Author: Edward Aldwell
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 202
Book Description
Harmony and voice leading is a textbook in two volumes dealing with tonal organization in the music of the eighteenth and nineteenth centuries.
Harmony and Voice Leading
Author: Edward Aldwell
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 202
Book Description
Harmony and voice leading is a textbook in two volumes dealing with tonal organization in the music of the eighteenth and nineteenth centuries.
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 202
Book Description
Harmony and voice leading is a textbook in two volumes dealing with tonal organization in the music of the eighteenth and nineteenth centuries.
Voice Leading
Author: David Huron
Publisher: MIT Press
ISBN: 026233545X
Category : Music
Languages : en
Pages : 273
Book Description
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.
Publisher: MIT Press
ISBN: 026233545X
Category : Music
Languages : en
Pages : 273
Book Description
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.
Harmonic Practice in Tonal Music
Author: Robert Gauldin
Publisher: W W Norton & Company Incorporated
ISBN: 9780393976663
Category : Music
Languages : en
Pages : 895
Book Description
Conceptually sophisticated and exceptionally musical, Harmonic Practice in Tonal Music provides a thorough treatment of harmony and voice-leading principles in tonal music.
Publisher: W W Norton & Company Incorporated
ISBN: 9780393976663
Category : Music
Languages : en
Pages : 895
Book Description
Conceptually sophisticated and exceptionally musical, Harmonic Practice in Tonal Music provides a thorough treatment of harmony and voice-leading principles in tonal music.
Counterpoint in Composition
Author: Felix Salzer
Publisher: Columbia University Press
ISBN: 023107039X
Category : Composition (Music)
Languages : en
Pages : 504
Book Description
-- Stanley Persky, City University of New York
Publisher: Columbia University Press
ISBN: 023107039X
Category : Composition (Music)
Languages : en
Pages : 504
Book Description
-- Stanley Persky, City University of New York
Student Workbook, Volume II for Aldwell/Schachter/Cadwallader's Harmony and Voice Leading, 5th
Author: Edward Aldwell
Publisher: Wadsworth Publishing
ISBN: 9781337560702
Category : Education
Languages : en
Pages :
Book Description
Provides material for homework assignments, classroom demonstrations and periodic reviews. A generous assortment of excerpts from the literature for assignments in analysis. Volume II corresponds with the second half of the text.
Publisher: Wadsworth Publishing
ISBN: 9781337560702
Category : Education
Languages : en
Pages :
Book Description
Provides material for homework assignments, classroom demonstrations and periodic reviews. A generous assortment of excerpts from the literature for assignments in analysis. Volume II corresponds with the second half of the text.
A Geometry of Music
Author: Dmitri Tymoczko
Publisher: OUP USA
ISBN: 0195336674
Category : Mathematics
Languages : en
Pages : 469
Book Description
In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
Publisher: OUP USA
ISBN: 0195336674
Category : Mathematics
Languages : en
Pages : 469
Book Description
In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
Connecting Chords with Linear Harmony
Author:
Publisher: Hal Leonard Corporation
ISBN: 1476863121
Category : Music
Languages : en
Pages : 130
Book Description
(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.
Publisher: Hal Leonard Corporation
ISBN: 1476863121
Category : Music
Languages : en
Pages : 130
Book Description
(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.
Harmony and Voice Leading
Author: Edward Aldwell
Publisher:
ISBN: 9781439083253
Category : Harmony
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781439083253
Category : Harmony
Languages : en
Pages : 0
Book Description
Basic Theory-Harmony
Author: Joseph Paulson
Publisher: Alfred Music
ISBN: 9781457490217
Category : Music
Languages : en
Pages : 88
Book Description
A well-used general text, this book covers material from figured bass to contemporary practices and ideas in a two-year course. There is a particularly strong chapter on ear training. Organizing progress of study is expedited by having both workbook and text under the same cover.
Publisher: Alfred Music
ISBN: 9781457490217
Category : Music
Languages : en
Pages : 88
Book Description
A well-used general text, this book covers material from figured bass to contemporary practices and ideas in a two-year course. There is a particularly strong chapter on ear training. Organizing progress of study is expedited by having both workbook and text under the same cover.
Student Workbook, Volume I for Aldwell/Schachter/Cadwallader's Harmony and Voice Leading, 5th
Author: Edward Aldwell
Publisher: Wadsworth Publishing
ISBN: 9781337560696
Category : Education
Languages : en
Pages :
Book Description
Provides material for homework assignments, classroom demonstrations and periodic reviews. A generous assortment of excerpts from the literature for assignments in analysis. Volume I corresponds with the first half of the text.
Publisher: Wadsworth Publishing
ISBN: 9781337560696
Category : Education
Languages : en
Pages :
Book Description
Provides material for homework assignments, classroom demonstrations and periodic reviews. A generous assortment of excerpts from the literature for assignments in analysis. Volume I corresponds with the first half of the text.