Author: Henry Brodribb Irving
Publisher:
ISBN:
Category : Crime
Languages : en
Pages : 356
Book Description
A Book of Remarkable Criminals
Author: Henry Brodribb Irving
Publisher:
ISBN:
Category : Crime
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category : Crime
Languages : en
Pages : 356
Book Description
Bibliography of Aeronautics
Author: United States. National Advisory Committee for Aeronautics
Publisher:
ISBN:
Category : Aeronautics
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Aeronautics
Languages : en
Pages : 312
Book Description
The Sketch
Sketch
Henry Irving
Author: Richard Foulkes
Publisher: Routledge
ISBN: 1351156462
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Henry Irving (1838-1905), the first actor to be knighted, dominated the theatre in Britain and beyond for over a quarter of a century. As an actor, he was strikingly different with his idiosyncratic pronunciation, his somewhat ungainly physique, and his brilliant psychological portrayals of virtue and villainy. As a director of spectacular, and commercially driven, entertainments, Irving anticipated Hollywood directors from D.W. Griffith to Stephen Spielberg. And as manager of the Lyceum Theatre, where audiences included the leading public figures of the day, he controlled every aspect of the performance. This collection of essays by leading theatre scholars explores each element of Irving's art: his acting, his contribution to the plays he commissioned, his flair for the stage picture, and his ear for incidental music. Like Wagner, Irving was a proponent of a holistic approach to the stage, that is, blending together acting, painting, music, and architecture to create harmonious, balanced, and artistic theatre. Irving emerges not only as the peer of such eminent contemporaries as Tennyson, Sullivan, Shaw, and Burne-Jones, but also as a powerful influence on the twentieth-century theatre.
Publisher: Routledge
ISBN: 1351156462
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Henry Irving (1838-1905), the first actor to be knighted, dominated the theatre in Britain and beyond for over a quarter of a century. As an actor, he was strikingly different with his idiosyncratic pronunciation, his somewhat ungainly physique, and his brilliant psychological portrayals of virtue and villainy. As a director of spectacular, and commercially driven, entertainments, Irving anticipated Hollywood directors from D.W. Griffith to Stephen Spielberg. And as manager of the Lyceum Theatre, where audiences included the leading public figures of the day, he controlled every aspect of the performance. This collection of essays by leading theatre scholars explores each element of Irving's art: his acting, his contribution to the plays he commissioned, his flair for the stage picture, and his ear for incidental music. Like Wagner, Irving was a proponent of a holistic approach to the stage, that is, blending together acting, painting, music, and architecture to create harmonious, balanced, and artistic theatre. Irving emerges not only as the peer of such eminent contemporaries as Tennyson, Sullivan, Shaw, and Burne-Jones, but also as a powerful influence on the twentieth-century theatre.
Henry Irving's Waterloo
Author: W. D. King
Publisher: Univ of California Press
ISBN: 0520333322
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
In this creative study of history and popular culture, W. D. King ingeniously illustrates how a long-forgotten instance in theatre history can reveal the very process of historical change itself. Late in the nineteenth century, Henry Irving, the leading actor-manager of the English stage, was scathingly attacked by George Bernard Shaw for his popular performance in Conan Doyle's play, A Story of Waterloo. Shaw's review was one of the first onslaughts in a war against the old guard of the English stage, against Victorianism, against England and Empire itself. King's depiction of this event and its aftermath illuminates the period's crucial values and cultural issues, and is presented in a manner that is both convincing and highly entertaining. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
Publisher: Univ of California Press
ISBN: 0520333322
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
In this creative study of history and popular culture, W. D. King ingeniously illustrates how a long-forgotten instance in theatre history can reveal the very process of historical change itself. Late in the nineteenth century, Henry Irving, the leading actor-manager of the English stage, was scathingly attacked by George Bernard Shaw for his popular performance in Conan Doyle's play, A Story of Waterloo. Shaw's review was one of the first onslaughts in a war against the old guard of the English stage, against Victorianism, against England and Empire itself. King's depiction of this event and its aftermath illuminates the period's crucial values and cultural issues, and is presented in a manner that is both convincing and highly entertaining. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
"My Dear Friend"
Author: Owen Knowles
Publisher: Rodopi
ISBN: 904202464X
Category : Literary Collections
Languages : en
Pages : 211
Book Description
A sequel to A Portrait in Letters: Correspondence to and about Joseph Conrad (Rodopi, 1995), this volume collects and annotates letters to Joseph Conrad by his family, friends, admirers, and publishers. An indispensable companion to the writer's own letters, it restores the quality of exchange, interaction, and debate that belongs to a major correspondence. It also leads to a fuller, more rounded picture of Conrad in his personal and professional dealings: both of the mutualities and rituals that underpinned his close friendships and of the terms underlying his mutual disagreements with others. Familiar names are here – Arnold Bennett, John Galsworthy, Edward Garnett, Ford Madox Ford, Bertrand Russell, and H. G. Wells – although in largely unfamiliar form, through unpublished or inaccessible materials. Another notable feature of the volume is the newly recovered correspondence relating to the implementation, by Henry Newbolt and William Rothenstein, of the Royal Bounty Fund grant awarded during one of Conrad's most severe financial crises (1904–06). An essential resource for the scholar, this vivid collection can also be read with pleasure by the general reader for the light it throws on Conrad the man and writer and the rich context in which he moved.
Publisher: Rodopi
ISBN: 904202464X
Category : Literary Collections
Languages : en
Pages : 211
Book Description
A sequel to A Portrait in Letters: Correspondence to and about Joseph Conrad (Rodopi, 1995), this volume collects and annotates letters to Joseph Conrad by his family, friends, admirers, and publishers. An indispensable companion to the writer's own letters, it restores the quality of exchange, interaction, and debate that belongs to a major correspondence. It also leads to a fuller, more rounded picture of Conrad in his personal and professional dealings: both of the mutualities and rituals that underpinned his close friendships and of the terms underlying his mutual disagreements with others. Familiar names are here – Arnold Bennett, John Galsworthy, Edward Garnett, Ford Madox Ford, Bertrand Russell, and H. G. Wells – although in largely unfamiliar form, through unpublished or inaccessible materials. Another notable feature of the volume is the newly recovered correspondence relating to the implementation, by Henry Newbolt and William Rothenstein, of the Royal Bounty Fund grant awarded during one of Conrad's most severe financial crises (1904–06). An essential resource for the scholar, this vivid collection can also be read with pleasure by the general reader for the light it throws on Conrad the man and writer and the rich context in which he moved.
The London Stage 1910-1919
Author: J. P. Wearing
Publisher: Scarecrow Press
ISBN: 0810893002
Category : Performing Arts
Languages : en
Pages : 797
Book Description
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 1910–1919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and closing dates Number of performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information on adaptations and translations, plot sources, and comments—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1910–1919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Publisher: Scarecrow Press
ISBN: 0810893002
Category : Performing Arts
Languages : en
Pages : 797
Book Description
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 1910–1919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and closing dates Number of performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information on adaptations and translations, plot sources, and comments—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1910–1919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
The Sphere
Sir Henry Irving
Author: Jeffrey Richards
Publisher: A&C Black
ISBN: 9781852855918
Category : Biography & Autobiography
Languages : en
Pages : 530
Book Description
Sir Henry Irving was the greatest actor of the Victorian age and was thought of by Gladstone as his greatest contemporary. He transformed the theatre, in Britain and America, from a disreputable and marginal entertainment into a respected and uplifting art form. This work gives an account of Irving and his impact on the Victorian theatre and life.
Publisher: A&C Black
ISBN: 9781852855918
Category : Biography & Autobiography
Languages : en
Pages : 530
Book Description
Sir Henry Irving was the greatest actor of the Victorian age and was thought of by Gladstone as his greatest contemporary. He transformed the theatre, in Britain and America, from a disreputable and marginal entertainment into a respected and uplifting art form. This work gives an account of Irving and his impact on the Victorian theatre and life.