Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 396
Book Description
Etudes Art Et Litterature Universite de Jerusalem
Hebrew University Studies in Literature and the Arts
A Medieval Book of Beasts
Author: Willene B. Clark
Publisher: Boydell Press
ISBN: 9780851156828
Category : Antiques & Collectibles
Languages : en
Pages : 356
Book Description
'The Bestiary' is a book of animals. The 'Second-family' bestiary is the most important version. This study addresses the work's purpose and audience. It includes a critical edition and new English translation, and a catalogue raisonne of the manuscripts.
Publisher: Boydell Press
ISBN: 9780851156828
Category : Antiques & Collectibles
Languages : en
Pages : 356
Book Description
'The Bestiary' is a book of animals. The 'Second-family' bestiary is the most important version. This study addresses the work's purpose and audience. It includes a critical edition and new English translation, and a catalogue raisonne of the manuscripts.
Titian's Portraits through Aretino's Lens
Author:
Publisher: Penn State Press
ISBN: 9780271044255
Category : Art
Languages : en
Pages : 240
Book Description
After classical antiquity, the Italian Renaissance raised the portrait, whether literary or pictorial, to the status of an important art form. Among sixteenth-century Renaissance painters, Titian made his reputation, and much of his living, by portraiture. Titian's portraits were promoted by his friend, Pietro Aretino, an eminent poet and critic, who addressed his letters and sonnets to the same personages whom Titian portrayed. In many of these letters (which often included sonnets), Aretino described both an individual patron and Titian's portrait of that patron, thus stimulating the reciprocal relation between a verbal and pictorial portrait. By investigating this unprecedented historical phenomenon, Luba Freedman elucidates the meaning conveyed by the portrait as an artistic form in Renaissance Italy. Fusing iconographical analysis of the most famous Titian portraits with rhetorical analysis of Aretino's literary legacy as compared to contemporary reactions, Freedman demonstrates that it is due to Titian's many portraits and to Aretino's repeated simultaneous writings about them that the portrait ceased being primarily a social-historical document, preserving the sitter's likeness for posterity. It gradually became, as it is today, a work of art, the artist's invention, which gives its viewer an aesthetic pleasure.
Publisher: Penn State Press
ISBN: 9780271044255
Category : Art
Languages : en
Pages : 240
Book Description
After classical antiquity, the Italian Renaissance raised the portrait, whether literary or pictorial, to the status of an important art form. Among sixteenth-century Renaissance painters, Titian made his reputation, and much of his living, by portraiture. Titian's portraits were promoted by his friend, Pietro Aretino, an eminent poet and critic, who addressed his letters and sonnets to the same personages whom Titian portrayed. In many of these letters (which often included sonnets), Aretino described both an individual patron and Titian's portrait of that patron, thus stimulating the reciprocal relation between a verbal and pictorial portrait. By investigating this unprecedented historical phenomenon, Luba Freedman elucidates the meaning conveyed by the portrait as an artistic form in Renaissance Italy. Fusing iconographical analysis of the most famous Titian portraits with rhetorical analysis of Aretino's literary legacy as compared to contemporary reactions, Freedman demonstrates that it is due to Titian's many portraits and to Aretino's repeated simultaneous writings about them that the portrait ceased being primarily a social-historical document, preserving the sitter's likeness for posterity. It gradually became, as it is today, a work of art, the artist's invention, which gives its viewer an aesthetic pleasure.
Litterature et revolutions
HSL
Author: Universiṭah ha-ʻIvrit bi-Yerushalayim. Makhon le-śafot ṿe-sifruyot
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 654
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 654
Book Description
The Art of Mystical Narrative
Author: Eitan P. Fishbane
Publisher:
ISBN: 0199948631
Category : Literary Criticism
Languages : en
Pages : 535
Book Description
In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in the modern day. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text. The Art of Mystical Narrative argues that the Zohar story must be understood first and foremost as a work of the fictional imagination.
Publisher:
ISBN: 0199948631
Category : Literary Criticism
Languages : en
Pages : 535
Book Description
In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in the modern day. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text. The Art of Mystical Narrative argues that the Zohar story must be understood first and foremost as a work of the fictional imagination.
Essential Papers on Literature and Psychoanalysis
Author: Emanuel Berman
Publisher: NYU Press
ISBN: 0814711855
Category : Literary Collections
Languages : en
Pages : 528
Book Description
In a draft attached to a letter to his friend and confidante Wilhelm Fliess (May 31, 1897), Freud develops an idea: The mechanism of fiction is the same as that of hysterical fantasies. He supports this thought with a brief analysis of the biographical sources of Goethe's Werther. A few months later, on October 15, 1897, Freud mails Fliess a detailed account of remembered events from his childhood that, Freud believed, underlined the universality of Oedipus Rex and Hamlet. Freud's foray into literature initiated the beginning of a new critical approach. In Essential Papers on Literature and Psychoanalysis, Emanuel Berman presents classic and contemporary papers written at the intersection of literature and psychoanalysis. In bringing these essays together Berman traces the development of a discipline that has often been plagued by a polarization between self-confident, single-minded psychoanalysts reading literature as a series of case studies and literary loyalists who cling to manifest content or to the declared intentions of the authors, accepting them at face value and depriving the work of its emotional complexity. Berman covers the full range of old and new perspectives, and presents selections from today's mature phase. This collection includes papers by Sigmund Freud, Steven Marcus, Patrick J. Mahoney, Donald Spence, Otto Rank, Ernest Jones, Ernst Kris, Phyllis Greenacre, Florence Bonime and Maryanne Eckardt, David Werman, Ellen Handler Spitz, Jacques Lacan, Shoshana Felman, Norman N. Holland, Roy Schafer, Meredith Anne Skura, Gail S. Reed, Francis Baudry, Rivka R. Eifermann, and Bennett Simon.
Publisher: NYU Press
ISBN: 0814711855
Category : Literary Collections
Languages : en
Pages : 528
Book Description
In a draft attached to a letter to his friend and confidante Wilhelm Fliess (May 31, 1897), Freud develops an idea: The mechanism of fiction is the same as that of hysterical fantasies. He supports this thought with a brief analysis of the biographical sources of Goethe's Werther. A few months later, on October 15, 1897, Freud mails Fliess a detailed account of remembered events from his childhood that, Freud believed, underlined the universality of Oedipus Rex and Hamlet. Freud's foray into literature initiated the beginning of a new critical approach. In Essential Papers on Literature and Psychoanalysis, Emanuel Berman presents classic and contemporary papers written at the intersection of literature and psychoanalysis. In bringing these essays together Berman traces the development of a discipline that has often been plagued by a polarization between self-confident, single-minded psychoanalysts reading literature as a series of case studies and literary loyalists who cling to manifest content or to the declared intentions of the authors, accepting them at face value and depriving the work of its emotional complexity. Berman covers the full range of old and new perspectives, and presents selections from today's mature phase. This collection includes papers by Sigmund Freud, Steven Marcus, Patrick J. Mahoney, Donald Spence, Otto Rank, Ernest Jones, Ernst Kris, Phyllis Greenacre, Florence Bonime and Maryanne Eckardt, David Werman, Ellen Handler Spitz, Jacques Lacan, Shoshana Felman, Norman N. Holland, Roy Schafer, Meredith Anne Skura, Gail S. Reed, Francis Baudry, Rivka R. Eifermann, and Bennett Simon.
A Companion to Medieval Art
Author: Conrad Rudolph
Publisher: John Wiley & Sons
ISBN: 1119077745
Category : Art
Languages : en
Pages : 1245
Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Publisher: John Wiley & Sons
ISBN: 1119077745
Category : Art
Languages : en
Pages : 1245
Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
THE CLOISTERS.
Author: Elizabeth C. Parker
Publisher: Metropolitan Museum of Art
ISBN: 0870996355
Category :
Languages : en
Pages : 485
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870996355
Category :
Languages : en
Pages : 485
Book Description