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Author: David Damschroder Publisher: Cambridge University Press ISBN: 1107108578 Category : Music Languages : en Pages : 313
Book Description
Penetrating, innovative analyses of numerous compositions by Chopin, integrating Schenkerian principles and a fresh perspective on harmony.
Author: David Damschroder Publisher: Cambridge University Press ISBN: 1107108578 Category : Music Languages : en Pages : 313
Book Description
Penetrating, innovative analyses of numerous compositions by Chopin, integrating Schenkerian principles and a fresh perspective on harmony.
Author: David Damschroder Publisher: Cambridge University Press ISBN: 1316368963 Category : Music Languages : en Pages : 313
Book Description
Chopin's oeuvre holds a secure place in the repertoire, beloved by audiences, performers, and aesthetes. In Harmony in Chopin, David Damschroder offers a new way to examine and understand Chopin's compositional style, integrating Schenkerian structural analyses with an innovative perspective on harmony and further developing ideas and methods put forward in his earlier books Thinking about Harmony (Cambridge, 2008), Harmony in Schubert (Cambridge, 2010), and Harmony in Haydn and Mozart (Cambridge, 2012). Reinvigorating and enhancing some of the central components of analytical practice, this study explores notions such as assertion, chordal evolution (surge), collision, dominant emulation, unfurling, and wobble through analyses of all forty-three Mazurkas Chopin published during his lifetime. Damschroder also integrates analyses of eight major works by Chopin with detailed commentary on the contrasting perspectives of other prominent Chopin analysts. This provocative and richly detailed book will help transform readers' own analytical approaches.
Author: Michael Regan Publisher: GRIN Verlag ISBN: 3640917421 Category : Music Languages : en Pages : 9
Book Description
Essay from the year 2011 in the subject Musicology - Miscellaneous, grade: none, , language: English, abstract: Chopin may not have mastered every aspect of the craft of composition. His orchestration is just adequate, for example, and he seldom ventured into longer forms. But he was a master of harmony of the most subtle and original kind, and incidentally (although this is beyond the brief for this essay) of an un-academic counterpoint too, as a glance at some of the late works, such as the Nocturne Op 62 No 1, will demonstrate. His harmonic style is unique to himself and has the distinction of being not only “academically correct” when he employs familiar chord progressions-i.e. leading notes rise and 7ths fall according to the “rules” of traditional harmony, but of going beyond the norms for the early 19th century in the number of unexpected passing modulations, often to remote keys, and often employing enharmonic note-spellings; and in the dissonance level in certain examples which I will come to later.
Author: Jim Samson Publisher: CUP Archive ISBN: 9780521303651 Category : Music Languages : en Pages : 282
Book Description
This book contains detailed documentary and analytics studies of the music of Chopin, representing the most recent research of leading scholars in the field. The first three essays are concerned with the composer's intentions as revealed in autograph sources. The next group of four essays deal analytically with different aspects of Chopin's musical language, ranging from large-scale tonal planning and the interpretation of harmonic dissonance to praise rhythm and texture. The final three essays are case studies of individual works: the Preludes op. 28, the "Barcarolle", and the Fantasy op. 49.
Author: Jim Samson Publisher: Cambridge University Press ISBN: 1139824996 Category : Music Languages : en Pages : 364
Book Description
The Cambridge Companion to Chopin provides the enquiring music-lover with helpful insights into a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant. Twelve essays by leading Chopin scholars make up three parts. Part 1 discusses the sources of Chopin's style in the music of his predecessors and the social history of the period. Part 2 profiles the mature music, and Part 3 considers the afterlife of the music - its reception, its criticism and its compositional influence in the works of subsequent composers.
Author: David Damschroder
Author: David Damschroder
Author: David Damschroder
Author: Michael Regan
Author: Gene Sidney Lewis
Author: Joanna Nunley
Author: David Damschroder
Author: Charles Andrew Wood
Author: Jim Samson
Author: David Damschroder
Author: Jim Samson