Dictionary Catalog of the Music Collection PDF Download

Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 772

View

Book Description

Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712

View

Book Description

Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 638

View

Book Description

Author: Music Library Association
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 452

View

Book Description

Author: Bibliographical Society (Great Britain). Library
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 170

View

Book Description

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 608

View

Book Description

Author: Max Hinrichsen
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 584

View

Book Description

Author: David Greer
Publisher: Routledge
ISBN: 1317101081
Category : Music
Languages : en
Pages : 227

View

Book Description
Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.

Author: DR NIAMH. PATTWELL
Publisher: Boydell & Brewer
ISBN: 1843847205
Category : Literary Criticism
Languages : en
Pages : 372

View

Book Description
Handlist to manuscripts in Trinity College Dublin, covering all 79 Middle English prose manuscripts and indexing more than 539 separate items The manuscripts in Trinity College Dublin are predominantly from the library of Archbishop James Ussher (1581-1656). A well-known bibliophile of the sixteenth century, he was also primate of All Ireland and fellow and professor of Trinity College. Following some movement of the collection, it was eventually returned to Trinity College after the Restoration, at the behest of Charles II. It is a significant collection, both in national and international terms, with over 600 manuscripts, 79 of which contain Middle English prose. Among the manuscripts in the collection are several Wycliffite Bibles, and collections of sermons and tracts, some of them unique copies. The collection also contains writings by Richard Rolle, Walter Hilton and William Flete, and copies of Thomas à Kempis's Imitation of Christ, as well as the Pore Caitif and The Cloud of Unknowing, both of which are anonymous. There are several copies of the Brut chronicle, two of which (MSS 489 and 505) are illuminated, translations of Giraldus Cambrensis's Expugnacio Hibernica, and a copy of Robert Bale's Chronicle of London, 1189-1461. Also of note are the various collections of recipes - medical, culinary and alchemical. Dictionary-style items demonstrate the trilingual nature of the Medieval period, with single words being offered in English alongside Anglo-Norman and/or Latin words, or as marginal glosses. Fifteenth-century instructions for the coronation of a King or Queen, hidden among some later material, as well as other unidentified heraldic pieces, suggest that some of the manuscripts may be associated with the office of the Ulster King of Arms. The current handlist covers 79 manuscripts, and indexes more than 539 separate items, offering a significant contribution to the understanding of the cultural world of the Medieval period.

Author: Frand Karslake
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 740

View

Book Description
A priced and annotated annual record of international book auctions.