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Author: Wilhelm Von Lenz Publisher: BoD – Books on Demand ISBN: 3955079260 Category : Music Languages : en Pages : 182
Book Description
Wilhelm von Lenz was a a personal acquaintance of the famous romantic composers of the mid 19th century. His accounts tell us how the author experienced and evaluated the lives and careers of Franz Liszt, Fréderic Chopin, Carl Tausig and Adolf von Henselt.
Author: Wilhelm Von Lenz Publisher: BoD – Books on Demand ISBN: 3955079260 Category : Music Languages : en Pages : 182
Book Description
Wilhelm von Lenz was a a personal acquaintance of the famous romantic composers of the mid 19th century. His accounts tell us how the author experienced and evaluated the lives and careers of Franz Liszt, Fréderic Chopin, Carl Tausig and Adolf von Henselt.
Author: Wilhelm von Lenz Publisher: ISBN: 9781332133260 Category : Music Languages : en Pages : 182
Book Description
Excerpt from The Great Piano Virtuosos of Our Time From Personal Acquaintance: Liszt, Chopin, Tausig, Henselt All the great pianists of the first half of the century, were personally known to me: Field, Hummel, Moscheles, Kalkbrenner. From the school which we now already call "old" (excluding Field, who went his own peculiar way), a school which, if not founded by Hummel, was at least essentially influenced by him, I came to the new era of the pianoforte, to Liszt and Chopin. Liszt is a phenomenon of universal musical virtuosity, such as had never before been known: not simply a pianistic wonder. Liszt is a phenomenon spreading over the whole domain of musical production, and creating a universal standard of comparison. Liszt does not merely play piano; he tells, at the piano, the story of his own destiny, which is closely linked to, and reflects, the progress of our time. Liszt is a latent history of the keyboard, himself its crowning glory. To him the piano becomes an approximate expression of his high mental cultivation, of his views, of his faith and being. What does piano-playing matter to him! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Wilhelm von Lenz Publisher: ISBN: 9781437958836 Category : Languages : en Pages : 112
Book Description
A classic of piano literature, first published in German in 1872, with the first English edition appearing in New York in 1899. Wilhelm von Lenz, pupil and friend of both Liszt and Chopin and who also knew Tausig, Henselt and Cramer, provides unique, intimate portraits of these legendary musicians, reminding us that they were not only musical geniuses but very human. One is enthralled by his description of his first meeting with Liszt and his attempt to play on Liszt¿s specially prepared practice piano; his experiences with Chopin and his disastrous introduction to George Sand; by his meetings with the aged and almost forgotten Cramer and with the fiery Carl Tausig, Liszt¿s favorite pupil; and his account of Henselt, who gave but 3 concerts in 33 years. Illus.
Author: Nancy Newman Publisher: University Rochester Press ISBN: 1580463452 Category : History Languages : en Pages : 334
Book Description
A transatlantic perspective that illuminates the Germania Musical Society's crucial role in introducing a "classical," predominantly German, repertory of instrumental works into American musical life. In Good Music for a Free People, author Nancy Newman examines the activities and reception of the Germania Musical Society, an orchestra whose members emigrated from Berlin during the Revolutions of 1848. These two dozen "Forty-Eighters" gave nearly a thousand concerts in North America during the ensuing six-year period, possibly reaching a million listeners. Drawing on a memoir by member Henry Albrecht, Newman provides insights into the musicians'desire to bring their music to the audiences of a democratic republic at this turbulent time. Eager to avoid the egotism and self-promotion of the European patronage system, they pledged to work for their mutual interests both musically and socially. "One for all, and all for one" became their motto. Originally published in German, Albrecht's memoir is presented here in for the first time in translation. Nancy Newman is Associate Professor in the Music Department at the University at Albany, SUNY.
Author: Wilhelm Von Lenz
Author: Wilhelm Von Lenz
Author: Wilhelm von Lenz
Author: Wilhelm Von Lenz
Author: Wilhelm von Lenz
Author: Wilhelm von Lenz
Author: Wilhelm von Lenz
Author: Nancy Newman
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Author: 
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