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Author: Hamish FultonPublisher:
ISBN:
Category : Photography, Artistic
Languages : de
Pages :
Book Description
Hamish Fulton[1988/2].
Author: Hamish FultonPublisher:
ISBN:
Category : Photography, Artistic
Languages : de
Pages :
Book Description
Hamish Fulton
Author: Hamish FultonHamish Fulton
Author: Hamish FultonPublisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 156
Book Description
Catalog of an exhibition held at the Tate Britain, Mar. 14-June 4, 2000.
Hamish Fulton
Author: Hamish FultonHamish Fulton
Author: Robin WhiteHamish Fulton
Author: Whitechapel Art GalleryPublisher:
ISBN:
Category :
Languages : en
Pages : 4
Book Description
Thirty-five Years at Crown Point Press
Author: Karin BreuerPublisher: Univ of California Press
ISBN: 9780520210615
Category : Art
Languages : en
Pages : 220
Book Description
Crown Point Press in San Francisco, founded in 1962 by Kathan Brown, is a world-renowned center of contemporary printmaking. It has published work by such major figures as Richard Diebenkorn, Helen Frankenthaler, Sol LeWitt, and Wayne Thiebaud, while bringing to attention prints by many younger artists, including April Gornik, Anish Kapoor, Eric Fischl, and Francesco Clemente. Crown Point Press is known for presenting social and political issues in a range of printmaking media, from hard- and soft-ground etching to drypoint, aquatint, and mezzotint. The Fine Arts Museums of San Francisco acquired the Crown Point Press archive in 1991. This collection of nearly 800 works contains one impression of every print the Press has ever produced. Also included are over 2000 working proofs and preparatory sketches. Now, in collaboration with the National Gallery of Art, the Fine Arts Museums of San Francisco has organized an exhibition of these distinctive prints. Chronicling Crown Point Press's dedication to artistic quality and commitment to innovation in printmaking technique and subject matter, this book also presents Kathan Brown's notable contributions in transforming the printmaking landscape of the twentieth century. Published in association with The Fine Arts Museums of San Francisco
Hamish Fulton
Author: Annual Bibliography of Modern Art
Author: Museum of Modern Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 418
Book Description
Place Matters
Author: Jonathan BordoPublisher: McGill-Queen's Press - MQUP
ISBN: 0228014859
Category : Art
Languages : en
Pages : 393
Book Description
A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography’s tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu’Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge. In his prologue W.J.T. Mitchell writes: “Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography.” Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.