Hai[na]ku and Other Poems PDF Download

Author:
Publisher:
ISBN: 9789712732652
Category :
Languages : en
Pages : 186

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Author:
Publisher: Shambhala Publications
ISBN: 083482535X
Category : Poetry
Languages : en
Pages : 95

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Book Description
Over 200 of the best haiku poems from Japanese literature, translated by one of America’s premier poet-translators and now in one giftable volume The haiku is one of the most popular and widely recognized poetic forms in the world. In just three lines a great haiku presents a crystalline moment of image, emotion, and awareness. This illustrated collection includes haiku by the great masters from the seventeenth to the early twentieth century, including works by Basho, Buson, Issa, and other Japanese poets.

Author: Bummi Niyonu Anderson
Publisher: Doublexposure Media Group
ISBN: 9780578490144
Category :
Languages : en
Pages : 102

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A collection of poems

Author: Kirit Sengupta
Publisher: Hawakal Publishers
ISBN: 8194527309
Category : Poetry
Languages : en
Pages : 208

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As the pandemic shutdown looms over us, we are reminded of those things we took for granted: for instance, hibiscus flowers, the sea, the moon, or an elderly couple at home who are still in love. Hibiscus: poems that heal and empower seeks to convey the resonating touch of the flower itself. According to Ayurveda, the flower has many medicinal uses that include but are not limited to lowering blood pressure and preventing stroke. The anthology derives its healing power from reaching across continents. It was conceived in India by acclaimed poet, editor, and translator Kiriti Sengupta. Hibiscus houses 104 poets—luminaries like Keki N. Daruwalla, Mamang Dai, Sudeep Sen, Bina Sarkar Ellias, Sanjeev Sethi, Sanjukta Dasgupta, Wang Ping, Tim Kahl, John Grey, Michael R. Burch, Claudine Nash, Gerard Sarnat, among others. Chief editor Kiriti Sengupta writes of the concept behind the book: “As a clinician, I can tell you, healing is not all about back to normalcy, or in other words, restoration of the state of being. Healing imparts strength. It renders authority.” A distinct relationship exists between healing and empowerment that this anthology intends to convey. In the introduction written conjointly between the editors: Kiriti Sengupta, Anu Majumdar, and Dustin Pickering, the roles the collection declares for itself are made apparent. Majumdar writes, “Poetry is the first language of humanity,” and “how we heal all this,” the different levels of crisis, “is the justice that will empower the world.” Sengupta writes, “In times of crisis, one may approach the issue(s) in more than one way: we can demand remedial measures, or we can opt for a therapeutic course that will alleviate our suffering. We have every right to exercise both the means, however. Hibiscus: poems that heal and empower follows the second way of addressing hardship.” Pickering himself writes of the socio-economical devastation wreaked by the virus and implies that people return to their humanity. In taking a bold stance of caution, Pickering also shows us an alternative meaning to social distancing: minding one’s own business is paramount, and we should not infringe on others. However, the anthology is rife with questions about our humanity, how we treat one another, the forgotten beauty of life, and the wonders we are surrounded by and should be concerned with preserving. It is recorded that the lockdown has helped restore the environment. Hibiscus: poems that heal and empower in its ability to navigate steep terrain—the cultural and political forces we wish to command—while transcending our pettiness to show that empowerment is possible without pretense. The anthology elicits a promising journey during this time when poetry is having a bright moment.

Author: S. M. Kozubek
Publisher: Createspace Independent Publishing Platform
ISBN: 9781523450121
Category :
Languages : en
Pages : 38

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The haiku, tanka and other short verse published in many anthologies are now collected for the first time in one book with beautiful nature color photographs. The humorous and sometimes tragic foibles of human nature in love and aging are also highlighted in many haiku and tanka, more accurately described then as senryu and kyoka. Based on ancient art forms, the short poems in this new work carry a truly modern perspective.

Author: June Jordan
Publisher: Virago Press (UK)
ISBN: 9781853816284
Category : African Americans
Languages : en
Pages : 133

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Author: Kōtarō Takamura
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Jean Vengua
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 108

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Book Description
"It began when Eileen R. Tabios in 2000 read Richard Brautigan's novel, The Hawkline Monster, and was inspired by one of its characters: "Cameron was a counter. He vomited nineteen times to San Francisco. He liked to count everything." From that moment on, Tabios began a Counting Journal in which she kept track of anything she could count as her days unfolded. The journal would come to reference, in 2001, the Selected Letters of Jack Kerouac where Kerouac is quoted as saying, "I think American haikus should never have more than 3 words in a line." Tabios recalled both moments on her first poetic blog, WINEPOETICS, as background to her decision to invent a "Pinoy Haiku" form that would come to be known as the "hay(na)ku." This new poetic form's name is a pun off of the Filipino exclamation "Hay naku!" which is used in a variety of situations in the same way the English "Oh!" is interjected. Inaugurated on June 12, 2003, the hay(na)ku is deceptively simple with its form of a tercet comprised of one-, two-, and three-word lines. The form swiftly became popular and since has been used by poets from all over the world."--BOOK JACKET.

Author: A. A. Patawaran
Publisher:
ISBN: 9789712734281
Category :
Languages : en
Pages : 249

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Author: Eileen Tabios
Publisher: Blazevox Books
ISBN: 9781934289921
Category : Biography & Autobiography
Languages : en
Pages : 194

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Book Description
The Blind Chatelaine's Keys takes its impetus from three impossibilities: (i) biography (and autobiography) - something is always left out, (ii) artistic criticism - the critic,s subjectivity inevitably comes to play, and (iii) pure persona in poems -the poet's self remains a presence no matter how much a poet may wish to disrupt the 'I'. Eileen R. Tabios, known as 'Chatelaine' in poetry blogland, uses others' criticisms and engagements of her writings to create a narrative arc that serves as a biography. Since the biography is based (mostly) on her poems, it conceptually pushes the idea summed up by Ted Berrigan: 'there is a self inside almost all of the poems'. The Blind Chatelaine's Keys is also a poetics, but laid out by others based on Tabios' poems. Not only is this ideal as one doesn't want to apply proscriptive paradigms on art, but, according to Tabios, it reflects the way of 'Kapwa' - a Filipino cultural concept of interconnectedness whereby other people are not 'others' but part of what one is. The featured critical engagements were also chosen for what the reviews say about their authors. The results address the Chatelaine's core poetics: while Rimbaud says, 'I is Another,' the Chatelaine cheerfully notes, 'Moi is all about Toi.' When Tabios finally speaks for herself - it is to inaugurate a new poetic form: the 'haybun.' While this form is inspired by the 'haibun' associated with Basho, the 'haybun' relies on the 'hay(na)ku'. The ?hay(na)ku' is an earlier invention by Tabios which has become a popular 21st century form, undertaken by numerous poets worldwide. Through the haybun, Tabios offers a memoir of a failed adoption attempt, 'Looking for M.', which has been praised by adoption professionals.