Greg Curnoe PDF Download

Author: Pierre Théberge
Publisher: Galerie nationale du Canada = National Gallery of Canada
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 234

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Author: David W. McFadden
Publisher:
ISBN:
Category :
Languages : en
Pages : 16

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Author: James King
Publisher: Dundurn
ISBN: 1459736907
Category : Biography & Autobiography
Languages : en
Pages : 511

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Book Description
The long-awaited biography of one of Canada’s most intriguing and beguiling artists. Do artists really thrive in big cities, or do they just learn to imitate New York? Is it a contradiction for an artist to be fiercely local and profoundly identified with international art movements? If the brilliant colourist and regionalist pioneer Greg Curnoe stood for any one thing, it was making trouble. An intriguing rebel throughout his life, he challenged ideas about what art should be, and pushed it in radical new directions — including away from Toronto, a city he rejected while succeeding masterfully in its galleries. His untimely death in 1992 cut short a career of constant reinvention. This first biography of Curnoe recaptures in vivid detail the public and personal life of an iconoclast who was called a “walking autobiography,” as his work seemed to document his endless struggle against many of the core tenets of the art of his time. An anti-establishment firebrand and a fierce opponent of American dominance in Canadian culture, Curnoe, in his conceptual practice, constructed a stunning body of work that remains a hallmark in late-twentieth-century Canadian art.

Author: Kunsthalle Basel
Publisher:
ISBN:
Category : Art, Canadian
Languages : en
Pages : 186

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Book Description
Presentation of works by 16 Canadian artists. Includes reprinted texts (in German) and excerpts from works incorporating texts (mostly in English).

Author: Loren Ruth Lerner
Publisher: University of Toronto Press
ISBN: 9780802058560
Category : Architecture
Languages : en
Pages : 1646

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Book Description
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.

Author: Joan Murray
Publisher: Dundurn
ISBN: 155488120X
Category : Art
Languages : en
Pages : 273

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Book Description
Canadian Art in the Twentieth Century is a survey of the richest, most controversial and perhaps most thoroughly confusing centuries in the whole history of the visual arts in Canada - the period from 1900 to the present. Murray shows how, beginning with Tonalism at the start of the century, new directions in art emerged - starting with our early Modernists, among them Tom Thomson and the Group of Seven. Today, Modernism has lost its dominance. Artists, critics, and the public alike are confronted by a scene of unprecedented variety and complexity. Murray discusses the social and political events of the century in combination with the cultural context; movements, ideas, attitudes, and styles; the important groups in Canadian art, and major and minor artists and their works. Fully documented, well researched and written with clarity and over four hundred illustrations in both black-and-white and colour, Murray’s book is essential for understanding Canadian art of this century. As an introduction, it is excellent in both its scope and intelligence.

Author: John O'Brian
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773575588
Category : Art
Languages : en
Pages : 401

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Book Description
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montreal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trepanier (Quebec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).

Author: David McFadden
Publisher: McClelland & Stewart
ISBN: 0771061374
Category : Travel
Languages : en
Pages : 410

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Book Description
With An Innocent in Ireland (1995), David McFadden began his eccentric journeys to the heart of some of the world’s most unique island nations. Now McFadden rambles through the highs and lows of Cuba, home to cigars, Guantanamera, and of course Castro. The beautiful Caribbean landscape, along with Cuba’s rich history, culture, and uncertain future, lend themselves to the quirky eye and wry witticisms of our innocent Canadian guide. Poking into the nation’s many corners, McFadden offers a series of vignettes of the people, cities,villages, roads, and countryside of the island the author refers to as “the most famous little country in the world.” Warm and colourful, An Innocent in Cuba is a musical, sensuous, flirtatious, joyful tribute to the Cuban spirit in all its incarnations.

Author: David W. McFadden
Publisher: Insomniac Press
ISBN: 1897415001
Category : Poetry
Languages : en
Pages : 330

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Book Description
His life in Canadian poetry has spanned five decades, and David W. McFadden is still going strong. This selection from his career to date brings back into print many of the greatest poems from nearly two dozen books. Chosen and introduced by fellow poet Stuart Ross, in full collaboration with the author, these poems reaffirm McFadden's status as one of Canada's most gratifying, ineffable, and necessary poets.

Author: Ian Rae
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773577580
Category : Literary Criticism
Languages : en
Pages : 592

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Book Description
Detailed case studies of novels by Leonard Cohen, Michael Ondaatje, George Bowering, Daphne Marlatt, and Anne Carson, as well as sections on A.M. Klein and Anne Michaels, reveal how these authors framed their early novels according to formal precedents established in their poetry. In tracking the authors’ shift from lyric to long poem to novel, Rae also investigates their experiments with non-literary art forms - photography, painting, film. The authors discussed combine disparate genres and media to alter notions of narrative coherence in the novel and engage the diverse but fragmented cultural histories of Canadian society.