Author: Harold Alan Meek
Publisher: Yale University Press
ISBN: 9780300039894
Category : Architecture
Languages : en
Pages : 212
Book Description
Geïllustreerde studie over het werk van de Italiaanse architect (1624-1683).
Guarino Guarini and His Architecture
Author: Harold Alan Meek
Publisher: Yale University Press
ISBN: 9780300039894
Category : Architecture
Languages : en
Pages : 212
Book Description
Geïllustreerde studie over het werk van de Italiaanse architect (1624-1683).
Publisher: Yale University Press
ISBN: 9780300039894
Category : Architecture
Languages : en
Pages : 212
Book Description
Geïllustreerde studie over het werk van de Italiaanse architect (1624-1683).
Operatic Geographies
Author: Suzanne Aspden
Publisher: University of Chicago Press
ISBN: 022659601X
Category : Music
Languages : en
Pages : 328
Book Description
Since its origin, opera has been identified with the performance and negotiation of power. Once theaters specifically for opera were established, that connection was expressed in the design and situation of the buildings themselves, as much as through the content of operatic works. Yet the importance of the opera house’s physical situation, and the ways in which opera and the opera house have shaped each other, have seldom been treated as topics worthy of examination. Operatic Geographies invites us to reconsider the opera house’s spatial production. Looking at opera through the lens of cultural geography, this anthology rethinks the opera house’s landscape, not as a static backdrop, but as an expression of territoriality. The essays in this anthology consider moments across the history of the genre, and across a range of geographical contexts—from the urban to the suburban to the rural, and from the “Old” world to the “New.” One of the book’s most novel approaches is to consider interactions between opera and its environments—that is, both in the domain of the traditional opera house and in less visible, more peripheral spaces, from girls’ schools in late seventeenth-century England, to the temporary arrangements of touring operatic troupes in nineteenth-century Calcutta, to rural, open-air theaters in early twentieth-century France. The essays throughout Operatic Geographies powerfully illustrate how opera’s spatial production informs the historical development of its social, cultural, and political functions.
Publisher: University of Chicago Press
ISBN: 022659601X
Category : Music
Languages : en
Pages : 328
Book Description
Since its origin, opera has been identified with the performance and negotiation of power. Once theaters specifically for opera were established, that connection was expressed in the design and situation of the buildings themselves, as much as through the content of operatic works. Yet the importance of the opera house’s physical situation, and the ways in which opera and the opera house have shaped each other, have seldom been treated as topics worthy of examination. Operatic Geographies invites us to reconsider the opera house’s spatial production. Looking at opera through the lens of cultural geography, this anthology rethinks the opera house’s landscape, not as a static backdrop, but as an expression of territoriality. The essays in this anthology consider moments across the history of the genre, and across a range of geographical contexts—from the urban to the suburban to the rural, and from the “Old” world to the “New.” One of the book’s most novel approaches is to consider interactions between opera and its environments—that is, both in the domain of the traditional opera house and in less visible, more peripheral spaces, from girls’ schools in late seventeenth-century England, to the temporary arrangements of touring operatic troupes in nineteenth-century Calcutta, to rural, open-air theaters in early twentieth-century France. The essays throughout Operatic Geographies powerfully illustrate how opera’s spatial production informs the historical development of its social, cultural, and political functions.
The Modern Castrato
Author: Patricia Howard
Publisher: Oxford University Press
ISBN: 0199365210
Category : Music
Languages : en
Pages : 265
Book Description
The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age chronicles the career of the most significant castrato of the second half of the eighteenth-century. Through a coincidence of time and place, Gaetano Guadagni was on the forefront of the heroic opera reform, and many forward-thinking composers of the age created roles for him. Author Patricia Howard reveals that Guadagni may have been the only singer of the time fully able to understand the demands and opportunities of this reform, as well to possess the intelligence and self-knowledge to realize that it suited his skills, limitations and temperament perfectly--making him the first castrato to embrace the concepts of modern singing. The first full-length biography of this outstanding singer, The Modern Castrato illuminates the everyday lives of eighteenth-century singers while spotlighting the historic high points of the century. Most famous for his creation of the role of Orpheus in Gluck's Orfeo ed Euridice, his career ranged widely and brought him into contact with many progressives theorists and composers such as Traetta, Jommelli, and Bertoni. Howard's focus on the development of Guadagni's career pauses on essential, related topics along the way, such as the castrato in society, the eighteenth-century revolution in acting, and the remarkable evidence for Guadagni's marionette theater. Howard also assesses Guadagni's surviving compositions, which give new insight into the quality and character of his voice as well as his technical and expressive abilities. The Modern Castrato is an engaging narrative that will prove essential reading for opera lovers and scholars of eighteenth-century music.
Publisher: Oxford University Press
ISBN: 0199365210
Category : Music
Languages : en
Pages : 265
Book Description
The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age chronicles the career of the most significant castrato of the second half of the eighteenth-century. Through a coincidence of time and place, Gaetano Guadagni was on the forefront of the heroic opera reform, and many forward-thinking composers of the age created roles for him. Author Patricia Howard reveals that Guadagni may have been the only singer of the time fully able to understand the demands and opportunities of this reform, as well to possess the intelligence and self-knowledge to realize that it suited his skills, limitations and temperament perfectly--making him the first castrato to embrace the concepts of modern singing. The first full-length biography of this outstanding singer, The Modern Castrato illuminates the everyday lives of eighteenth-century singers while spotlighting the historic high points of the century. Most famous for his creation of the role of Orpheus in Gluck's Orfeo ed Euridice, his career ranged widely and brought him into contact with many progressives theorists and composers such as Traetta, Jommelli, and Bertoni. Howard's focus on the development of Guadagni's career pauses on essential, related topics along the way, such as the castrato in society, the eighteenth-century revolution in acting, and the remarkable evidence for Guadagni's marionette theater. Howard also assesses Guadagni's surviving compositions, which give new insight into the quality and character of his voice as well as his technical and expressive abilities. The Modern Castrato is an engaging narrative that will prove essential reading for opera lovers and scholars of eighteenth-century music.
A General Collection of the Best and Most Interesting Voyages and Travels in All Parts of the World
Author: John Pinkerton
Publisher:
ISBN:
Category : Voyages and travels
Languages : en
Pages : 776
Book Description
Publisher:
ISBN:
Category : Voyages and travels
Languages : en
Pages : 776
Book Description
Italian Cultural Lineages
Author: Jonathan White
Publisher: University of Toronto Press
ISBN: 0802094589
Category : Social Science
Languages : en
Pages : 343
Book Description
In Italian Cultural Lineages, Jonathan White seeks answers to the elusive questions: what is Italian culture and what is the Italian identity? By tracing Italian life and art through several themes viewing and spectatorship, fantasy, passion, justice, reputation, and lifestyles White offers new ways of perceiving an ancient cultural tradition in the twenty-first century. In doing so, he challenges readers to discern rich poetic seams that bind together his varied subject matter. Italian Cultural Lineages is primarily concerned with factors that unify Italians, however geographically dispersed they may be. Drawing on extensive archival and historical research, White shows how oftentimes Italian cultural traditions that appear to be extinct are, in fact, enduring pushed out of the mainstream or submerged at some given point in history, only to re-surface and take on new meanings at a later date. Other, more marginal currents might disrupt and fragment Italian identity, politically and socially. However, White proposes that the challenge to Italy in these new and difficult lessons in tolerance has the potential to produce a much stronger culture, primed to welcome the marginal into an expanded spirit of all that counts as Italian. Ideally suited to course use, and written with great lucidity, Italian Cultural Lineages will prove fascinating to students, academics, and general readers alike.
Publisher: University of Toronto Press
ISBN: 0802094589
Category : Social Science
Languages : en
Pages : 343
Book Description
In Italian Cultural Lineages, Jonathan White seeks answers to the elusive questions: what is Italian culture and what is the Italian identity? By tracing Italian life and art through several themes viewing and spectatorship, fantasy, passion, justice, reputation, and lifestyles White offers new ways of perceiving an ancient cultural tradition in the twenty-first century. In doing so, he challenges readers to discern rich poetic seams that bind together his varied subject matter. Italian Cultural Lineages is primarily concerned with factors that unify Italians, however geographically dispersed they may be. Drawing on extensive archival and historical research, White shows how oftentimes Italian cultural traditions that appear to be extinct are, in fact, enduring pushed out of the mainstream or submerged at some given point in history, only to re-surface and take on new meanings at a later date. Other, more marginal currents might disrupt and fragment Italian identity, politically and socially. However, White proposes that the challenge to Italy in these new and difficult lessons in tolerance has the potential to produce a much stronger culture, primed to welcome the marginal into an expanded spirit of all that counts as Italian. Ideally suited to course use, and written with great lucidity, Italian Cultural Lineages will prove fascinating to students, academics, and general readers alike.
Catalogue of the Mathematical, Historical and Miscellaneous Portion of the Celebrated Library of M. Guglielmo Libri ..
Catalogue of the Mathematical, Historical, Bibliographical and Miscellaneous Portion of the Celebrated Library of M. Guglielmo Libri
Catalogue of the Mathematical, Historical and Miscellaneous Portion of the Celebrated Library
Catalogue
Author: London sir John Soane's mus, libr
Publisher:
ISBN:
Category :
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 432
Book Description
The Shroud at Court
Author:
Publisher: BRILL
ISBN: 9004390502
Category : History
Languages : en
Pages : 389
Book Description
The Shroud at the Court analyses, through various essays characterized by a multidisciplinary and diachronic perspective, the strict ties created between the Shroud and the Savoy court from the fifteenth to twentieth centuries. Presented as proof of the divine legitimacy of Savoy lineage, the Shroud (of which the Savoy dynasty came into possession in 1453, keeping it first in Chambéry and then from 1578 in Turin) was central to their propagandistic strategies. The court – its spaces, protagonists, and rituals – became the natural setting for a relationship reinforced over time through customs, ceremonies, and images intended to celebrate the excellence of the Savoy, both within their own state and in Europe’s “society of princes”. Contributors are Paola Caretta, Paolo Cornaglia, Paolo Cozzo, Davide De Franco, Bernard Dompnier, Laura Gaffuri, Pierangelo Gentile, Luisella Giachino, Andrea Merlotti, Frédéric Meyer, Andrea Nicolotti, Almudena Pérez de Tudela, Laurent Ripart, Alessandro Serra and Franca Varallo.
Publisher: BRILL
ISBN: 9004390502
Category : History
Languages : en
Pages : 389
Book Description
The Shroud at the Court analyses, through various essays characterized by a multidisciplinary and diachronic perspective, the strict ties created between the Shroud and the Savoy court from the fifteenth to twentieth centuries. Presented as proof of the divine legitimacy of Savoy lineage, the Shroud (of which the Savoy dynasty came into possession in 1453, keeping it first in Chambéry and then from 1578 in Turin) was central to their propagandistic strategies. The court – its spaces, protagonists, and rituals – became the natural setting for a relationship reinforced over time through customs, ceremonies, and images intended to celebrate the excellence of the Savoy, both within their own state and in Europe’s “society of princes”. Contributors are Paola Caretta, Paolo Cornaglia, Paolo Cozzo, Davide De Franco, Bernard Dompnier, Laura Gaffuri, Pierangelo Gentile, Luisella Giachino, Andrea Merlotti, Frédéric Meyer, Andrea Nicolotti, Almudena Pérez de Tudela, Laurent Ripart, Alessandro Serra and Franca Varallo.