Hawthorne Centenary Essays PDF Download

Author: Roy Harvey Pearce
Publisher: Columbus Ohio State U., P
ISBN:
Category : Authors, American
Languages : en
Pages : 498

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Author: Roy Harvey Pearce
Publisher: Columbus Ohio State U., P
ISBN:
Category : Authors, American
Languages : en
Pages : 500

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Author: Leland S. Person
Publisher: Cambridge University Press
ISBN: 1139462296
Category : Literary Criticism
Languages : en
Pages : 128

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As the author of The Scarlet Letter, Nathaniel Hawthorne has been established as a major writer of the nineteenth century and the most prominent chronicler of New England and its colonial history. This introductory book for students coming to Hawthorne for the first time outlines his life and writings in a clear and accessible style. Leland S. Person also explains some of the significant cultural and social movements that influenced Hawthorne's most important writings: Puritanism, Transcendentalism and Feminism. The major works, including The Scarlet Letter, The House of the Seven Gables and The Blithedale Romance, as well as Hawthorne's important short stories and non-fiction, are analysed in detail. The book also includes a brief history and survey of Hawthorne scholarship, with special emphasis on recent studies. Students of nineteenth-century American literature will find this a rewarding and engaging introduction to this remarkable writer.

Author: Millicent Bell
Publisher: CUP Archive
ISBN: 9780521428682
Category : Literary Criticism
Languages : en
Pages : 180

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This book examines in detail some of Hawthorne's most important and most beloved stories.

Author: Donald J. Crowley
Publisher: Routledge
ISBN: 1134723342
Category : Literary Criticism
Languages : en
Pages : 540

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Book Description
This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

Author: Philip Fisher
Publisher: Univ of California Press
ISBN: 9780520073296
Category : Literary Criticism
Languages : en
Pages : 444

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"A gathering of major importance. . . . Fisher brilliantly articulates the distinctive work of 'new historicism' in treating American texts and circumstances. His introduction, together with the consistently high quality of the essays and their remarkable range of approaches, makes this dramatically superior to earlier collections. . . . As a help to working scholars trying to sort out new developments, and as an introduction for graduate students, this will be the best available guide."--T. Walter Herbert, author of Marquesan Encounters: Melville and the Meaning of Civilization

Author: David B. Diamond
Publisher: Taylor & Francis
ISBN: 1000408795
Category : Psychology
Languages : en
Pages : 218

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Book Description
Offering innovative, psychoanalytic readings of Nathaniel Hawthorne’s four romances, this volume systematically applies Freudian theory to present significant new insights into the psychology of Hawthorne’s characters and their fates. By critically examining scenes in which the protagonists confront past traumas, Diamond underscores the transformative potential which Hawthorne attributes to encounters with the unconscious. Psychoanalytic narrative technique is employed to interpret the psychogical crises, all hidden by Hawthorne in narrative gaps, in The Scarlet Letter, The House of the Seven Gables, The Blithedale Romance, and The Marble Faun. The protagonists' transformations that are illuminated are crucial to an understanding of the trajectory and resolution of the romances. The text will benefit both academic and non-academic readers who seek a deeper understanding of the psychology of Hawthorne's romances. It will be of particular interest to educators and researchers of applied psychoanalysis and psychoanalytic technique. Since its conclusions challenge many currently held critical views, this volume is especially relevant to scholars of Hawthorne studies, interdisciplinary literary studies, and 19th century American literature.

Author: Bernard Rosenthal
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 216

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Assembles a range of criticism on THE HOUSE OF SEVEN GABLES from its earliest reception to contemporary times

Author: Richard E. Mezo
Publisher: Universal-Publishers
ISBN: 1581120567
Category : Literary Criticism
Languages : en
Pages : 125

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Since its publication in 1860, critics have questioned the artistic value of Hawthorne's The Marble Faun. A revival of critical interest during the 1950's and 1960's has done little to change a generally unfavorable opinion of the work. With a few notable exceptions, most recent critics believe The Marble Faun to be inferior to Hawthorne's other completed romances. Such opinions, however, usually seem to be based upon the personal taste of the individual critic rather than upon any sort of objective artistic standards. The purpose of this study is to examine and evaluate the various critical approaches to The Marble Faun. These interpretations provide the basis for a re-appraisal of the work. A study of the structure, the main themes, and the characters of The Marble Faun reveals that it is not an inferior work of art. In many respects, The Marble Faun reflects the maturity of Hawthorne's artistic and philosophical beliefs. The Marble Faun is a work capable of standing on its own merits. Some critics have misunderstood Hawthorne's aesthetic principles. Hawthorne thought that art should be used to suggest moral values. The power of art, he believed, was in its suggestiveness. The creation of an ideal beauty which has no exact counterpart in the material world suggests the reality of an unknowable divine providence. However, the value of a work of art depends upon the mood of the viewer. The viewer must assist the artist with his sympathy and imagination in an act of continual creation. The work of art will reflect back only those qualities which are brought to it by the viewer. Hawthorne's view of life is similar to the philosophy expressed by modern Christian existentialists. Throughout his writings, Hawthorne's concern for humanity is evident. In The Marble Faun, Hawthorne explores a problem which has become almost an obsession of modern man. This problem is the question of man's moral position in what seems to be a meaningless, if not hostile, universe. The most important theme of The Marble Faun is a consideration of the consequences of man's alienation from other men, from God, and from nature. The structure and the themes of The Marble Faun are developed through the actions of the major characters. Hilda, Miriam, Donatello, and Kenyon are each transformed by a fall from relative innocence into a world of suffering humanity. Donatello's transformation from faun to man is more striking than the transformations of the other three characters, and it is his fall which leads to the question of the felix culpa. Although Hilda and Kenyon are ultimately less mature characters than Donatello and Miriam, they also benefit from their experiences in Rome. Hawthorne's belief in the brotherhood of all men is demonstrated by the experiences of the major characters in The Marble Faun. Whether or not it is their wish, each of these characters must accept the responsibility for his own actions and each must become involved with humanity. It is Hawthorne's deep concern for the human condition, profoundly expressed in his art, which makes The Marble Faun a work of enduring importance to our civilization.

Author: Wendy Piper
Publisher: Mercer University Press
ISBN: 0881462179
Category : Literary Criticism
Languages : en
Pages : 206

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This book offers a fresh approach to Hawthorne and O'Connor as writers of the American romance. Drawing from a contemporary philosophical context, it applies Gadamer's cultural critique of modernity to the moral and artistic visions conveyed through the authors' use of the literary form of romance. Hawthorne defines the romance form in terms of its freedom from the realism demanded by the novel. The writer of romance creates a neutral territory between the actual and imaginary, inner and outer reality. The world of the romance is therefore one of the author's own making, freed from the constraints of objective reality. As Hawthorne's formulation emphasizes mystery as the traditional realm of romance, it closes the gap between subject and object upon which modern scientific objectivity is based. Hawthorne's scientists, idealist philosophers, artists, and Puritans demonstrate not only his characteristic head and heart dichotomy, but also the prevailing subjectivism of Enlightenment modernity. O'Connor adopts Hawthorne's romance in her own use of the grotesque and for a similar ethical purpose. As a Catholic Christian, she distorts the real in order to reveal the mystery that surrounds existence. O'Connor's secular reformers, liberal intellectuals, and nihilists attempt to manipulate the world of matter in order to improve or remake the world to their own liking. Like Hawthorne's characters, they are confronted by the mystery of the romance to be recalled to the reality of their own finitude. In the field of hermeneutics, Gadamer makes claims that are pertinent to the narratives of Hawthorne and O'Connor. Against the dualism of modern method, he conceives of knowledge as a "fusion of horizons." This dialogic nature of knowledge calls into question the prevailing scientism of post-Enlightenment modernity. Like the fiction writers, he asserts the mystery of aesthetic experience against the will-to-power that, he argues, is characteristic of modern method. This interdisciplinary study seeks to demonstrate that Gadamer's notions of understanding and the philosophical nature of art shed new light on the moral dimension of the romances of Hawthorne and O'Connor.