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Author: Celia Paul Publisher: New York Review of Books ISBN: 1681376415 Category : Biography & Autobiography Languages : en Pages : 327
Book Description
With original artworks throughout, an extraordinary fusion of memoir and artistic biography from the acclaimed artist and author of Self-Portrait. Dearest Gwen, I know this letter to you is an artifice. I know you are dead and that I’m alive and that no usual communication is possible between us but, as my mother used to say, “Time is a strange substance” and who knows really, with our time-bound comprehension of the world, whether there might be some channel by which we can speak to each other, if we only knew how. Celia Paul’s Letters to Gwen John centers on a series of letters addressed to the Welsh painter Gwen John (1876–1939), who has long been a tutelary spirit for Paul. John spent much of her life in France, making art on her own terms and, like Paul, painting mostly women. John’s reputation was overshadowed during her lifetime by her brother, Augustus John, and her lover Auguste Rodin. Through the epistolary form, Paul draws fruitful comparisons between John’s life and her own: their shared resolve to protect the sources of their creativity, their fierce commitment to painting, and the ways in which their associations with older male artists affected the public’s reception of their work. Letters to Gwen John is at once an intimate correspondence, an illuminating portrait of two painters (including full-color plates of both artists’ work), and a writer/artist’s daybook, describing Paul’s first exhibitions in America, her search for new forms, her husband’s diagnosis of cancer, and the onset of the global pandemic. Paul, who first revealed her talents as a writer with her memoir, Self-Portrait, enters with courage and resolve into new unguarded territory—the artist at present—and the work required to make art out of the turbulence of life.
Author: Celia Paul Publisher: New York Review of Books ISBN: 1681376415 Category : Biography & Autobiography Languages : en Pages : 327
Book Description
With original artworks throughout, an extraordinary fusion of memoir and artistic biography from the acclaimed artist and author of Self-Portrait. Dearest Gwen, I know this letter to you is an artifice. I know you are dead and that I’m alive and that no usual communication is possible between us but, as my mother used to say, “Time is a strange substance” and who knows really, with our time-bound comprehension of the world, whether there might be some channel by which we can speak to each other, if we only knew how. Celia Paul’s Letters to Gwen John centers on a series of letters addressed to the Welsh painter Gwen John (1876–1939), who has long been a tutelary spirit for Paul. John spent much of her life in France, making art on her own terms and, like Paul, painting mostly women. John’s reputation was overshadowed during her lifetime by her brother, Augustus John, and her lover Auguste Rodin. Through the epistolary form, Paul draws fruitful comparisons between John’s life and her own: their shared resolve to protect the sources of their creativity, their fierce commitment to painting, and the ways in which their associations with older male artists affected the public’s reception of their work. Letters to Gwen John is at once an intimate correspondence, an illuminating portrait of two painters (including full-color plates of both artists’ work), and a writer/artist’s daybook, describing Paul’s first exhibitions in America, her search for new forms, her husband’s diagnosis of cancer, and the onset of the global pandemic. Paul, who first revealed her talents as a writer with her memoir, Self-Portrait, enters with courage and resolve into new unguarded territory—the artist at present—and the work required to make art out of the turbulence of life.
Author: Alicia Foster Publisher: Tate ISBN: 9781849762748 Category : Art Languages : en Pages : 0
Book Description
Gwen John (1876-1939) was an artist with a singular vision, one whose intense gaze produced some of the most beguiling and atmospheric paintings of the late 19th and early 20th centuries. This concise survey of her life and work places John--often unfairly thought of as a recluse--at the artistic heart of London and Paris. A seminal figure within these circles, her work is reappraised in that context and explored in terms of the alliances and differences John had with her contemporaries. Gwen John's representation of the female nude, her paintings of interiors, and the effect of her Catholic faith on her work are all discussed. The author also discusses the key relationship between John's position as a woman artist and her lifelong fascination with the portrayal of the female sitter.
Author: Jennifer Higgie Publisher: Simon and Schuster ISBN: 1643138049 Category : Art Languages : en Pages : 336
Book Description
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Author: Sue Roe Publisher: Random House ISBN: 1409029301 Category : Art Languages : en Pages : 402
Book Description
In 1942, at the height of his fame, Augustus John predicted that 'fifty years from now I shall be known as the brother of Gwen John'. Gwen John (1876 - 1939) is indeed now recognised as a great artistic innovator, yet for years her life remained shrouded in the myth of the solitary recluse. Born in Pembrokeshire, Gwen followed her brother to the Slade. Her future was bound up with Augustus, his women and his coteries, yet she was also daring and highly original, living determinedly in her own way. Defiant yet shy, she painted and modelled amid the Bohemian circles of early twentieth-century Paris and embarked on a long, intense love affair with France's most legendary artistic figure, the sculptor Rodin. A friend of Symbolist poets and post-Impressionist painters, later she turned increasingly to religion, achieving a deep serenity which masked her inner turbulence, creating her haunting paintings - delicate, austere, restrained and still. Based on her lively and passionate unpublished letters and copiously illustrated, this vivid new biography challenges our prejudices about the ways we evaluate women artists and finally uncovers the life of this ardent and complicated personality, one of the finest artists of her day. Important Notice: The digital edition of this book is missing some of the images or content found in the physical edition.
Author: Alison Thomas Publisher: Blackwell Publishing ISBN: 9780745618289 Category : Art Languages : en Pages : 272
Book Description
Gwen John has long been regarded as one of the foremost female painters of the twentieth century. She was just one of a group of outstandingly talented women at the Slade School of Art, a group which also included Edna Clarke Hall, Ida Nettleship and Gwen Smith. This biography tells the story of these four women's lives, from their shared student days at the Slade through the subsequent development of their careers. It has often been assumed that marriage and immersion in domestic responsibilities terminated the promising careers of these women. But Thomas shows that, despite these complications, they continued in serious artistic endeavor throughout their lives, producing work of a highly original and individual character. In striving to reconcile the demands of family and domestic ties with their desire to continue painting, the Slade women struggled with a dilemma which continues to face many women in the late twentieth century. Well illustrated and engagingly written, Portraits of Women reconstructs a neglected chapter in the development of twentieth-century art.
Author: Publisher: LawsonPublishing Ltd ISBN: 1999675223 Category : Biography & Autobiography Languages : en Pages : 226
Book Description
For the first time,the story ofJohn Steinbecksforgotten second wife,unmentioned in standard editions of his classics,such as The Grapes of Wrath..Their 1943 wartime marriage ended when she divorced him in 1948..Smart, adventurous and in love,she at first matched Steinbecks zest for on the road advntures but was then only too happy to settle down and make a home where he could write.Love and marriage were considered the appropriate vocation for women of her era.Gwyn paid a high price for her involvement of the restless,driven,genius,John Steinbeck.This was a marriage, which could not succeed despite her love for Steinbeck,the man and master storyteller.
Author: Jenny Volvovski Publisher: Chronicle Books ISBN: 1452137234 Category : Biography & Autobiography Languages : en Pages : 170
Book Description
Stories and portraits of sixty-five unsung heroes behind some of history’s greatest achievements in the arts, politics, science, and technology. Explore the secret stories of the individuals behind some of the most legendary figures in the arts, politics, science, and technology in this fascinating compendium of historical fact and biographical trivia. Learn about Michael and Joy Brown, who gifted Harper Lee a year’s worth of wages to help her write To Kill a Mockingbird. Meet Thomas A. Watson, the assistant who built the telephone Alexander Graham Bell invented. And read about Sam Shaw, the man whose iconic photographs helped make Marilyn Monroe the enduring legend she is today. Each individual’s incredible story is told by a noted historian and illustrated in a sumptuous portrait by one of today’s hottest artists. History has never been so captivating or looked so good. Featuring Artwork By: Wendy MacNaughton Samantha Hahn Laura Callahan Thomas Doyle And Text by: Jessica Lamb-Shapiro Mark Binelli Manuel Gonzales Josh Viertel and many more . . . “Sixty-five illustrators and as many writers collaborated for these surprising, fun bios of history’s secret sidekicks, including Mrs. Warhola, who inspired her son Andy’s fascination with groceries.” —mental_floss magazine “A charmingly illustrated compendium of history’s most fascinating—and largely unknown—sidekicks.” —Entertainment Weekly
Author: David Boyd Haycock Publisher: ISBN: 9781911300359 Category : Art Languages : en Pages :
Book Description
In the first three decades of the 20th century Augustus John (1878-1961) was widely considered one of the greatest living British artists, famous almost as much for his extraordinary Bohemian lifestyle as for his outstanding portraits, etchings and drawings. John was born in Wales in 1878 and educated at the Slade School of Art in London in the 1890s, where the onus of teaching was on the daily life class and a close study of the Old Masters. He soon emerged as a wonderfully gifted draughtsman - indeed, the American painter John Singer Sargent would declare that John's youthful drawings were amongst the fi nest seen since the Renaissance. Dividing his life between England, Wales and France, and reaching his prime in the years immediately before the outbreak of the Great War, by 1910 John would be likened to a British Gauguin, a Welsh Post-Impressionist using bold colours and a willfully naive and primitive style to explore the complex combination of romanticism, escapism and alienation engendered by 20th-century life.00Exhibition: Poole Museum, UK (26.05.2018-30.09.2019) / The Salisbury Museum, UK (18.05.-29.09.2019).
Author: Celia Paul
Author: Celia Paul
Author: Alicia Foster
Author: Cecily Langdale
Author: Jennifer Higgie
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Author: Sue Roe
Author: Alison Thomas
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Author: Jenny Volvovski
Author: David Boyd Haycock