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Author: Tania Demetriou Publisher: Manchester University Press ISBN: 152614025X Category : Literary Criticism Languages : en Pages : 469
Book Description
This volume offers the first in-depth investigation of Thomas Heywood’s engagement with the classics. Its introduction and twelve essays trace how the classics shaped Heywood’s work in a variety of genres across a writing career of over forty years, ranging from drama, epic and epyllion, to translations, compendia and the design of a warship for Charles I. Close readings demonstrate the influence of a capaciously conceived classical tradition that included continental editions and translations of Latin and Greek texts, early modern mythographies and the medieval tradition of Troy. They attend to Heywood’s thought-provoking imitations and juxtapositions of these sources, his use of myth to interrogate gender and heroism, and his turn to antiquity to celebrate and defamiliarise the theatrical or political present. Heywood’s better-known works are discussed alongside critically neglected ones, making the collection valuable for undergraduates and researchers alike.
Author: Tania Demetriou Publisher: Manchester University Press ISBN: 152614025X Category : Literary Criticism Languages : en Pages : 469
Book Description
This volume offers the first in-depth investigation of Thomas Heywood’s engagement with the classics. Its introduction and twelve essays trace how the classics shaped Heywood’s work in a variety of genres across a writing career of over forty years, ranging from drama, epic and epyllion, to translations, compendia and the design of a warship for Charles I. Close readings demonstrate the influence of a capaciously conceived classical tradition that included continental editions and translations of Latin and Greek texts, early modern mythographies and the medieval tradition of Troy. They attend to Heywood’s thought-provoking imitations and juxtapositions of these sources, his use of myth to interrogate gender and heroism, and his turn to antiquity to celebrate and defamiliarise the theatrical or political present. Heywood’s better-known works are discussed alongside critically neglected ones, making the collection valuable for undergraduates and researchers alike.
Author: Eric Pudney Publisher: Manchester University Press ISBN: 9198376888 Category : Literary Criticism Languages : en Pages : 326
Book Description
Winner of the 2019 Warburg Prize from the Royal Swedish Academy of Letters, History and Antiquities for an outstanding work of literary history This is a study of the representation of witches in early modern English drama, organised around the themes of scepticism and belief. It covers the entire early modern period, including the Restoration, and pays particular attention to three plays in which witchcraft is central: The Witch of Edmonton (1621), The Late Lancashire Witches (1634) and The Lancashire Witches (1681). Always a controversial issue, witchcraft has traditionally been seen in terms of a debate between ‘sceptics’ and ‘believers’. This book argues instead that, while the concepts of scepticism and belief are central to an understanding of early modern witchcraft, they are more fruitfully understood not as static and mutually exclusive positions within the witchcraft debate, but as rhetorical tools used by both sides.
Author: Martha Vandrei Publisher: Oxford University Press ISBN: 0198816723 Category : Biography & Autobiography Languages : en Pages : 250
Book Description
Taking a long chronological view and a wide-ranging, interdisciplinary approach, this is an innovative and distinctive book. It is the definitive work on the posthumous reputation of the ever-popular warrior queen of the Iceni, Queen Boadicea/Boudica, exploring her presence in British historical discourse, from the early-modern rediscovery of the works of Tacitus to the first historical films of the early twentieth century. In doing so, the book seeks to demonstrate the continuity and persistence of historical ideas across time and throughout a variety of media. This focus on continuity leads into an examination of the nature of history as a cultural phenomenon and the implications this has for our own conceptions of history and its role in culture more generally. While providing contemporary contextual readings of Boudica's representations, Martha Vandrei also explores the unique nature of historical ideas as durable cultural phenomena, articulated by very different individuals over time, all of whom were nevertheless engaged in the creative process of making history. Thus this study presents a challenge to the axioms of cultural history, new historicism, and other mainstays of twentieth- and twenty-first- century historical scholarship. It shows how, long before professional historians sought to monopolise historical practice, audiences encountered visions of past ages created by antiquaries, playwrights, poets, novelists, and artists, all of which engaged with, articulated, and even defined the meaning of "historical truth". This book argues that these individual depictions, variable audience reactions, and the abiding notion of history as truth constitute the substance of historical culture.
Author: Alex Davis Publisher: DS Brewer ISBN: 1843842688 Category : Literary Criticism Languages : en Pages : 266
Book Description
In this book, Alex Davis argues that the paradigms that have governed our ideas about the historical consciousness of the English Renaissance for more than half a century must be re-evaluated in the light shed by the Renaissance historical fictions of Philip Sidney, Thomas Deloney, and Thomas Nashe.
Author: Stephen Gordon Publisher: Routledge ISBN: 0429779151 Category : Fiction Languages : en Pages : 170
Book Description
The belief in the reality of demons and the restless dead formed a central facet of the medieval worldview. Whether a pestilent-spreading corpse mobilised by the devil, a purgatorial spirit returning to earth to ask for suffrage, or a shape-shifting demon intent on crushing its victims as they slept, encounters with supernatural entities were often met with consternation and fear. Chroniclers, hagiographers, sermon writers, satirists, poets, and even medical practitioners utilised the cultural ‘text’ of the supernatural encounter in many different ways, showcasing the multiplicity of contemporary attitudes to death, disease, and the afterlife. In this volume, Stephen Gordon explores the ways in which conflicting ideas about the intention and agency of supernatural entities were understood and articulated in different social and literary contexts. Focusing primarily on material from medieval England, c.1050–1450, Gordon discusses how writers such as William of Malmesbury, William of Newburgh, Walter Map, John Mirk, and Geoffrey Chaucer utilised the belief in demons, nightmares, and walking corpses for pointed critical effect. Ultimately, this monograph provides new insights into the ways in which the broad ontological category of the ‘revenant’ was conceptualised in the medieval world.
Author: Duncan Sprott Publisher: Vintage ISBN: 1400075106 Category : Fiction Languages : en Pages : 498
Book Description
From a refreshingly antic new voice in historical fiction, this epically entertaining, irresistibly madcap novel re-creates an ancient family whose obsessions and dysfunctions would change the world, for better or worse. They were the last pharaohs to rule Egypt. Ptolemy Soter (putative half-brother of Alexander the Great–his mother may have been raped by Alexander’s father) begins it all when he takes the kingdom of the Nile as his share of the empire and brings along Alexander’s carefully embalmed corpse for luck. Soon enough, Ptolemy, in a kind of ancient corporate takeover, becomes pharoah, the living god of Egypt, first in what he hopes will be a long line of Ptolemies. Scheming priests, conniving wives, errant sons and daughters (some of whom have a thing for each other), and an epic’s worth of battles and intrigue make for a tale so rich in upheaval and mayhem that perhaps only our narrator, the irreverent and disapproving Thoth, Egyptian god of Wisdom and Patron of Scribes, could do it justice.
Author: Joan Fitzpatrick Publisher: Cambridge Scholars Publishing ISBN: 1443810231 Category : Art Languages : en Pages : 235
Book Description
This collection of essays emerges from a two-day international conference held at the University of Northampton, UK. It contains the best of the papers presented by 45 delegates from 12 countries (UK, India, USA, Canada, Italy, France, Ireland, Australia, Romania, Japan, Germany, Portugal) involving both established academics and new scholars. The collection is divided into three parts: Part 1: ‘Medieval and Early-Modern Cities: Performance and Poetry’, Part 2: ‘Defining Urban Space: the Metropolis and the Provincial’, and Part 3: ‘Modern and Postmodern Cities: Marginal Urban Identities’. The chapters explore the nature of the modern city in literature, history, film and culture from its origins in the early-modern period to post-modern dislocations and considers the city as a context within which literature is created, structured, and inspired, and as a space within which distinct voices and genres emerge. Much interest has developed recently on the city and its contexts but there is a tendency to focus on London (for example there is the journal Literary London: Interdisciplinary Studies in the Representation of London and the annual Literary London Conference, a major conference that has run since 2002). This collection fills an important gap in the market by having a truly global focus. "Joan Fitzpatrick’s The Idea of the City represents a fascinating snapshot of the current state of literary urban studies. Conference proceedings can often seem diffuse or tokenistic, but this collection offers unity on several levels. For a start, many of the contributors ask similar questions of their material, approaching it with an informed awareness of the ways in which the city has been theorised as well as actually traversed from the medieval period to the present. While one would expect work of this type and standard from established and widely-published scholars such as Pamela Gilbert and Julian Wolfreys, it is refreshing to see how new researchers are blending the cartographic with the psychological to raise important questions about the perception, analysis, and mythologisation of urban and metropolitan space. The collection is impressively eclectic, ranging from Petrarch’s Avignon to modern Los Angeles, and from 18th century Lichfield to operatic re-imaginings of Venice. As I said, however, the collection is unified at a deep level by the contributors’ shared interest in city writing, and by their conviction that there is a complex relationship between space, place, and self. This means that the book would be of use and interest to those working on individual writers (including contemporary novelists such as Niall Griffiths, on whom little has yet been published) and in the more general areas of urban and cultural studies and critical theory. The collection as a whole allows the reader to revisit the ideas of influential works from the previous decade, such as Keith Tester’s The Flâneur (1994), Sophie Watson and Katherine Gibson’s Postmodern Cities and Spaces (1995), and Susana Onega and John Stotesbury’s London in Literature: Visionary Mappings of the Metropolis (2002). It is therefore both a useful round-up of established ideas from various city-centred disciplines, and a starting point for the fresh consideration of enduringly suggestive material." —Dr Nick Freeman, Loughborough University, Author of Conceiving the City: London, Literature, and Art 1870-1914 "In this substantial volume the editor has assembled an international line-up of scholars working on the city from the Renaissance to the present. This is an important and timely work that has depth as well as breadth. Interdisciplinary and cross-period collections like this which straddle several historical periods run the risk of appealing only in part to coherent scholarly communities, but Dr Fitzpatrick has structured the collection in a way which plays to the strength of critics working within particular periods while clearly displaying the latticework of links between the book's strongly marked sections. There is an excellent balance between historical and theoretical readings, between textual and contextual approaches, and between interventions that are author or text based and those that deal with broader themes and issues. The range of contributors is matched by the richness and variety of perspectives. I would strongly recommend this book to students working in the early modern period, and also to those interested in modern developments. It is a comprehensive, intelligently organized and richly researched volume that is likely to be well received, well reviewed and well read. I will certainly be ordering copies for my own University library and including it on reading lists for future courses." —Professor Willy Maley, University of Glasgow
Author: Tania Demetriou
Author: Tania Demetriou
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Author: Judith M. Barringer
Author: Eric Pudney
Author: Martha Vandrei
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Author: Alex Davis
Author: Stephen Gordon
Author: Duncan Sprott
Author: Joan Fitzpatrick