Heiner Müller's Wolokolamsker Chaussee PDF Download

Author: Pam Elaine Allen
Publisher:
ISBN:
Category : Germany (East)
Languages : en
Pages : 478

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Author: Michael Wood
Publisher: Boydell & Brewer
ISBN: 1571139982
Category : Drama
Languages : en
Pages : 242

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Book Description
Analyzes not just Müller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career Müller tried to create democracy both within and outside the theater.

Author: Atkins
Publisher: BRILL
ISBN: 9004651926
Category : Art
Languages : en
Pages : 357

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Book Description
In Retrospect and Review an international team of scholars explore East German literature, and the circumstances of its production, in the last phase of the German Democratic Republic's existence. The provocative claim of the novelist, playwright and essayist Christoph Hein, 'Ich nehme außerdem für mich in Anspruch [...] elfmal das Ende der DDR beschrieben zu haben, ' serves as the starting-point for the twenty-three contributors to the volume, who consider the many and varied ways in which Hein and his fellow writers signalled and diagnosed the demise of the GDR. The fraught relationship between the state and its intellectuals inevitably forms a consistent theme in the studies of writers as diverse as Anna Seghers and Kito Lorenc, Christa Wolf and Jurek Becker, or Irmtraud Morgner and Heiner Müller. However, the process of 'retrospect and review' also reveals the innovative and independent-minded character of the culture of the GDR's later years. Several contributors trace the emergence of a strong and distinctive women's writing which increasingly and subversively imposed itself on the hitherho patriarchal literary landscape of the GDR. And in the literature of the 1970s and 1980s experimental narrative strategies take on a political role as a counter-discourse to a stubbornly inflexible political order.

Author: Theresa M. Ganter
Publisher: Peter Lang
ISBN: 9783039110483
Category : Drama
Languages : en
Pages : 460

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Book Description
Theresa M. Ganter investigates Heiner Muller's use of the Geschichtsdrama as a tool in his search for post-World War II and post-reunification German identity in 'Germania Tod in Berlin' (1956/1971) and 'Germania 3 Gespenster am Toten Mann' (1996), respectively.

Author: Hans-Thies Lehmann
Publisher: Routledge
ISBN: 1317276280
Category : Performing Arts
Languages : en
Pages : 466

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Book Description
This comprehensive, authoritative account of tragedy is the culmination of Hans-Thies Lehmann’s groundbreaking contributions to theatre and performance scholarship. It is a major milestone in our understanding of this core foundation of the dramatic arts. From the philosophical roots and theories of tragedy, through its inextricable relationship with drama, to its impact upon post-dramatic forms, this is the definitive work in its field. Lehmann plots a course through the history of dramatic thought, taking in Aristotle, Plato, Seneca, Nietzsche, Heidegger, Lacan, Shakespeare, Schiller, Holderlin, Wagner, Maeterlinck, Yeats, Brecht, Kantor, Heiner Müller and Sarah Kane.

Author: Markus Krajewski
Publisher: MIT Press
ISBN: 0262550857
Category : Language Arts & Disciplines
Languages : en
Pages : 223

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Why the card catalog—a “paper machine” with rearrangeable elements—can be regarded as a precursor of the computer. Today on almost every desk in every office sits a computer. Eighty years ago, desktops were equipped with a nonelectronic data processing machine: a card file. In Paper Machines, Markus Krajewski traces the evolution of this proto-computer of rearrangeable parts (file cards) that became ubiquitous in offices between the world wars. The story begins with Konrad Gessner, a sixteenth-century Swiss polymath who described a new method of processing data: to cut up a sheet of handwritten notes into slips of paper, with one fact or topic per slip, and arrange as desired. In the late eighteenth century, the card catalog became the librarian's answer to the threat of information overload. Then, at the turn of the twentieth century, business adopted the technology of the card catalog as a bookkeeping tool. Krajewski explores this conceptual development and casts the card file as a “universal paper machine” that accomplishes the basic operations of Turing's universal discrete machine: storing, processing, and transferring data. In telling his story, Krajewski takes the reader on a number of illuminating detours, telling us, for example, that the card catalog and the numbered street address emerged at the same time in the same city (Vienna), and that Harvard University's home-grown cataloging system grew out of a librarian's laziness; and that Melvil Dewey (originator of the Dewey Decimal System) helped bring about the technology transfer of card files to business.

Author: J. Lawrence Guntner
Publisher: University of Delaware Press
ISBN: 9780874136043
Category : Drama
Languages : en
Pages : 308

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Book Description
"This collection consists of essays on literary theory and history from a Marxist perspective, interviews with directors and dramaturgs on theater practice on the East German stage before 1990, and interviews with women who were active in the East German theater and are even more active since reunification."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Arthur Williams
Publisher: Peter Lang Group Ag, International Academic Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 520

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Book Description
The volume brings together twenty-five scholars from British and German universities, many of them leading experts on Contemporary German Literature, in an exploration of the processes and implications of German unification from the literary point of view. A discussion of the intellectual climate which nurtured the 'peaceful revolution' in the GDR is followed by analyses of the work and attitudes of significant east German authors; an underlying theme is the loss of identity, the loss of Utopia. West German reactions to the questions of unity and identity are then analysed, and a series of comparative studies presented. Finally, themes of importance for the common German future are discussed with particular reference to newer writers: environmental issues, women's writing, the changing role of the poet, problems of innovation. Among the authors discussed are Christa Wolf, Stefan Heym, Christoph Hein, Volker Braun, Heiner Müller, Monika Maron, Günter Grass, Hans Magnus Enzensberger, Martin Walser, Siegfried Lenz, Peter Schneider, Heinz Czechowski, Sarah Kirsch, Helke Sander, Uta Treder, Steffen Mensching, Bert Papenfuß-Gorek, Gert Neumann, Wolfgang Hilbig, Franz Fühmann and Botho Strauß.

Author:
Publisher: BRILL
ISBN: 9004333959
Category : Social Science
Languages : en
Pages : 494

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Book Description
Obwohl die DDR nunmehr ein abgeschlossenes Kapitel in der deutschen Geschichte geworden ist, halt die Auseinandersetzung um das, was von ihr bleibt, auch im Abstand von mehr als zehn Jahren an. Selbst nach dem deutsch-deutschen Literaturstreit unmittelbar nach der Wende, der seinerseits schon Ruckblicken und Bilanzierungen ausgesetzt wurde, bleibt der Stellenwert der Literatur in und aus der DDR ein umstrittenes Terrain. Ungeachtet dessen, dass es Einhelligkeit in literarischen Fragen ohnehin nicht geben kann, sind die Urteile zur Literatur der DDR naturlich auch von den Erfahrungen und Erlebnissen mit der DDR gepragt. In diesem Band haben wir uns fur eine Sicht von aussen und von innen gleichermassen interessiert.

Author: Robert Buch
Publisher: JHU Press
ISBN: 0801899273
Category : Literary Criticism
Languages : en
Pages : 229

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Book Description
This book is about the ambition, in a set of paradigmatic writers of the twentieth century, to simultaneously enlist and break the spell of the real—their fascination with the spectacle of violence and suffering—and the difficulties involved in capturing this kind of excess by aesthetic means. The works at the center of this study—by Franz Kafka, Georges Bataille, Claude Simon, Peter Weiss, and Heiner Müller—zero in on scenes of agony, destruction, and death with an astonishing degree of precision and detail. The strange and troubling nature of the appeal engendered by these sights is the subject of The Pathos of the Real. Robert Buch shows that the spectacles of suffering conjured up in these texts are deeply ambivalent, available neither to cathartic relief nor to the sentiment of compassion. What prevails instead is a peculiar coincidence of opposites: exaltation and resignation; disfiguration and transfiguration; agitation and paralysis. Featuring the experiences of violent excess in strongly visual and often in expressly pictorial terms, the works expose the nexus between violence and the image in twentieth-century aesthetics. Buch explores this tension between visual and verbal representation by drawing on the rhetorical notion of pathos as both insurmountable suffering and codified affect and the psychoanalytic notion of the real, that is, the disruption of the symbolic order. In dialogue with a diverse group of thinkers, from Erich Auerbach and Aby Warburg to Alain Badiou and Jacques Lacan, The Pathos of the Real advances an innovative new framework for rethinking the aesthetics of violence in the twentieth century.