Author: Lorna Hardwick
Publisher: Oxford University Press
ISBN: 0198907907
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in the First Word War. They came from diverse social, educational, and cultural backgrounds, but for all of the writers, engagement with Greek and Roman antiquity was decisive in shaping their war poetry. The world views and cultural hinterlands of Brooke and Sorley were framed by the Greek and Latin texts they had studied at school, whereas for Owen, who struggled with Latin, classical texts were a part of his aspirational literary imagination. Rosenberg's education was limited but he encountered some Greek and Roman literature through translations, and through mediations in English literature. The various ways in which the poets engaged with classical literature are analysed in the commentaries, which are designed to be accessible to classicists and to users from other subject areas. The extensive range of connections made by the poets and by subsequent readers is explained in the Introduction to the volume. The commentaries illuminate relationships between the poems and attitudes to the war at the time, in the immediate post-war years, and subsequently. They also probe how individual poems reveal various facets of the poetry of unease, the poetry of survival, and the poetics of war and ecology.
Greek and Roman Antiquity in First World War Poetry
Author: Lorna Hardwick
Publisher: Oxford University Press
ISBN: 0198907907
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in the First Word War. They came from diverse social, educational, and cultural backgrounds, but for all of the writers, engagement with Greek and Roman antiquity was decisive in shaping their war poetry. The world views and cultural hinterlands of Brooke and Sorley were framed by the Greek and Latin texts they had studied at school, whereas for Owen, who struggled with Latin, classical texts were a part of his aspirational literary imagination. Rosenberg's education was limited but he encountered some Greek and Roman literature through translations, and through mediations in English literature. The various ways in which the poets engaged with classical literature are analysed in the commentaries, which are designed to be accessible to classicists and to users from other subject areas. The extensive range of connections made by the poets and by subsequent readers is explained in the Introduction to the volume. The commentaries illuminate relationships between the poems and attitudes to the war at the time, in the immediate post-war years, and subsequently. They also probe how individual poems reveal various facets of the poetry of unease, the poetry of survival, and the poetics of war and ecology.
Publisher: Oxford University Press
ISBN: 0198907907
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in the First Word War. They came from diverse social, educational, and cultural backgrounds, but for all of the writers, engagement with Greek and Roman antiquity was decisive in shaping their war poetry. The world views and cultural hinterlands of Brooke and Sorley were framed by the Greek and Latin texts they had studied at school, whereas for Owen, who struggled with Latin, classical texts were a part of his aspirational literary imagination. Rosenberg's education was limited but he encountered some Greek and Roman literature through translations, and through mediations in English literature. The various ways in which the poets engaged with classical literature are analysed in the commentaries, which are designed to be accessible to classicists and to users from other subject areas. The extensive range of connections made by the poets and by subsequent readers is explained in the Introduction to the volume. The commentaries illuminate relationships between the poems and attitudes to the war at the time, in the immediate post-war years, and subsequently. They also probe how individual poems reveal various facets of the poetry of unease, the poetry of survival, and the poetics of war and ecology.
Greek and Roman Antiquity in First World War Poetry
Author: Lorna Hardwick
Publisher: Oxford University Press
ISBN: 0198907877
Category : History
Languages : en
Pages : 262
Book Description
Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in WWI. They came from diverse social, educational, and cultural backgrounds, but engagement with Greek and Roman antiquity was decisive in shaping their war poetry. This volume explores how, when, and why classical materials were so influential in these poets' work.
Publisher: Oxford University Press
ISBN: 0198907877
Category : History
Languages : en
Pages : 262
Book Description
Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in WWI. They came from diverse social, educational, and cultural backgrounds, but engagement with Greek and Roman antiquity was decisive in shaping their war poetry. This volume explores how, when, and why classical materials were so influential in these poets' work.
Rupert Brooke, Charles Sorley, Isaac Rosenberg, and Wilfred Owen
Author: Lorna Hardwick
Publisher: Oxford University Press
ISBN: 0198907133
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in the First Word War. They came from diverse social, educational, and cultural backgrounds, but for all of the writers, engagement with Greek and Roman antiquity was decisive in shaping their war poetry. The world views and cultural hinterlands of Brooke and Sorley were framed by the Greek and Latin texts they had studied at school, whereas for Owen, who struggled with Latin, classical texts were a part of his aspirational literary imagination. Rosenberg's education was limited but he encountered some Greek and Roman literature through translations, and through mediations in English literature. The various ways in which the poets engaged with classical literature are analysed in the commentaries, which are designed to be accessible to classicists and to users from other subject areas. The extensive range of connections made by the poets and by subsequent readers is explained in the Introduction to the volume. The commentaries illuminate relationships between the poems and attitudes to the war at the time, in the immediate post-war years, and subsequently. They also probe how individual poems reveal various facets of the poetry of unease, the poetry of survival, and the poetics of war and ecology. References to the accompanying online Oxford Classical Receptions Commentaries will enable readers to follow up their special interests. This volume differs from the shorter volume Greek and Roman Antiquity in First World War Poetry: Making Connections in that it covers the whole output of the four poets, and not just their war poems.
Publisher: Oxford University Press
ISBN: 0198907133
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in the First Word War. They came from diverse social, educational, and cultural backgrounds, but for all of the writers, engagement with Greek and Roman antiquity was decisive in shaping their war poetry. The world views and cultural hinterlands of Brooke and Sorley were framed by the Greek and Latin texts they had studied at school, whereas for Owen, who struggled with Latin, classical texts were a part of his aspirational literary imagination. Rosenberg's education was limited but he encountered some Greek and Roman literature through translations, and through mediations in English literature. The various ways in which the poets engaged with classical literature are analysed in the commentaries, which are designed to be accessible to classicists and to users from other subject areas. The extensive range of connections made by the poets and by subsequent readers is explained in the Introduction to the volume. The commentaries illuminate relationships between the poems and attitudes to the war at the time, in the immediate post-war years, and subsequently. They also probe how individual poems reveal various facets of the poetry of unease, the poetry of survival, and the poetics of war and ecology. References to the accompanying online Oxford Classical Receptions Commentaries will enable readers to follow up their special interests. This volume differs from the shorter volume Greek and Roman Antiquity in First World War Poetry: Making Connections in that it covers the whole output of the four poets, and not just their war poems.
History as a Translation of the Past
Author: Luigi Alonzi
Publisher: Bloomsbury Publishing
ISBN: 1350338222
Category : Language Arts & Disciplines
Languages : en
Pages : 241
Book Description
This volume considers how the act through which historians interpret the past can be understood as one of epistemological and cognitive translation. The book convincingly argues that words, images, and historical and archaeological remains can all be considered as objects deserving the same treatment on the part of historians, whose task consists exactly in translating their past meanings into present language. It goes on to examine the notion that this act of translation is also an act of synchronization which connects past, present, and future, disrupting and resetting time, as well as creating complex temporalities differing from any linear chronology. Using a broad, deep interpretation of translation, History as a Translation of the Past brings together an international cast of scholars working on different periods to show how their respective approaches can help us to better understand and translate the past in the future.
Publisher: Bloomsbury Publishing
ISBN: 1350338222
Category : Language Arts & Disciplines
Languages : en
Pages : 241
Book Description
This volume considers how the act through which historians interpret the past can be understood as one of epistemological and cognitive translation. The book convincingly argues that words, images, and historical and archaeological remains can all be considered as objects deserving the same treatment on the part of historians, whose task consists exactly in translating their past meanings into present language. It goes on to examine the notion that this act of translation is also an act of synchronization which connects past, present, and future, disrupting and resetting time, as well as creating complex temporalities differing from any linear chronology. Using a broad, deep interpretation of translation, History as a Translation of the Past brings together an international cast of scholars working on different periods to show how their respective approaches can help us to better understand and translate the past in the future.
Stand in the Trench, Achilles
Author: Elizabeth Vandiver
Publisher: Oxford University Press on Demand
ISBN: 0199542740
Category : History
Languages : en
Pages : 476
Book Description
A study of the ways in which British poets of the First World War used classical literature, culture, and history as a source of images, ideas, and even phrases for their own poetry. Elizabeth Vandiver offers a new perspective on that poetry and on the history of classics in British culture.
Publisher: Oxford University Press on Demand
ISBN: 0199542740
Category : History
Languages : en
Pages : 476
Book Description
A study of the ways in which British poets of the First World War used classical literature, culture, and history as a source of images, ideas, and even phrases for their own poetry. Elizabeth Vandiver offers a new perspective on that poetry and on the history of classics in British culture.
Library of the World's Best Literature, Ancient and Modern
Author: Charles Dudley Warner
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 538
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 538
Book Description
Women and War in Antiquity
Author: Jacqueline Fabre-Serris
Publisher: JHU Press
ISBN: 1421417634
Category : History
Languages : en
Pages : 355
Book Description
Women in ancient Greece and Rome played a much more active role in battle than previously assumed. The martial virtues—courage, loyalty, cunning, and strength—were central to male identity in the ancient world, and antique literature is replete with depictions of men cultivating and exercising these virtues on the battlefield. In Women and War in Antiquity, sixteen scholars reexamine classical sources to uncover the complex but hitherto unexplored relationship between women and war in ancient Greece and Rome. They reveal that women played a much more active role in battle than previously assumed, embodying martial virtues in both real and mythological combat. The essays in the collection, taken from the first meeting of the European Research Network on Gender Studies in Antiquity, approach the topic from philological, historical, and material culture perspectives. The contributors examine discussions of women and war in works that span the ancient canon, from Homer’s epics and the major tragedies in Greece to Seneca’s stoic writings in first-century Rome. They consider a vast panorama of scenes in which women are portrayed as spectators, critics, victims, causes, and beneficiaries of war. This deft volume, which ultimately challenges the conventional scholarly opposition of standards of masculinity and femininity, will appeal to scholars and students of the classical world, European warfare, and gender studies.
Publisher: JHU Press
ISBN: 1421417634
Category : History
Languages : en
Pages : 355
Book Description
Women in ancient Greece and Rome played a much more active role in battle than previously assumed. The martial virtues—courage, loyalty, cunning, and strength—were central to male identity in the ancient world, and antique literature is replete with depictions of men cultivating and exercising these virtues on the battlefield. In Women and War in Antiquity, sixteen scholars reexamine classical sources to uncover the complex but hitherto unexplored relationship between women and war in ancient Greece and Rome. They reveal that women played a much more active role in battle than previously assumed, embodying martial virtues in both real and mythological combat. The essays in the collection, taken from the first meeting of the European Research Network on Gender Studies in Antiquity, approach the topic from philological, historical, and material culture perspectives. The contributors examine discussions of women and war in works that span the ancient canon, from Homer’s epics and the major tragedies in Greece to Seneca’s stoic writings in first-century Rome. They consider a vast panorama of scenes in which women are portrayed as spectators, critics, victims, causes, and beneficiaries of war. This deft volume, which ultimately challenges the conventional scholarly opposition of standards of masculinity and femininity, will appeal to scholars and students of the classical world, European warfare, and gender studies.
First World War Poems
Author: Andrew Motion
Publisher:
ISBN: 9780571221202
Category : War poetry, English
Languages : en
Pages : 171
Book Description
In this moving anthology, the Poet Laureate Andrew Motion guides us through the horror and the pity of the Great War, from the trenches of the Western Front to reflections from our own age. With a generous selection of our best-loved war poets, First World War Poems also returns lesser known pieces to the light, and extends the selection right through to the present day - so that poems produced by the war give way historically to poems about the war. This mesmerizing book reminds us how the poetry of that time has, more than any art form, come to stand testament to the grief and outrage occasioned by World War I.
Publisher:
ISBN: 9780571221202
Category : War poetry, English
Languages : en
Pages : 171
Book Description
In this moving anthology, the Poet Laureate Andrew Motion guides us through the horror and the pity of the Great War, from the trenches of the Western Front to reflections from our own age. With a generous selection of our best-loved war poets, First World War Poems also returns lesser known pieces to the light, and extends the selection right through to the present day - so that poems produced by the war give way historically to poems about the war. This mesmerizing book reminds us how the poetry of that time has, more than any art form, come to stand testament to the grief and outrage occasioned by World War I.
The Chautauquan
The Selected Poetry of Rainer Maria Rilke
Author: Rainer Maria Rilke
Publisher: Vintage
ISBN: 9780679722014
Category : Poetry
Languages : en
Pages : 402
Book Description
"This miracle of a book, perhaps the most beautiful group of poetic translations this century has ever produced," (Chicago Tribune) should stand as the definitive English language version.
Publisher: Vintage
ISBN: 9780679722014
Category : Poetry
Languages : en
Pages : 402
Book Description
"This miracle of a book, perhaps the most beautiful group of poetic translations this century has ever produced," (Chicago Tribune) should stand as the definitive English language version.