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Author: Alan R Warren Publisher: Independently Published ISBN: Category : Languages : en Pages : 92
Book Description
Robert Maudsley casually walked into the cell of another inmate, who was sleeping on his bunk facedown. A savage rage quickly took over, and Maudsley started stabbing the back of the man's head. There was blood, pieces of brain, and chunks of hair flying in a fury. After the man went limp, Maudsley grabbed the man's head and held it in both palms and started to smash it against the walls of the cell, so hard that the plaster began to fall off the ceiling.Nurses and guards had to watch on, not being able to get into the cell, hearing the victim's head crack each time it was smashed against the wall. After Maudsley finished with the attack, he sat the limp body up against the bed, got down on his knees, and started to eat chunks of the brain with his home-made knife.Robert Maudsley was dubbed "Hannibal the Cannibal' on account of his thirst for eating the brains of his victims. He is one of the most interesting and thought-provoking murderers in prison. He will be housed in a bulletproof cage, in the basement of Wakefield Prison, England, where Britain hold its most savage, high-profile convicts. He is known to be such a danger to others, even inmates, he lives in a specially designed cell that doesn't allow him any contact with anybody, except for guards that will slide his food through a small hole at the bottom of one of his cells.Robert Maudsley is deemed to be the 'Most Dangerous Prisoner in Britain.' Even though he only killed one person outside of prison, his remaining victims were claimed while incarcerated. This book reviews Maudsley's life from his tormented childhood, his rage-filled murder outside of prison, and the planned torturous murders of three convicted pedophiles.In the basement of Wakefield, you might be surprised who else has been housed beside him, and what kind of relationship they have.
Author: Kyle A. Moody Publisher: McFarland ISBN: 1476666423 Category : Performing Arts Languages : en Pages : 336
Book Description
NBC's Hannibal only lasted for three seasons but became a critical darling and quickly inspired a ravenous fanbase. Bryan Fuller's adaptation of Hannibal Lecter's adventures created a new set of fans and a cult audience through its stunning visuals, playful characters, and mythical tableaus of violence that doubled as works of art. The show became a nexus point for viewers that explored consumption, queerness, beauty, crime, and the meaning of love through a lens of blood and gore. Much like the show, this collection is a love letter to America's favorite cannibal, celebrating the multiple ways that Hannibal expanded the mythology, food culture, fandom, artistic achievements, and religious symbolism of the work of Thomas Harris. Primarily focusing on Hannibal, this book combines interviews and academic essays that examine the franchise, its evolution, creatively bold risks, and the art of creating a TV show that consumed the hearts and minds of its audience.
Author: Alan R Warren Publisher: Independently Published ISBN: Category : Languages : en Pages : 92
Book Description
Robert Maudsley casually walked into the cell of another inmate, who was sleeping on his bunk facedown. A savage rage quickly took over, and Maudsley started stabbing the back of the man's head. There was blood, pieces of brain, and chunks of hair flying in a fury. After the man went limp, Maudsley grabbed the man's head and held it in both palms and started to smash it against the walls of the cell, so hard that the plaster began to fall off the ceiling.Nurses and guards had to watch on, not being able to get into the cell, hearing the victim's head crack each time it was smashed against the wall. After Maudsley finished with the attack, he sat the limp body up against the bed, got down on his knees, and started to eat chunks of the brain with his home-made knife.Robert Maudsley was dubbed "Hannibal the Cannibal' on account of his thirst for eating the brains of his victims. He is one of the most interesting and thought-provoking murderers in prison. He will be housed in a bulletproof cage, in the basement of Wakefield Prison, England, where Britain hold its most savage, high-profile convicts. He is known to be such a danger to others, even inmates, he lives in a specially designed cell that doesn't allow him any contact with anybody, except for guards that will slide his food through a small hole at the bottom of one of his cells.Robert Maudsley is deemed to be the 'Most Dangerous Prisoner in Britain.' Even though he only killed one person outside of prison, his remaining victims were claimed while incarcerated. This book reviews Maudsley's life from his tormented childhood, his rage-filled murder outside of prison, and the planned torturous murders of three convicted pedophiles.In the basement of Wakefield, you might be surprised who else has been housed beside him, and what kind of relationship they have.
Author: Jeff Berglund Publisher: University of Wisconsin Pres ISBN: 0299215946 Category : Literary Criticism Languages : en Pages : 254
Book Description
Objects of fear and fascination, cannibals have long signified an elemental "otherness," an existence outside the bounds of normalcy. In the American imagination, the figure of the cannibal has evolved tellingly over time, as Jeff Berglund shows in this study encompassing a strikingly eclectic collection of cultural, literary, and cinematic texts. Cannibal Fictions brings together two discrete periods in U.S. history: the years between the Civil War and World War I, the high-water mark in America's imperial presence, and the post-Vietnam era, when the nation was beginning to seriously question its own global agenda. Berglund shows how P. T. Barnum, in a traveling exhibit featuring so-called "Fiji cannibals," served up an alien "other" for popular consumption, while Edgar Rice Burroughs in his Tarzan of the Apes series tapped into similar anxieties about the eruption of foreign elements into a homogeneous culture. Turning to the last decades of the twentieth century, Berglund considers how treatments of cannibalism variously perpetuated or subverted racist, sexist, and homophobic ideologies rooted in earlier times. Fannie Flagg's novel Fried Green Tomatoes invokes cannibalism to new effect, offering an explicit critique of racial, gender, and sexual politics (an element to a large extent suppressed in the movie adaptation). Recurring motifs in contemporary Native American writing suggest how Western expansion has, cannibalistically, laid the seeds of its own destruction. And James Dobson's recent efforts to link the pro-life agenda to allegations of cannibalism in China testify still further to the currency and pervasiveness of this powerful trope. By highlighting practices that preclude the many from becoming one, these representations of cannibalism, Berglund argues, call into question the comforting national narrative of e pluribus unum.
Author: Francis Barker Publisher: Cambridge University Press ISBN: 9780521629089 Category : History Languages : en Pages : 330
Book Description
In Cannibalism and the Colonial World, published in 1998, an international team of specialists from a variety of disciplines - anthropology, literature, art history - discusses the historical and cultural significance of western fascination with the topic of cannibalism. Addressing the image as it appears in a series of texts - popular culture, film, literature, travel writing and anthropology - the essays range from classical times to contemporary critical discourse. Cannibalism and the Colonial World examines western fascination with the figure of the cannibal and how this has impacted on the representation of the non-western world. This group of literary and anthropological scholars analyses the way cannibalism continues to exist as a term within colonial discourse and places the discussion of cannibalism in the context of postcolonial and cultural studies.
Author: Priscilla L. Walton Publisher: University of Illinois Press ISBN: 0252092783 Category : Social Science Languages : en Pages : 186
Book Description
Why does Western culture remain fascinated with and saturated by cannibalism? Moving from the idea of the dangerous Other, Priscilla L. Walton's Our Cannibals, Ourselves shows us how modern-day cannibalism has been recaptured as in the vampire story, resurrected into the human blood stream, and mutated into the theory of germs through AIDS, Ebola, and the like. At the same time, it has expanded to encompass the workings of entire economic systems (such as in "consumer cannnibalism"). Our Cannibals, Ourselves is an interdisciplinary study of cannibalism in contemporary culture. It demonstrates how what we take for today's ordinary culture is imaginatively and historically rooted in very powerful processes of the encounter between our own and different, often "threatening," cultures from around the world. Walton shows that the taboo on cannibalism is heavily reinforced only partly out of fear of cannibals themselves; instead, cannibalism is evoked in order to use fear for other purposes, including the sale of fear entertainment. Ranging from literature to popular journalism, film, television, and discourses on disease, Our Cannibals, Ourselves provides an all-encompassing, insightful meditation on what happens to popular culture when it goes global.
Author: L. H. M. Ling Publisher: Routledge ISBN: 1134526911 Category : Political Science Languages : en Pages : 236
Book Description
This book draws on Daoist yin/yang dialectics to move world politics from the current stasis of hegemony, hierarchy, and violence to a more balanced engagement with parity, fluidity, and ethics. The author theorizes that we may develop a richer, more representative approach towards sustainable and democratic governance by offering a non-Western alternative to hegemonic debates in IR. The book presents the story of world politics by integrating folk tales and popular culture with policy analysis. It does not exclude current models of liberal internationalism but rather brackets them for another day, another purpose. The deconstruction of IR as a singular unifying school of thought through the lens of a non-Westphalian analytic shows a unique perspective on the forces that drive and shape world politics. This book suggests new ways to articulate and act so that global politics is more inclusive and less coercive. Only then, the book claims, could IR realize what the dao has always stood for: a world of compassion and care. The Dao of World Politics bridges the humanities and social sciences, and will be of interest to scholars and students of the global/international, as well as policymakers and activists of the local/domestic.
Author: Dave Montalbano Publisher: Xlibris Corporation ISBN: 1462836739 Category : Language Arts & Disciplines Languages : en Pages : 654
Book Description
The Adventures of Cinema Dave is a celebration of films from the turn of the recent century. Dave Montalbano, alias Cinema Dave, wrote over 500 film reviews and interviewed Hollywood Legends such as Fay Wray, Louise Fletcher, Dyan Cannon and new talent like Josh Hutcherson, Jane Lynch and Courtney Ford. With South Florida as his home base, Cinema Dave details his growing involvement with the Fort Lauderdale, Palm Beach and Delray Film Festivals, while covering local interest stories about individuals who contribute to the film culture. Featuring a fun introduction from Cindy Morgan, actress from Caddyshack and Tron fame, and an extensive appendix of Literary Cinema, The Adventures of Cinema Dave is a saga about one mans bibliomania and his pursuit of an entertaining story in the big cave known as cinema.
Author: Alan R Warren
Author: Alan R Warren
Author: Kyle A. Moody
Author: Alan R Warren
Author: Jeff Berglund
Author: Francis Barker
Author: Priscilla L. Walton
Author: L. H. M. Ling
Author: Susan Stryker
Author: Michael D. Sharp
Author: Dave Montalbano