Author: George Frideric HandelPublisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 164
Book Description
Hallische Handel-Ausgabe (Kritische Gesamtausgabe)
Author: George Frideric HandelPublisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 164
Book Description
Complete Works
Author: George Frideric HandelPublisher:
ISBN:
Category : Cantatas
Languages : un
Pages : 152
Book Description
Hallische Händel-Ausgabe
Author: George Frideric HandelPublisher:
ISBN:
Category :
Languages : en
Pages : 184
Book Description
Hallische Händel-Ausgabe (Kritische Gesamtausgabe) : Supplement: Aufzeichnungen zur Kompositionslehre aus den Handschriften im Fitzwilliam Museum Cambridge
Author: George Frideric HandelPublisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 108
Book Description
G. F. Handel
Author: Mary Ann ParkerPublisher: Routledge
ISBN: 113678358X
Category : Music
Languages : en
Pages : 488
Book Description
Baroque composer George Frideric Handel easily ranks among the world's greatest composers. The first edition of this research guide on Handel appeared in 1988; since that time a great deal of scholarly work has been published on Handel and related areas, including the discovery of a hitherto unknown work. New general resources such as the New Grove Dictionary of Opera (1992), electronic resources such as the RISM libretto catalogue online, and the study of Handel's continuing popularity as evidenced by the new Handel House Museum in London and Handel practice around the world (e.g., Messiah and millennium celebrations in Tonga, singalong Messiahs etc.) are incorporated into this revised edition of the Handel guide.
A Poetics of Handel's Operas
Author: Nathan LinkPublisher: Oxford University Press
ISBN: 0197651364
Category : Music
Languages : en
Pages : 393
Book Description
What should we consider when thinking about the relationship between an onstage performance and the story the performance tells? A Poetics of Handel's Operas explores this question by analyzing the narratives of Handel's operas in relation to the rich representational fabric of performance used to convey them. Nathan Link notes that in most storytelling genres, the audience can naturally discern between a story and the way that story is represented: with film, for example, the viewer would recognize that a character hears neither her own voiceover nor the ambient music that accompanies it, whereas in discussions of opera, some audiences may be distracted by the seemingly artificial nature of such conventions as characters singing their dialogue. Link proposes that when engaging with opera, distinguishing between the performance we see and hear on the stage and the story represented offers a meaningful approach to engaging with and interpreting the work. Handel's operas are today the most-performed works in the Baroque opera seria tradition. This genre, with its intricate dramaturgy and esoteric conventions, stands to gain much from an investigation into the relationships between the onstage performance and the story to which that performance directs us. In his analysis, Link offers theoretical studies on opera and narratological theories of literature, drama, and film, providing rich engagement with Handel's work and what it conveys about the relationship between text, story, and performance.
Hallische Händel-Ausgabe: Oratorien und grosse Kantaten. Bd. 1. Das Alexander-Fest ; Bd. 2. Passion nach dem Evangelisten Johannes ; Bd. 3. La Resurrezione ; Bd. 4, 1. La Bellezza ravveduta nel trionfo del Tempo e del Disinganno ; Bd. 5. Aci, Galatea e Polifemo ; Bd. 6. Ode for the birthday of Queen Anne ; Bd. 7. Passion nach Barthold Heinrich Brockes ; Bd. 8. Esther (1. Fassung) ; Bd. 9
Author: George Frideric HandelPublisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 228
Book Description
Historical Dictionary of Sacred Music
Author: Joseph P. SwainPublisher: Rowman & Littlefield
ISBN: 1442264632
Category : Music
Languages : en
Pages : 403
Book Description
Sacred music is a universal phenomenon of humanity. Where there is faith, there is music to express it. Every major religious tradition and most minor ones have music and have it in abundance and variety. There is music to accompany ritual and music purely for devotion, music for large congregations and music for trained soloists, music that sets holy words and music without words at all. In some traditions—Islamic and many Native American, to name just two--the relation between music and religious ritual is so intimate that it is inaccurate to speak of the music accompanying the ritual. Rather, to perform the ritual is to sing, and to sing the ritual is to perform it. This second edition of Historical Dictionary of Sacred Music contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions. This book is an excellent access point for students, researchers, and anyone wanting to know more about sacred music.
Hallische Händel-Ausgabe: Oratorien und grossen Kantaten. Bd. 1. Das Alexander-Fest ; Bd. 2. Passion nach dem Evangelisten Johannes ; Bd. 3. La resurrezione ; Bd. 4[pt].1. La bellezza ravveduta nel trionfo del Tempo e del Disinganno ; Bd. 4[pt].2. Il trionfo del Tempo e della Verità ; Bd. 5. Aci, Galatea e Polifemo ; Bd. 6 Ode for the birthday of Queen Anne ; Bd. 7. Passion nach Barthold Heinrich Brockes ; Bd. 9. pt. 1. Acis and Galatea (1. Fassung) HWV 49a ; Bd. 9. pt. 2. Acis and Galatea (2. Fassung) HWV 49b ; Bd. 12. Athalia HWV 52, Teilbd. 1, Fassung der Uraufführung 1733, Teilbd. 2, Anhang I-III und Kritischer Bericht ; Bd. 13. Saul ; Bd. 14. Israel in Egypt ; Bd. 15. Song for St Cecilia's Day HWV 76 ; Bd. 16. L'allegro, il penseroso ed il moderato ; Bd. 17. The Messiah ; Bd. 18. Samson HWV 57, Teilbd. 1, Partitur von 1743, Teilbd. 2, Anhänge und Kritischer Bericht ; Bd. 19. Semele HWV 58, Teilbd. 1, Fassung der Uraufführung Februar 1744. Teilbd. 2, Anhang I-II und Kritischer Bericht ; Bd. 23. Occasional oratorio ; Bd. 27. Solomon ; Bd. 28. Susanna ; Bd. 29. Theodora ; Bd. 30. Jephtha ; Bd. 31. The choice of Hercules
![Hallische Händel-Ausgabe: Oratorien und grossen Kantaten. Bd. 1. Das Alexander-Fest ; Bd. 2. Passion nach dem Evangelisten Johannes ; Bd. 3. La resurrezione ; Bd. 4[pt].1. La bellezza ravveduta nel trionfo del Tempo e del Disinganno ; Bd. 4[pt].2. Il trionfo del Tempo e della Verità ; Bd. 5. Aci, Galatea e Polifemo ; Bd. 6 Ode for the birthday of Queen Anne ; Bd. 7. Passion nach Barthold Heinrich Brockes ; Bd. 9. pt. 1. Acis and Galatea (1. Fassung) HWV 49a ; Bd. 9. pt. 2. Acis and Galatea (2. Fassung) HWV 49b ; Bd. 12. Athalia HWV 52, Teilbd. 1, Fassung der Uraufführung 1733, Teilbd. 2, Anhang I-III und Kritischer Bericht ; Bd. 13. Saul ; Bd. 14. Israel in Egypt ; Bd. 15. Song for St Cecilia's Day HWV 76 ; Bd. 16. L'allegro, il penseroso ed il moderato ; Bd. 17. The Messiah ; Bd. 18. Samson HWV 57, Teilbd. 1, Partitur von 1743, Teilbd. 2, Anhänge und Kritischer Bericht ; Bd. 19. Semele HWV 58, Teilbd. 1, Fassung der Uraufführung Februar 1744. Teilbd. 2, Anhang I-II und Kritischer Bericht ; Bd. 23. Occasional oratorio ; Bd. 27. Solomon ; Bd. 28. Susanna ; Bd. 29. Theodora ; Bd. 30. Jephtha ; Bd. 31. The choice of Hercules PDF](https://books.google.com/books/content/images/frontcover/mhEJAQAAMAAJ?fife=w80-h100)
Author: George Frideric HandelPublisher:
ISBN:
Category : Music
Languages : en
Pages : 228
Book Description
Hallische Händel-Ausgabe: Kirchenmusik. Bd. 1. Dixit Dominus. Neuausgabe von Hans Joachim Marx [2012] ; Bd. 4. Anthems für Cannons I, HWV 246, 247, 248, 249b ; Bd. 5. Anthems für Cannons II, HWV 250a, 251b, 252, 253 ; Bd. 6. Anthems für Cannons III, HWV 254, 255, 256a ; Bd. 7. Te Deum B-Dur (Cannons), HWV 281 ; Bd. 9. Anthems für die Chapel Royal HWV 251a, 249a, 250b, 251c, 256b, 251e ; Bd. 10. Coronation anthems HWV 259, 258, 260, 261 ; Bd. 11. This is the day which the Lord has made ... HWV 262 ; Sing unto God, ye kingdoms of the earth ... HWV 263 ; Bd. 12. Anthem for the funeral of Queen Caroline HWV 264 ; Bd. 13. Te Deum for victory at the Battle of Dettingen HWV 283 ; Anthem for the victory of Dettingen HWV 265 ; Bd. 15. Neun Amen- und Halleluja-Sätze HWV 269-277 ; Drei englische Kirchenlieder HWV 284-286
![Hallische Händel-Ausgabe: Kirchenmusik. Bd. 1. Dixit Dominus. Neuausgabe von Hans Joachim Marx [2012] ; Bd. 4. Anthems für Cannons I, HWV 246, 247, 248, 249b ; Bd. 5. Anthems für Cannons II, HWV 250a, 251b, 252, 253 ; Bd. 6. Anthems für Cannons III, HWV 254, 255, 256a ; Bd. 7. Te Deum B-Dur (Cannons), HWV 281 ; Bd. 9. Anthems für die Chapel Royal HWV 251a, 249a, 250b, 251c, 256b, 251e ; Bd. 10. Coronation anthems HWV 259, 258, 260, 261 ; Bd. 11. This is the day which the Lord has made ... HWV 262 ; Sing unto God, ye kingdoms of the earth ... HWV 263 ; Bd. 12. Anthem for the funeral of Queen Caroline HWV 264 ; Bd. 13. Te Deum for victory at the Battle of Dettingen HWV 283 ; Anthem for the victory of Dettingen HWV 265 ; Bd. 15. Neun Amen- und Halleluja-Sätze HWV 269-277 ; Drei englische Kirchenlieder HWV 284-286 PDF](https://books.google.com/books/content/images/frontcover/qhIJAQAAMAAJ?fife=w80-h100)
Author: George Frideric HandelPublisher:
ISBN:
Category : Music
Languages : en
Pages : 218
Book Description