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Author: Charles W. Hawthorne Publisher: Courier Corporation ISBN: 048620653X Category : Art Languages : en Pages : 98
Book Description
Look around and select a subject that you can see painted. That will paint itself. Do the obvious thing before you do the superhuman thing. It may have been accidental, but you knew enough to let this alone. The good painter is always making use of accidents. Never try to repeat a success. Swing a bigger brush — you don’t know what fun you are missing. For 31 years, Charles Hawthorne spoke in this manner to students of his famous Cape Cod School of Art. The essence of that instruction has been collected from students’ notes and captured in this book, retaining the personal feeling and the sense of on-the-spot inspiration of the original classroom. Even though Hawthorne is addressing himself to specific problems in specific paintings, his comments are so revealing that they will be found applicable a hundred times to your own work. The book is divided into sections on the outdoor model, still life, landscape, the indoor model, and watercolor. Each section begins with a concise essay and continues with comments on basic elements: general character, color, form, seeing, posture, etc. It is in the matter of color that students will especially feel themselves in the presence of a master guide and critic. Hawthorne’s ability to see color and, more important, to make the student see color, is a lesson that will aid student painters and anyone else interested in any phase of art. Although it does not pretend to be a comprehensive or closely ordered course, this book does have much to offer. It also represents the artistic insight of one of the finest painter-teachers of the twentieth century. "An excellent introduction for laymen and students alike." — Time "To read these notes and comments … is in itself an education. One cannot help but gain great help." — School Arts
Author: Charles W. Hawthorne Publisher: Courier Corporation ISBN: 048620653X Category : Art Languages : en Pages : 98
Book Description
Look around and select a subject that you can see painted. That will paint itself. Do the obvious thing before you do the superhuman thing. It may have been accidental, but you knew enough to let this alone. The good painter is always making use of accidents. Never try to repeat a success. Swing a bigger brush — you don’t know what fun you are missing. For 31 years, Charles Hawthorne spoke in this manner to students of his famous Cape Cod School of Art. The essence of that instruction has been collected from students’ notes and captured in this book, retaining the personal feeling and the sense of on-the-spot inspiration of the original classroom. Even though Hawthorne is addressing himself to specific problems in specific paintings, his comments are so revealing that they will be found applicable a hundred times to your own work. The book is divided into sections on the outdoor model, still life, landscape, the indoor model, and watercolor. Each section begins with a concise essay and continues with comments on basic elements: general character, color, form, seeing, posture, etc. It is in the matter of color that students will especially feel themselves in the presence of a master guide and critic. Hawthorne’s ability to see color and, more important, to make the student see color, is a lesson that will aid student painters and anyone else interested in any phase of art. Although it does not pretend to be a comprehensive or closely ordered course, this book does have much to offer. It also represents the artistic insight of one of the finest painter-teachers of the twentieth century. "An excellent introduction for laymen and students alike." — Time "To read these notes and comments … is in itself an education. One cannot help but gain great help." — School Arts
Author: Richard Mühlberger Publisher: University of Washington Press ISBN: Category : Art Languages : en Pages : 120
Book Description
This is the first life comprehensive book on the life and work of the most outstanding American realists of the early 20th century. It celebrates Charles Webster Hawthorne's achievements as an artist, an unacknowledged master of American realism, whose thoroughly modern idiom blends the Impressionist sensibility with the Ashcan School aesthetic. Hawthorne is best known for his masterful use of colors, and the way they capture the human essence and reveal stunning beauty in the commonplace. Influenced by the Old Masters -- especially Titian and Frans Hals -- Hawthorne admired the rich tonality of color, the monumentality and beauty of representation, and the nobility of subjects depicted, and imported them into his paintings of ordinary people for whom he felt sympathy or admiration: Portuguese fishermen, the selectmen and selectwomen of Provincetown, the fishmonger, the captain's wife, mothers and children.
Author: John W. Robichaux Publisher: Courier Corporation ISBN: 0486437280 Category : Art Languages : en Pages : 82
Book Description
An artist for over seventy years and a teacher for more than sixty, painter Henry Hensche (1901–1992) placed great emphasis in his classes on Monet's Impressionist tradition of seeing and painting color under the influence of light. Hensche taught his students to "see the light, not the object," says his biographer John Robichaux. This book reveals the basic painting philosophy and methodology of a great teacher, as expounded in his famous classes and workshops on Cape Cod.
Author: Theophilus Publisher: Courier Corporation ISBN: 0486145417 Category : Art Languages : en Pages : 276
Book Description
"I have made it my concern to hunt out this technique for your study as I learned it by looking and listening." On Divers Arts, c. 1122, is the oldest extant manual on artistic crafts to be written by a practicing artist. Before Theophilus, manuscripts on the arts came from scholars and philosophers standing outside the actual profession. On Divers Arts describes actual 12th-century techniques in painting, glass, and metalwork, which the Benedictine author wished to pass on to those gifted by God with a talent for making beautiful things. Theophilus teaches, with rigorous attention to fact but also with great reverence the making of pigments for fresco painting, the manufacture of glue, the technique of gold leaf on parchment (the first recorded European reference to true paper), how to blow glass and design stained glass windows, how to fashion gold and silver chalices, and how to make a pipe organ and church bells. Precise instruction on enameling, chasing, repoussé, niello, and beaded wire work prove Theophilus's first-hand knowledge of his craft. While 90 percent of Theophilus's writing is sound technical knowledge, medieval folk lore occasionally spices his text: "Tools are also made harder by hardening them in the urine of a small red-headed boy than by doing so in plain water." But the magnificent fact of On Divers Art remains its status as the first technical treatise on painting, glass, and metalwork, for which actual specimens still survive. The editors have taken care to ensure both philological and technological accuracy for this authoritative edition of a medieval classic, a manual of great importance to craftsmen, historians of art and science, and all who delight in the making of the beautiful.
Author: Lois Griffel Publisher: Watson-Guptill ISBN: 9780823095193 Category : Color in art Languages : en Pages : 0
Book Description
Master Impressionism with an art-instruction classic. Impressionism has inspired generations of American artists. And no one has done more for the cause of American Impressionism than Charles Hawthorne, the founder of the Cape Cod School of Art. In Painting the Impressionist Landscape, author and artist Lois Griffel explores Hawthorne’s theories about color and light in depth. Griffel, the longtime director of the school Hawthorne founded, teaches his philosophy like no other painter can, with inspiring step-by-step painting lessons and illuminating text. A true classic of art instruction, Painting the Impressionist Landscape has sold more than 30,000 copies in hardcover in the fifteen years since it was first published. Now a new generation of painters can bring impressionism into their work with this convenient and affordable paperback edition.
Author: Arthur Stern Publisher: Echo Point Books & Media, LLC ISBN: Category : Art Languages : en Pages : 363
Book Description
Learn to see and mix any color with extraordinary precision! Many painters don't paint what they see, but what they expect to see, what they think they see, what they remember, or what they imagine things are supposed to look like. Since "the mind stands in the way of the eye," the purpose of this revolutionary book is to train you to paint what your eye actually sees. Arthur Stern claims that color is key to painting what you see. After working with three generations of students, he developed a program of 22 painting projects that teach the artist to observe, identify, mix, match, and paint the colors of the world with remarkable accuracy. Using a painting knife and oil paint, you learn to analyze every painting subject as a series of distinct color areas—called color spots—and place each spot on the canvas as a unique and vivid mixture. The fundamental lesson of the book is that if you put the right color spot in the right place, you create a realistic image of form, space, surface texture, atmosphere, light, and shade. As you follow the painting projects in this book, you'll make the dramatic discovery that everything in nature is filled with luminous color. You'll learn to see glowing color in the "blackest" shadow and the "whitest" linen. You'll learn when a green can appear red; how to use paint to replicate metal, glass, wood, paper, porcelain, and other opaque, transparent, or textured surfaces. Before long, you'll be seeing a multitude of colors in a slice of bread, apples and oranges, and a mass of green leaves. You'll learn how to paint quickly enough to capture a "live" still life—a flower that moves and slowly dies as you paint it. You'll even practice with a setup outdoors to see how sunlight and skylight affect color. How to See Color and Paint It is a must for beginners and a valuable asset for intermediate artists who want to develop a more subtle perception of color. A final section contains beautiful paintings of many subjects that have grown out of projects and ideas taught in this book. 130 color plates; 40 black & white illustrations
Author: T. J. Clark Publisher: Tate ISBN: 9781849760911 Category : Art Languages : en Pages : 0
Book Description
This is a timely study of the life and work of L.S. Lowry, as well as his contribution to the development of 20th-century British art.
Author: Marian Appellof Publisher: ISBN: 9780823016068 Category : Painting Languages : en Pages : 0
Book Description
Collects excerpts from 14 books, thus presenting a compendium of approaches to materials and preparation, color, techniques, light and shadow, landscape painting, figure and portrait painting, and still life. The selections are all abundantly illustrated with reproductions (mostly of the authors' paintings) and photos showing techniques, and the illustrations are extensively captioned by the editor. No bibliography. Annotation copyright by Book News, Inc., Portland, OR
Author: Charles W. Hawthorne
Author: Charles W. Hawthorne
Author: Richard Mühlberger
Author: John W. Robichaux
Author: Theophilus
Author: Lois Griffel
Author: Arthur Stern
Author: Robert Henri
Author: David Buckman
Author: T. J. Clark
Author: Marian Appellof