Author: British Museum. Department of Oriental Antiquities and of Ethnography
Publisher:
ISBN:
Category : Maya art
Languages : en
Pages : 120
Book Description
Guide to the Maudslay Collection of Maya Sculptures (casts and Originals) from Central America
Author: British Museum. Department of Oriental Antiquities and of Ethnography
Publisher:
ISBN:
Category : Maya art
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : Maya art
Languages : en
Pages : 120
Book Description
Guide to the Maudslay Collection of Maya Sculptures (casts and Originals) from Central America
Author: British Museum. Dept. of Oriental Antiquities and of Ethnography
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
Book Description
Guide to the Maudslay Collection of Maya Sculptures (casts and Originals) from Central America
Author: British Museum. Dept. of Oriental Antiquities and of Ethnography
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
Guide to the Maudslay Collection of Maya Sculptures (casts and Originals) from Central America
Author: British Museum. Department of Oriental Antiquities and of Ethnography
Publisher:
ISBN:
Category : Maya art
Languages : en
Pages : 93
Book Description
Publisher:
ISBN:
Category : Maya art
Languages : en
Pages : 93
Book Description
Pictorial Archaeology
Author: Roger Balm
Publisher: Taylor & Francis
ISBN: 100385057X
Category : Social Science
Languages : en
Pages : 290
Book Description
This book explores the expressly pictorial type of visual archaeology, the transcribing of three-dimensional materiality into two-dimensional depictions, and its influential history within the discipline. The picturing of ancient sites and artifacts to convey information links visual reporting with the workings of the imagination and indicates that the study of antiquity has always had a hybrid identity: part artistic and part scientific. In examining expressly pictorial forms of visual story-telling about the past, this book looks beyond certain supposed "creative turns" and focuses instead on creative continuities, answering key questions about the power of picturing and its ability to not only inform documentary practices but actively structure those practices. How are prints, drawings, paintings and photographs able to collapse the three-dimensional world of the ancient past onto a flat page but also convey a sense of material reality? In contemporary practice, how do pictorial ways of seeing enable the interpretation of material remains but also shape the recognition of digital traces on a computer screen? Published illustrations, both historical and contemporary, are primary sources of evidence for answering such questions and identifying common patterns of pictorial information. This book provides a framework for scholars researching the visual culture of archaeology as well as the history of archaeology. It is also recommended for professionals in the fields of heritage studies, conservation and community archaeology.
Publisher: Taylor & Francis
ISBN: 100385057X
Category : Social Science
Languages : en
Pages : 290
Book Description
This book explores the expressly pictorial type of visual archaeology, the transcribing of three-dimensional materiality into two-dimensional depictions, and its influential history within the discipline. The picturing of ancient sites and artifacts to convey information links visual reporting with the workings of the imagination and indicates that the study of antiquity has always had a hybrid identity: part artistic and part scientific. In examining expressly pictorial forms of visual story-telling about the past, this book looks beyond certain supposed "creative turns" and focuses instead on creative continuities, answering key questions about the power of picturing and its ability to not only inform documentary practices but actively structure those practices. How are prints, drawings, paintings and photographs able to collapse the three-dimensional world of the ancient past onto a flat page but also convey a sense of material reality? In contemporary practice, how do pictorial ways of seeing enable the interpretation of material remains but also shape the recognition of digital traces on a computer screen? Published illustrations, both historical and contemporary, are primary sources of evidence for answering such questions and identifying common patterns of pictorial information. This book provides a framework for scholars researching the visual culture of archaeology as well as the history of archaeology. It is also recommended for professionals in the fields of heritage studies, conservation and community archaeology.
Handbook to the Ethnographical Collections
Author: British Museum
Publisher: Order of Trustees
ISBN:
Category : Science
Languages : en
Pages : 384
Book Description
Publisher: Order of Trustees
ISBN:
Category : Science
Languages : en
Pages : 384
Book Description
Nature
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1304
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1304
Book Description
Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala
Author: Megan E. O'Neil
Publisher: University of Oklahoma Press
ISBN: 0806188367
Category : Art
Languages : en
Pages : 273
Book Description
Now shrouded in Guatemalan jungle, the ancient Maya city of Piedras Negras flourished between the sixth and ninth centuries, when its rulers erected monumental limestone sculptures carved with hieroglyphic texts and images of themselves and family members, advisers, and captives. In Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala, Megan E. O’Neil offers new ways to understand these stelae, altars, and panels by exploring how ancient Maya people interacted with them. These monuments, considered sacred, were one of the community’s important forms of cultural and religious expression. Stelae may have held the essence of rulers they commemorated, and the objects remained loci for reverence of those rulers after they died. Using a variety of evidence,O’Neil examines how the forms, compositions, and contexts of the sculptures invited people to engage with them and the figures they embodied looks at these monuments not as inert bearers of images but as palpable presences that existed in real space at specific historical moments. Her analysis brings to the fore the material and affective force of these powerful objects that were seen, touched, and manipulated in the past. O’Neil investigates the monuments not only at the moment of their creation but also in later years and shows how they changed over time. She argues that the relationships among sculptures of different generations were performed in processions, through which ancient Maya people integrated historical dialogues and ancestral commemoration into the landscape. With the help of more than 160 illustrations, O’Neil reveals these sculptures’ continuing life histories, which in the past century have included their fragmentation and transformation into commodities sold on the international art market. Shedding light on modern-day transposition and display of these ancient monuments, O’Neil’s study contributes to ongoing discussions of cultural patrimony.
Publisher: University of Oklahoma Press
ISBN: 0806188367
Category : Art
Languages : en
Pages : 273
Book Description
Now shrouded in Guatemalan jungle, the ancient Maya city of Piedras Negras flourished between the sixth and ninth centuries, when its rulers erected monumental limestone sculptures carved with hieroglyphic texts and images of themselves and family members, advisers, and captives. In Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala, Megan E. O’Neil offers new ways to understand these stelae, altars, and panels by exploring how ancient Maya people interacted with them. These monuments, considered sacred, were one of the community’s important forms of cultural and religious expression. Stelae may have held the essence of rulers they commemorated, and the objects remained loci for reverence of those rulers after they died. Using a variety of evidence,O’Neil examines how the forms, compositions, and contexts of the sculptures invited people to engage with them and the figures they embodied looks at these monuments not as inert bearers of images but as palpable presences that existed in real space at specific historical moments. Her analysis brings to the fore the material and affective force of these powerful objects that were seen, touched, and manipulated in the past. O’Neil investigates the monuments not only at the moment of their creation but also in later years and shows how they changed over time. She argues that the relationships among sculptures of different generations were performed in processions, through which ancient Maya people integrated historical dialogues and ancestral commemoration into the landscape. With the help of more than 160 illustrations, O’Neil reveals these sculptures’ continuing life histories, which in the past century have included their fragmentation and transformation into commodities sold on the international art market. Shedding light on modern-day transposition and display of these ancient monuments, O’Neil’s study contributes to ongoing discussions of cultural patrimony.
American Indian Design and Decoration
Author: Le Roy H. Appleton
Publisher: Courier Corporation
ISBN: 0486135993
Category : History
Languages : en
Pages : 293
Book Description
Full text, plus more than 700 precise drawings of basketry, sculpture, painting, pottery, sand paintings, metal, much more. 4 plates in color. Text gives lore and tradition behind the designs.
Publisher: Courier Corporation
ISBN: 0486135993
Category : History
Languages : en
Pages : 293
Book Description
Full text, plus more than 700 precise drawings of basketry, sculpture, painting, pottery, sand paintings, metal, much more. 4 plates in color. Text gives lore and tradition behind the designs.