handel ariodante PDF Download

Author: lorraine hunt
Publisher:
ISBN:
Category :
Languages : en
Pages : 404

View

Book Description

Author: Nathan Link
Publisher: Oxford University Press
ISBN: 0197651348
Category : Opera
Languages : en
Pages : 393

View

Book Description
"A Poetics of Handel's Operas investigates the rich representational fabric of Handel's stories, drawing upon musicology, narratology, drama, and film in offering a study with appeal to scholars, producers and performers, opera afficionados, and anyone fascinated by storytelling. In most storytelling genres, we often distinguish between the story, on the one hand, and the way that story is represented, on the other, without a second thought. We know that a character in a film hears neither her own voice-over nor the ambient music that accompanies it, and that she does not really build a house from the ground up in the three minutes spanned by the cinematic montage that depict its construction. In opera, however, many commentators to this day characterize the medium as "unrealistic," since we know, for example, that people in the real world do not sing to each other, nor does orchestral music accompany their utterances. This said, the vocal and orchestral music, while not literally present in the world of the story surely have a great deal to tell us about the opera's story and its characters, and if we distinguish the performance we see and hear on the stage and in the orchestra pit from the story represented, we enable ourselves to construct stories that are no less coherent than those conveyed by other media. By avoiding conflation of the story and its representation, we enable ourselves to engage more meaningfully with the significance of these and many other unique aspects of operatic storytelling"--

Author: Reinhard Strohm
Publisher: Yale University Press
ISBN: 9780300064544
Category : Music
Languages : en
Pages : 350

View

Book Description
'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.

Author: David Vickers
Publisher: Routledge
ISBN: 1351564250
Category : History
Languages : en
Pages : 627

View

Book Description
This anthology represents scholarly literature devoted to Handel over the last few decades, and contains different kinds of studies of the composer's biography, operatic career, singers, librettists, and his relationship with the music of other composers. Case studies range from recent research that transforms our knowledge of large-scale English works to an interdisciplinary exploration of an individual opera aria. Designed to bring easy and convenient access to students, performers and music lovers, the wide-ranging articles are selected by David Vickers (co-editor of the recent Cambridge Handel Encyclopedia) from diverse sources - not only familiar important journals, but also specialist yearbooks, festschrifts, not easily accessible newsletters, conference proceedings and exhibition catalogues. Many of these represent an up-to-date understanding of modern Handel studies, deal with fascinating biographical issues (such as the composer's art collection, his chronic health problems, and the nature of popular anecdotal evidence), and fill gaps in the mainstream Handelian literature.

Author: Paul Henry Lang
Publisher: Courier Corporation
ISBN: 0486144593
Category : Music
Languages : en
Pages : 794

View

Book Description
Exceptionally full, detailed study of the man, his music and times. Childhood, music training, years in London; analysis of Messiah and other works; much more. Introduction. Includes 35 illustrations.

Author: Chris Woodstra
Publisher: Hal Leonard Corporation
ISBN: 9780879308650
Category : Music
Languages : en
Pages : 1620

View

Book Description
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.

Author: Berta Joncus
Publisher: University of Delaware
ISBN: 1611490332
Category : Biography & Autobiography
Languages : en
Pages : 293

View

Book Description
John Rich (1692-1761) was a profoundly influential figure of the eighteenth-century London stage. As producer, manager and performer, he transformed the urban entertainment market, creating genres and promotional methods still with us today. This volume gives the first comprehensive overview of Rich's multifaceted career. Contributions by leading scholars from a range of disciplines-Dtheatre, dance, music, art, and cultural historyDprovide detailed analyses of Rich's productions and representations.

Author: Richard Alexander Streatfeild
Publisher: London : Methuen
ISBN:
Category : Music
Languages : en
Pages : 418

View

Book Description
Chronicles, in "instant message" format, the day-to-day experiences, feelings, and plans of three friends, Zoe, Maddie, and Angela, as they begin tenth grade.

Author: Heidi Waleson
Publisher: Metropolitan Books
ISBN: 1627794980
Category : Performing Arts
Languages : en
Pages : 351

View

Book Description
From the Wall Street Journal’s opera critic, a history of how and why the New York City Opera went bankrupt—and what it means for the future of the arts. In October 2013, the arts world was rocked by the news that the New York City Opera—“the people’s opera”—had finally succumbed to financial hardship after 70 years in operation. The company had been a fixture on the national opera scene—as the populist antithesis of the grand Metropolitan Opera, a nurturing home for young American talent, and a place where new, lively ideas shook up a venerable art form. But NYCO’s demise represented more than the loss of a cherished organization: it was a harbinger of massive upheaval in the performing arts—and a warning about how cultural institutions would need to change in order to survive. Drawing on extensive research and reporting, Heidi Waleson, one of the foremost American opera critics, recounts the history of this scrappy company and reveals how, from the beginning, it precariously balanced an ambitious artistic program on fragile financial supports. Waleson also looks forward and considers some better-managed, more visionary opera companies that have taken City Opera’s lessons to heart. Above all, Mad Scenes and Exit Arias is a story of money, ego, changes in institutional identity, competing forces of populism and elitism, and the ongoing debate about the role of the arts in society. It serves as a detailed case study not only for an American arts organization, but also for the sustainability and management of nonprofit organizations across the country. “An intricate whodunit that seeks to find out who murdered the New York City Opera. . . . Waleson gives us a vivid description of each death-defying crisis and a sharp portrait of the ever-changing cast of would-be saviors who somehow always failed in their mission.” —The New York Times Book Review “Thoroughly researched, factually detailed, judgmentally well-balanced, and engrossing.” —Opera “Waleson’s in-depth study illustrates the challenges City Opera—and other opera houses—face in the 21st century as they seek to preserve tradition and innovate.” —Publishers Weekly “A thorough recounting of the tumultuous history of the New York City Opera [and] a cleareyed examination of the economic fragility of cultural institutions.” —Kirkus Reviews

Author: Donna Leon
Publisher: Grove/Atlantic, Inc.
ISBN: 0802120369
Category : Travel
Languages : en
Pages : 242

View

Book Description
The author of the Commissario Guido Brunetti series presents more than fifty humorous, passionate, and insightful essays about her life in Venice that also explore her family history, her former life in New Jersey, and the idea of the Italian man.