Hamlet and Revenge PDF Download

Author: Eleanor Prosser
Publisher:
ISBN: 9780804703178
Category : Revenge in literature
Languages : en
Pages : 324

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Author: Michael Innes
Publisher:
ISBN:
Category : Appleby, John, Sir (Fictitious character)
Languages : en
Pages : 0

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Author: Peter Lake
Publisher: Yale University Press
ISBN: 0300247818
Category : History
Languages : en
Pages : 239

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Book Description
An illuminating account of how Shakespeare worked through the tensions of Queen Elizabeth's England in two canon-defining plays Conspiracies and revolts simmered beneath the surface of Queen Elizabeth's reign. England was riven with tensions created by religious conflict and the prospect of dynastic crisis and regime change. In this rich, incisive account, Peter Lake reveals how in Titus Andronicus and Hamlet Shakespeare worked through a range of Tudor anxieties, including concerns about the nature of justice, resistance, and salvation. In both Hamlet and Titus the princes are faced with successions forged under questionable circumstances and they each have a choice: whether or not to resort to political violence. The unfolding action, Lake argues, is best understood in terms of contemporary debates about the legitimacy of resistance and the relation between religion and politics. Relating the plays to their broader political and polemical contexts, Lake sheds light on the nature of revenge, resistance, and religion in post-Reformation England.

Author: William Shakespeare
Publisher:
ISBN: 9781638435020
Category :
Languages : en
Pages :

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Author: Thomas Kyd
Publisher: Penguin UK
ISBN: 0141960469
Category : Drama
Languages : en
Pages : 826

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As the Elizabethan era gave way to the reign of James I, England grappled with corruption within the royal court and widespread religious anxiety. Dramatists responded with morally complex plays of dark wit and violent spectacle, exploring the nature of death, the abuse of power and vigilante justice. In Kyd's The Spanish Tragedy a father failed by the Spanish court seeks his own bloody retribution for his son's murder. Shakespeare's 1603 version of Hamlet creates an avenging Prince of unique psychological depth, while Chettle's The Tragedy of Hoffman is a fascinating reworking of Hamlet's themes, probably for a rival theatre company. In Marston's Antonio's Revenge, thwarted love leads inexorably to gory reprisals and in Middleton's The Revenger's Tragedy, malcontent Vindice unleashes an escalating orgy of mayhem on a debauched Duke for his bride's murder, in a ferocious satire reflecting the mounting disillusionment of the age. Emma Smith's introduction considers the political and religious climate behind the plays and the dramatic conventions within them. This edition includes a chronology, playwrights' biographies and suggestions for further reading.

Author: William F. Zak
Publisher: Lexington Books
ISBN: 1498513115
Category : Literary Criticism
Languages : en
Pages : 151

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Book Description
Hamlet's Problematic Revenge: Forging a Royal Mandate provides a new argument within Shakespearean studies that argues the oft-noted arrest of the play’s dramaturgical momentum, especially evident in Hamlet’s much delayed enactment of his revenge, represents in fact a succinct emblem of the “arrested development” in the moral maturity of the entire cast, most notably, Hamlet himself—as the unifying disclosure and tragic problem in the play. Settling for unreflective and short-sighted personal gratifications and cold comforts, they truantly elbow aside a more considerable moral obligation. Again and again, all yield this duty’s commanding priority to a childishly self-regarding fear of offending those in nominal positions of power and questionable positions of authority—figures, like Ophelia and Hamlet’s fathers, for instance, demanding an unworthy deference. While Hamlet fails to consider with loving regard the improved well-being of the larger community to which he owes his existence and, fails to interrogate the moral adequacy of the Ghost’s command of violent reprisal (two things he never does nor even contemplates doing), “all occasions” in the play “do inform against” him and merely “spur a dull revenge”—not, as he interprets his own words, arguing the need for greater urgency in his vendetta, but, instead, to “inform against” the criminality of that very course itself. His revenge therefore can be argued as “dull,” not because he cannot summon the wherewithal to enact it more bloodily, but because in obsessing about it ceaselessly he remains unreceptive to its “dull” or “unenlightened” opposition to the evil he hopes to eradicate. Hamlet does not avenge his father; this book argues that he becomes him. Amidst a wealth of previously unremarked figurative mirrorings, as well as much of the seemingly digressive material in Hamlet within Shakespearean studies, Hamlet’s Problematic Revenge brings to light a new interpretation of the tragic problem in the play.

Author: William Shakespeare
Publisher:
ISBN:
Category : Denmark
Languages : en
Pages : 268

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Author: Thomas Kyd
Publisher: BoD – Books on Demand
ISBN: 3752381388
Category : Fiction
Languages : en
Pages : 102

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Reproduction of the original: The Spanish Tragedy by Thomas Kyd

Author: Rebecca Reisert
Publisher:
ISBN: 9780340771198
Category : Hamlet (Legendary character)
Languages : en
Pages : 520

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Book Description
Passionate Ophelia longs for a life as huge as her spirit. She seems to get her chance when she's taken to Elsinore Castle to rejoin her unknown father, but soon she's torn between her love for the glamorous Prince Hamlet and the wild pirate Ragnor. As she struggles to understand why she's the only person able to see the multitudes of ghosts who haunt the castle, she finds herself drawn into a plot to kill the queen and replace her with Ophelia herself. One desperate act leads to another until madness seems the only path to save those she loves in the dangerously mad world of the Danish royal court.

Author: Derek Dunne
Publisher: Springer
ISBN: 1137572876
Category : Literary Criticism
Languages : en
Pages : 239

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Book Description
This book, the first to trace revenge tragedy's evolving dialogue with early modern law, draws on changing laws of evidence, food riots, piracy, and debates over royal prerogative. By taking the genre's legal potential seriously, it opens up the radical critique embedded in the revenge tragedies of Kyd, Shakespeare, Marston, Chettle and Middleton.