Author: Samuel Raybone
Publisher: Bloomsbury Publishing USA
ISBN: 1501339958
Category : Art
Languages : en
Pages : 265
Book Description
Gustave Caillebotte was more than a painter: he collected and researched postage stamps; designed and built yachts; administered and participated in the sport of yachting; collected paintings; cultivated and collected rare orchids; designed and tended his gardens; and engaged in local politics. Gustave Caillebotte as Worker, Collector, Painter presents the first comprehensive account of Caillebotte's manifold activities. It presents a completely new critical interpretation of Caillebotte's broad career that highlights the singular salience of 'work', and which intersects histories and theories of visual culture, ideology, and psychoanalysis. Where the recent art historical 'rediscovery' of Caillebotte offers multiple narratives of his identification with working men, this book goes beyond them towards excavating what his work was in its own terms. Born to an haut bourgeois milieu in which he was never completely comfortable and assailed by traumatic familial bereavements, Caillebotte adopted and adapted the ideologically normative category of work for his own purposes, deconstructing its ostensibly class-determinate parameters in order to bridge the chasm of his social alienation.
Gustave Caillebotte as Worker, Collector, Painter
Author: Samuel Raybone
Publisher: Bloomsbury Publishing USA
ISBN: 1501339966
Category : Art
Languages : en
Pages : 265
Book Description
Gustave Caillebotte was more than a painter: he collected and researched postage stamps; designed and built yachts; administered and participated in the sport of yachting; collected paintings; cultivated and collected rare orchids; designed and tended his gardens; and engaged in local politics. Gustave Caillebotte as Worker, Collector, Painter presents the first comprehensive account of Caillebotte's manifold activities. It presents a completely new critical interpretation of Caillebotte's broad career that highlights the singular salience of 'work', and which intersects histories and theories of visual culture, ideology, and psychoanalysis. Where the recent art historical 'rediscovery' of Caillebotte offers multiple narratives of his identification with working men, this book goes beyond them towards excavating what his work was in its own terms. Born to an haut bourgeois milieu in which he was never completely comfortable and assailed by traumatic familial bereavements, Caillebotte adopted and adapted the ideologically normative category of work for his own purposes, deconstructing its ostensibly class-determinate parameters in order to bridge the chasm of his social alienation.
Publisher: Bloomsbury Publishing USA
ISBN: 1501339966
Category : Art
Languages : en
Pages : 265
Book Description
Gustave Caillebotte was more than a painter: he collected and researched postage stamps; designed and built yachts; administered and participated in the sport of yachting; collected paintings; cultivated and collected rare orchids; designed and tended his gardens; and engaged in local politics. Gustave Caillebotte as Worker, Collector, Painter presents the first comprehensive account of Caillebotte's manifold activities. It presents a completely new critical interpretation of Caillebotte's broad career that highlights the singular salience of 'work', and which intersects histories and theories of visual culture, ideology, and psychoanalysis. Where the recent art historical 'rediscovery' of Caillebotte offers multiple narratives of his identification with working men, this book goes beyond them towards excavating what his work was in its own terms. Born to an haut bourgeois milieu in which he was never completely comfortable and assailed by traumatic familial bereavements, Caillebotte adopted and adapted the ideologically normative category of work for his own purposes, deconstructing its ostensibly class-determinate parameters in order to bridge the chasm of his social alienation.
Gustavo the International Painter
Author: Gustavo Arencibia
Publisher: Palibrio
ISBN: 1506508413
Category : Crafts & Hobbies
Languages : en
Pages : 180
Book Description
When I was six years old, on first grade at Central Methodist School in Havana, Cuba, I remember I did a drawing of the Big Bad Wolf in bed and Little Red Riding Hood in front of it. My art teacher Ana liked it so much she said, Arencibia, you might be very naughty, but you are going to be a great painter. Well, I dont know if I am that, but I know I have dedicated all my life with love and passion to my drawings and paintings. I worked thirty-three years in Pan American Airways and then three more with Delta Airlines at Miami International Airport, and I had the opportunity and pleasure to travel to over eighty countries in the world and thirty states of the USA. I also worked twelve years part-time with Carnival Cruise Lines. My oils, acrylics, and ink drawings are inspired in all those wonderful places I visited. That is why I titled my bilingual book Gustavo the International Painter: Viajando y Pintando, which means Traveling and Painting. I started the book with my full-color paintings of cities and countries with the intention to be used as posters for Pan Am. There are several travel articles, like Iceland, Poland, and Rio de Janeiro, my favorite place. Then you will see cartoons I did for Panamusements, a nice monthly magazine done by Pan Am employees in Miami on the last thirteen months of Pan Am existence. The book ends with more drawings in black-and-white of cities and countries.
Publisher: Palibrio
ISBN: 1506508413
Category : Crafts & Hobbies
Languages : en
Pages : 180
Book Description
When I was six years old, on first grade at Central Methodist School in Havana, Cuba, I remember I did a drawing of the Big Bad Wolf in bed and Little Red Riding Hood in front of it. My art teacher Ana liked it so much she said, Arencibia, you might be very naughty, but you are going to be a great painter. Well, I dont know if I am that, but I know I have dedicated all my life with love and passion to my drawings and paintings. I worked thirty-three years in Pan American Airways and then three more with Delta Airlines at Miami International Airport, and I had the opportunity and pleasure to travel to over eighty countries in the world and thirty states of the USA. I also worked twelve years part-time with Carnival Cruise Lines. My oils, acrylics, and ink drawings are inspired in all those wonderful places I visited. That is why I titled my bilingual book Gustavo the International Painter: Viajando y Pintando, which means Traveling and Painting. I started the book with my full-color paintings of cities and countries with the intention to be used as posters for Pan Am. There are several travel articles, like Iceland, Poland, and Rio de Janeiro, my favorite place. Then you will see cartoons I did for Panamusements, a nice monthly magazine done by Pan Am employees in Miami on the last thirteen months of Pan Am existence. The book ends with more drawings in black-and-white of cities and countries.
The International Studio
Art Of... Eliza Ivanova
Author: Eliza Ivanova
Publisher: 3dtotal Publishing
ISBN: 9781912843084
Category : Art
Languages : en
Pages : 152
Book Description
Meet artist, animator, and film maker Eliza Ivanova, and her powerful figures that blend traditional painting with evocative movement.
Publisher: 3dtotal Publishing
ISBN: 9781912843084
Category : Art
Languages : en
Pages : 152
Book Description
Meet artist, animator, and film maker Eliza Ivanova, and her powerful figures that blend traditional painting with evocative movement.
Global Milton and Visual Art
Author: Angelica Duran
Publisher: Rowman & Littlefield
ISBN: 1793617074
Category : Literary Criticism
Languages : en
Pages : 433
Book Description
Global Milton and Visual Art showcases the aesthetic appropriation and reinterpretation of the works and legend of the early modern English poet and politician John Milton in diverse eras, regions, and media: book illustrations, cinema, digital reworkings, monuments, painting, sculpture, shieldry, and stained glass. It innovates an inclusive approach to Milton’s literary art, especially his masterpiece Paradise Lost, in global contemporary aesthetics via intertextual and interdisciplinary relations. The fifteen purposefully-brief chapters, 103 illustrations, and 64 supplemental web-images reflect the great richness of the topics and the diverse experiences and expertise of the contributors. Part I: Panoramas, provides overviews and key contexts; Part II: Cameos offers different perspectives of the varied afterlives of the most widely-circulating illustrations of Paradise Lost, those by Gustave Doré; Part III: Textual Close-ups focuses on a rich variety of book illustrations, from centuries-old elite engravings to a twenty-first century graphic novel; and Part IV: A Prospect beyond Books, explores visual media outside of books that manifest powerful connections, direct and indirect, with Milton’s works and legend.
Publisher: Rowman & Littlefield
ISBN: 1793617074
Category : Literary Criticism
Languages : en
Pages : 433
Book Description
Global Milton and Visual Art showcases the aesthetic appropriation and reinterpretation of the works and legend of the early modern English poet and politician John Milton in diverse eras, regions, and media: book illustrations, cinema, digital reworkings, monuments, painting, sculpture, shieldry, and stained glass. It innovates an inclusive approach to Milton’s literary art, especially his masterpiece Paradise Lost, in global contemporary aesthetics via intertextual and interdisciplinary relations. The fifteen purposefully-brief chapters, 103 illustrations, and 64 supplemental web-images reflect the great richness of the topics and the diverse experiences and expertise of the contributors. Part I: Panoramas, provides overviews and key contexts; Part II: Cameos offers different perspectives of the varied afterlives of the most widely-circulating illustrations of Paradise Lost, those by Gustave Doré; Part III: Textual Close-ups focuses on a rich variety of book illustrations, from centuries-old elite engravings to a twenty-first century graphic novel; and Part IV: A Prospect beyond Books, explores visual media outside of books that manifest powerful connections, direct and indirect, with Milton’s works and legend.
THE FANTASY OF FAITH
Author: Rogene A. Buchholz
Publisher: AuthorHouse
ISBN:
Category : Religion
Languages : en
Pages : 470
Book Description
In a nutshell, Christianity is one of the greatest if not the greatest hoax ever perpetuated on people in the history of the universe. It is practically all fantasy of one sort of another that millions of people believe in all over the world and have done so for many centuries since Christianity began. It all could have been made up out of whole cloth. The Old Testament cannot be taken at face value as the creation story was most likely borrowed from other sources and adapted to fit with the author’s purpose of explaining how the world began. The Exodus may be entirely fiction and most certainly did not happen the way it is described in the Bible. As far as the New Testament is concerned, it was written decades after the crucifixion of Jesus by people who were not eyewitnesses to the events they described. There may have been a prophet whose teachings drew many followers, but there was certainly no virgin birth, no miracles, and no resurrection. The purpose of all the apocalyptic writing and second coming of Christ may have been motivated by the oppression of the Roman Empire where the Jewish people felt powerless and needed to believe in something that would provide them with a feeling that in the final analysis justice would be done and they would get their revenge. Thus, Christianity needs to be exposed for the fraud that it is which is what this book attempts to do by looking at the history of Christianity, Biblical scholarship, and other aspects of Christianity along with its alternatives.
Publisher: AuthorHouse
ISBN:
Category : Religion
Languages : en
Pages : 470
Book Description
In a nutshell, Christianity is one of the greatest if not the greatest hoax ever perpetuated on people in the history of the universe. It is practically all fantasy of one sort of another that millions of people believe in all over the world and have done so for many centuries since Christianity began. It all could have been made up out of whole cloth. The Old Testament cannot be taken at face value as the creation story was most likely borrowed from other sources and adapted to fit with the author’s purpose of explaining how the world began. The Exodus may be entirely fiction and most certainly did not happen the way it is described in the Bible. As far as the New Testament is concerned, it was written decades after the crucifixion of Jesus by people who were not eyewitnesses to the events they described. There may have been a prophet whose teachings drew many followers, but there was certainly no virgin birth, no miracles, and no resurrection. The purpose of all the apocalyptic writing and second coming of Christ may have been motivated by the oppression of the Roman Empire where the Jewish people felt powerless and needed to believe in something that would provide them with a feeling that in the final analysis justice would be done and they would get their revenge. Thus, Christianity needs to be exposed for the fraud that it is which is what this book attempts to do by looking at the history of Christianity, Biblical scholarship, and other aspects of Christianity along with its alternatives.
Art Crossing Borders
Author: Jan Dirk Baetens
Publisher: BRILL
ISBN: 9004291997
Category : Social Science
Languages : en
Pages : 367
Book Description
Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.
Publisher: BRILL
ISBN: 9004291997
Category : Social Science
Languages : en
Pages : 367
Book Description
Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.
Gustave Caillebotte
Author: Kirk Varnedoe
Publisher: Yale University Press
ISBN: 0300082797
Category : Art
Languages : en
Pages : 232
Book Description
A stunning study of the life and work of Gustave Caillebotte -- until recently the "forgotten man" of Impressionism but now recognized as one of the most interesting and attractive artists in the group and as the painter of some of its most powerful and memorable images. The book includes beautiful color reproductions of all Caillebotte's most important works, his working drawings, and a selection of critical responses to his art when first shown.
Publisher: Yale University Press
ISBN: 0300082797
Category : Art
Languages : en
Pages : 232
Book Description
A stunning study of the life and work of Gustave Caillebotte -- until recently the "forgotten man" of Impressionism but now recognized as one of the most interesting and attractive artists in the group and as the painter of some of its most powerful and memorable images. The book includes beautiful color reproductions of all Caillebotte's most important works, his working drawings, and a selection of critical responses to his art when first shown.
Gustave Caillebotte
Author: Michael Marrinan
Publisher: Getty Publications
ISBN: 1606065076
Category : Art
Languages : en
Pages : 406
Book Description
Gustave Caillebotte (1848–1894), the son of a wealthy businessman, is perhaps best known as the painter who organized and funded several of the groundbreaking exhibitions of the Impressionist painters, collected their works, and ensured the Impressionists’ presence in the French national museums by bequeathing his own personal collection. Trained at the École des Beaux-Arts and sharing artistic sympathies with his renegade friends, Caillebotte painted a series of extraordinary pictures inspired by the look and feel of modern Paris that also grappled with his own place in the Parisian art scene. Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work. Michael Marrinan’s ambitious study draws upon new documents and establishes compelling connections between Caillebotte’s painting and literature, commerce, and technology. It offers new ways of thinking about Paris and its changing development in the nineteenth century, exploring the cultural context of Parisian bachelor life and revealing layers of meaning in upscale privilege ranging from haute cuisine to sport and relaxation. Marrinan has written what is sure to be a central text for the study of nineteenth-century art and culture.
Publisher: Getty Publications
ISBN: 1606065076
Category : Art
Languages : en
Pages : 406
Book Description
Gustave Caillebotte (1848–1894), the son of a wealthy businessman, is perhaps best known as the painter who organized and funded several of the groundbreaking exhibitions of the Impressionist painters, collected their works, and ensured the Impressionists’ presence in the French national museums by bequeathing his own personal collection. Trained at the École des Beaux-Arts and sharing artistic sympathies with his renegade friends, Caillebotte painted a series of extraordinary pictures inspired by the look and feel of modern Paris that also grappled with his own place in the Parisian art scene. Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work. Michael Marrinan’s ambitious study draws upon new documents and establishes compelling connections between Caillebotte’s painting and literature, commerce, and technology. It offers new ways of thinking about Paris and its changing development in the nineteenth century, exploring the cultural context of Parisian bachelor life and revealing layers of meaning in upscale privilege ranging from haute cuisine to sport and relaxation. Marrinan has written what is sure to be a central text for the study of nineteenth-century art and culture.
Carmen Herrera
Author: Dana Miller
Publisher: Yale University Press
ISBN: 030022186X
Category : Art
Languages : en
Pages : 233
Book Description
L'artiste native de Cuba Carmen Herrera (née en 1915) peint depuis plus de sept décennies, mais ce n'est que ces dernières années que la reconnaissance pour son travail a projeté l'artiste vers la notoriété internationale. Ce beau volume offre le premier examen soutenu d'elle, depuis le début de sa carrière en 1948 jusqu'en 1978, et s'étend sur les mondes de l'art de La Havane, de Paris et de New York. Les essais considèrent les premières études de l'artiste à Cuba, son implication dans le Salon des Réalités Nouvelles dans le Paris d'après-guerre et sa sortie révolutionnaire de New York. Puis l'ouvrage situe son travail dans le contexte d'un art d'avant-garde latino-américain plus large. Un essai de Dana Miller considère le travail de New York d'Herrera depuis les années 1950 jusque dans les années 1970, lorsque Herrera arrivait et perfectionnait son style de signature. Des photographies familiales personnelles des archives de Herrera enrichissent le récit, et une chronologie traitant de l'intégralité de sa vie et de sa carrière présente des images documentaires supplémentaires. Plus de quatre-vingts œuvres sont illustrées sous forme de plaques de couleur. Ce livre est la représentation la plus étendue des travaux de Herrera à ce jour. (d'après l'éditeur).
Publisher: Yale University Press
ISBN: 030022186X
Category : Art
Languages : en
Pages : 233
Book Description
L'artiste native de Cuba Carmen Herrera (née en 1915) peint depuis plus de sept décennies, mais ce n'est que ces dernières années que la reconnaissance pour son travail a projeté l'artiste vers la notoriété internationale. Ce beau volume offre le premier examen soutenu d'elle, depuis le début de sa carrière en 1948 jusqu'en 1978, et s'étend sur les mondes de l'art de La Havane, de Paris et de New York. Les essais considèrent les premières études de l'artiste à Cuba, son implication dans le Salon des Réalités Nouvelles dans le Paris d'après-guerre et sa sortie révolutionnaire de New York. Puis l'ouvrage situe son travail dans le contexte d'un art d'avant-garde latino-américain plus large. Un essai de Dana Miller considère le travail de New York d'Herrera depuis les années 1950 jusque dans les années 1970, lorsque Herrera arrivait et perfectionnait son style de signature. Des photographies familiales personnelles des archives de Herrera enrichissent le récit, et une chronologie traitant de l'intégralité de sa vie et de sa carrière présente des images documentaires supplémentaires. Plus de quatre-vingts œuvres sont illustrées sous forme de plaques de couleur. Ce livre est la représentation la plus étendue des travaux de Herrera à ce jour. (d'après l'éditeur).