Author: Emmanuela Bakola Publisher: Cambridge University Press ISBN: 1107355508 Category : History Languages : en Pages : 421
Book Description
Recent scholarship has acknowledged that the intertextual discourse of ancient comedy with previous and contemporary literary traditions is not limited to tragedy. This book is a timely response to the more sophisticated and theory-grounded way of viewing comedy's interactions with its cultural and intellectual context. It shows that in the process of its self-definition, comedy emerges as voracious and multifarious with a wide spectrum of literary, sub-literary and paraliterary traditions, the engagement with which emerges as central to its projected literary identity and, subsequently, to the reception of the genre itself. Comedy's self-definition through generic discourse far transcends the (narrowly conceived) 'high-low' division of genres. This book explores ancient comedy's interactions with Homeric and Hesiodic epic, iambos, lyric, tragedy, the fable tradition, the ritual performances of the Greek polis, and its reception in Platonic writings and Alexandrian scholarship, within a unified interpretative framework.
Author: Emmanuela Bakola Publisher: Cambridge University Press ISBN: 1107033314 Category : Drama Languages : en Pages : 421
Book Description
Explores comedy's voracious and multifarious dialogue with a large spectrum of literary, sub-literary and paraliterary traditions surrounding and shaping it.
Author: John Wilkins Publisher: OUP Oxford ISBN: 9780199240685 Category : Cooking Languages : en Pages : 502
Book Description
This book explains the importance of food to ancient Greek comedy: it was a medium through which comedy could represent the material, social, agricultural, political and religious worlds to the Greek city-state. The text also contains translations of hundreds of comic fragments; and it reassesses the division of comedy into Sicilian and Attic Old, Middle, and New.
Author: Kostas E. Apostolakis Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3111295281 Category : Literary Collections Languages : en Pages : 446
Book Description
Ancient Greek comedy relied primarily on its text and words for the fulfilment of its humorous effects and aesthetic goals. In the wake of a rich tradition of previous scholarship, this volume explores a variety of linguistic materials and stylistic artifices exploited by the Greek comic poets, from vocabulary and figures of speech (metaphors, similes, rhyme) to types of joke, obscenity, and the mechanisms of parody. Most of the chapters focus on Aristophanes and Old Comedy, which offers the richest arsenal of such techniques, but the less ploughed fields of Middle and New Comedy are also explored. Emphasis is placed on practical criticism and textual readings, on the examination of particular artifices of speech and the analysis of individual passages. The main purpose is to highlight the use of language for the achievement of the aesthetic, artistic, and intellectual purposes of ancient comedy, in particular for the generation of humour and comic effect, the delineation of characters, the transmission of ideological messages, and the construction of poetic meaning. The volume will be useful to scholars of ancient drama, linguists, students of humour, and scholars of Classical literature in general.
Author: Martin Revermann Publisher: Cambridge University Press ISBN: 0521760283 Category : Drama Languages : en Pages : 523
Book Description
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Author: Craig Jendza Publisher: Oxford University Press ISBN: 0190090944 Category : Drama Languages : en Pages : 240
Book Description
Paracomedy: Appropriations of Comedy in Greek Drama is the first book that examines how ancient Greek tragedy engages with the genre of comedy. While scholars frequently study paratragedy (how Greek comedians satirize tragedy), this book investigates the previously overlooked practice of paracomedy: how Greek tragedians regularly appropriate elements from comedy such as costumes, scenes, language, characters, or plots. Drawing upon a wide variety of complete and fragmentary tragedies and comedies (Aeschylus, Sophocles, Euripides, Aristophanes, Rhinthon), this monograph demonstrates that paracomedy was a prominent feature of Greek tragedy. Blending a variety of interdisciplinary approaches including traditional philology, literary criticism, genre theory, and performance studies, this book offers innovative close readings and incisive interpretations of individual plays. Jendza presents paracomedy as a multivalent authorial strategy: some instances impart a sense of ugliness or discomfort; others provide a sense of light-heartedness or humor. While this work traces the development of paracomedy over several hundred years, it focuses on a handful of Euripidean tragedies at the end of the fifth century BCE. Jendza argues that Euripides was participating in a rivalry with the comedian Aristophanes and often used paracomedy to demonstrate the poetic supremacy of tragedy; indeed, some of Euripides' most complex uses of paracomedy attempt to re-appropriate Aristophanes' mockery of his theatrical techniques. Paracomedy: Appropriations of Comedy in Greek Tragedy theorizes a new, ground-breaking relationship between Greek tragedy and comedy that not only redefines our understanding of the genre of tragedy, but also reveals a dynamic theatrical world filled with mutual cross-generic influence.
Author: Stephen E. Kidd Publisher: Cambridge University Press ISBN: 1107050154 Category : Drama Languages : en Pages : 215
Book Description
This book employs the concept of 'nonsense' to explore those parts of Greek comedy perceived as 'just silly' and therefore 'not meaningful'.
Author: Donald Sells Publisher: Bloomsbury Publishing ISBN: 1350060526 Category : Literary Collections Languages : en Pages : 305
Book Description
This book argues that Old Comedy's parodic and non-parodic engagement with tragedy, satyr play, and contemporary lyric is geared to enhancing its own status as the preeminent discourse on Athenian art, politics and society. Donald Sells locates the enduring significance of parody in the specific cultural, social and political subtexts that often frame Old Comedy's bold experiments with other genres and drive its rapid evolution in the late fifth century. Close analysis of verbal, visual and narrative strategies reveals the importance of parody and literary appropriation to the particular cultural and political agendas of specific plays. This study's broader, more flexible definition of parody as a visual – not just verbal – and multi-coded performance represents an important new step in understanding a phenomenon whose richness and diversity exceeds the primarily textual and literary terms by which it is traditionally understood.
Author: Carl A. Shaw Publisher: Oxford University Press, USA ISBN: 0199950946 Category : History Languages : en Pages : 217
Book Description
Since it was written by tragedians and employed a number of formal tragic elements, satyr drama is typically categorized as a sub-genre of Greek tragedy. This categorization, however, gives an incomplete picture of the complicated relationship of the satyr play to other genres of drama in ancient Greece. For example, the humorous chorus of half-man, half-horse satyrs suggests sustained interaction between poets of comedy and satyr play. In Satyric Play, Carl Shaw notes the complex, shifting relationship between comedy and satyr drama, from sixth-century BCE proto-drama to classical productions staged at the Athenian City Dionysia and bookish Alexandrian plays of the third century BCE, and argues that comedy and satyr plays influenced each other in nearly all stages of their development. This is the first book to offer a complete, integrated analysis of Greek comedy and satyr drama, analyzing the details of the many literary, aesthetic, historical, religious, and geographical connections to satyr drama. Ancient critics and poets allude to comic-satyric associations in surprising ways, vases indicate a common connection to komos (revelry) song, and the plays themselves often share titles, plots, modes of humor, and even on occasion choruses of satyrs. Shaw's insight into this evidence reveals the relationship between satyr drama and Greek comedy to be much more intimately connected than we had known and, in fact, much closer than that between satyr drama and tragedy. Satyric Play brings new light to satyr drama as a complex, artful, inventive, and even cleverly paradoxical genre.
Author: Theodora A. Hadjimichael Publisher: Oxford University Press ISBN: 0192538934 Category : Literary Criticism Languages : en Pages : 309
Book Description
The Hellenistic period was an era of literary canons, of privileged texts and collections. One of the most stable of these consisted of the nine (rarely ten) lyric poets: whether the selection was based on poetic quality, popularity, or the availability of texts in the Library of Alexandria, the Lyric Canon offers a valuable and revealing window on the reception and survival of lyric in antiquity. This volume explores the complexities inherent in the process by which lyric poetry was canonized, and discusses questions connected with the textual transmission and preservation of lyric poems from the archaic period through to the Hellenistic era. It firstly contextualizes lyric poetry geographically, and then focuses on a broad range of sources that played a critical role in the survival of lyric poetry - in particular, comedy, Plato, Aristotle's Peripatetic school, and the Hellenistic scholars - to discuss the reception of the nine canonical lyric poets and their work. By exploring the ways in which fifth- and fourth-century sources interpreted lyric material, and the role they played both in the scholarly work of the Alexandrians and in the creation of what we conventionally call the Hellenistic Lyric Canon, it elucidates what can be defined as the prevailing pattern in the transmission of lyric poetry, as well as the place of Bacchylides as a puzzling exception to this norm. The overall discussion conclusively demonstrates that the canonizing process of the lyric poets was already at work from the fifth century BC and that it is reflected both in the evaluation of lyric by fourth-century thinkers and in the activities of the Hellenistic scholars in the Library of Alexandria.
Author: Emmanuela Bakola
Author: Emmanuela Bakola
Author: John Wilkins
Author: Kostas E. Apostolakis
Author: Martin Revermann
Author: Craig Jendza
Author: Stephen E. Kidd
Author: Donald Sells
Author: Carl A. Shaw
Author: Theodora A. Hadjimichael