN:
Category : England
Languages : en
Pages : 592
Book Description
Luxury Arts of the Renaissance
Author: Marina BelozerskayaPublisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.