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Author: Daniel Harrison Publisher: University of Chicago Press ISBN: 9780226318080 Category : Music Languages : en Pages : 364
Book Description
Applicable on a wide scale not only to this repertory, Harrison's lucid explications of abstract theoretical concepts provide new insights into the workings of tonal systems in general.
Author: Daniel Harrison Publisher: University of Chicago Press ISBN: 9780226318080 Category : Music Languages : en Pages : 364
Book Description
Applicable on a wide scale not only to this repertory, Harrison's lucid explications of abstract theoretical concepts provide new insights into the workings of tonal systems in general.
Author: Richard Cohn Publisher: OUP USA ISBN: 019977269X Category : Music Languages : en Pages : 256
Book Description
Reconstructing historical conceptions of harmonic distance, Audacious Euphony advances a geometric model appropriate to understanding triadic progressions characteristic of 19th-century music. Author Rick Cohn uncovers the source of the indeterminacy and uncanniness of romantic music, as he focuses on the slippage between chromatic and diatonic progressions and the systematic principles under which each operate.
Author: Joe Mulholland Publisher: Hal Leonard Corporation ISBN: 1480360856 Category : Music Languages : en Pages : 262
Book Description
(Berklee Guide). Learn jazz harmony, as taught at Berklee College of Music. This text provides a strong foundation in harmonic principles, supporting further study in jazz composition, arranging, and improvisation. It covers basic chord types and their tensions, with practical demonstrations of how they are used in characteristic jazz contexts and an accompanying recording that lets you hear how they can be applied.
Author: Chuck Marohnic Publisher: Alfred Music ISBN: 9781457494055 Category : Music Languages : en Pages : 48
Book Description
Chuck Marohnic gives the keyboard player a basic vocabulary of scales and chords, chord changes and voicings. Included is information about the cycle of fifths, the III-V-I progression, chord substitutions, blues, turn-arounds, relative majors/minors.
Author: Samuel Wilson Publisher: Routledge ISBN: 1317092651 Category : Music Languages : en Pages : 204
Book Description
There is a growing interest in what psychoanalytic theory brings to studying and researching music. Bringing together established scholars within the field, as well as emerging voices, this collection outlines and advances psychoanalytic approaches to our understanding of a range of musics—from the romantic and the modernist to the contemporary popular. Drawing on the work of Freud, Lacan, Jung, Žižek, Barthes, and others, it demonstrates the efficacy of psychoanalytic theories in fields such as music analysis, music and culture, and musical improvisation. It engages debates about both the methods through which music is understood and the situations in which it is experienced, including those of performance and listening. This collection is an invaluable resource for students, lecturers, researchers, and anyone else interested in the intersections between music, psychoanalysis, and musicology.
Author: Alexander Rehding Publisher: Cambridge University Press ISBN: 9780521820738 Category : Music Languages : en Pages : 252
Book Description
Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849-1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed.
Author: Alexander Rehding Publisher: Oxford University Press, USA ISBN: 0190454741 Category : Music Languages : en Pages : 849
Book Description
Music Theory operates with a number of fundamental terms that are rarely explored in detail. This book offers in-depth reflections on key concepts from a range of philosophical and critical approaches that reflect the diversity of the contemporary music theory landscape.
Author: Inessa Bazayev Publisher: Routledge ISBN: 1000179303 Category : Music Languages : en Pages : 279
Book Description
This volume brings together analyses of works by thirteen Russian composers from across the twentieth century, showing how their approaches to tonality, modernism, and serialism forge forward-looking paths independent from their Western counterparts. Russian music of this era is widely performed, and much research has situated this repertoire in its historical and social context, yet few analytical studies have explored the technical aspects of these composers' styles. With a set of representative analyses by leading scholars in music theory and analysis, this book for the first time identifies large-scale compositional trends in Russian music since 1900. The chapters progress by compositional style through the century, and each addresses a single work by a different composer, covering pieces by Rachmaninoff, Myaskovsky, Prokofiev, Shostakovich, Mansurian, Roslavets, Mosolov, Lourié, Tcherepnin, Ustvolskaya, Denisov, Gubaidulina, and Schnittke. Musicians, scholars, and students will find here a starting point for research and analysis of these composers' works and gain a richer understanding of how to listen to and interpret their music.
Author: Robert W. Wason Publisher: Boydell & Brewer ISBN: 1580465757 Category : Music Languages : en Pages : 515
Book Description
The first detailed study of Schenker's pathbreaking 1906 treatise, showing how it reflected 2500 years of thinking about harmony and presented a vigorous reaction to Austro-Germanic music theory ca. 1900.
Author: Daniel Harrison
Author: Daniel Harrison
Author: Christopher Doll
Author: Richard Cohn
Author: Joe Mulholland
Author: Chuck Marohnic
Author: Samuel Wilson
Author: Alexander Rehding
Author: Alexander Rehding
Author: Inessa Bazayev
Author: Robert W. Wason