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Grazia Deledda's Dance of Modernity (Toronto Italian Studies)

Author: Margherita Heyer-Caput
Publisher: University of Toronto Press
ISBN: 0802098312
Category : Literary Criticism
Languages : en
Pages : 329

Book Description
Grazia Deledda's Dance of Modernity is a highly original and innovative interpretation of Deledda's narrative in philosophical perspective, which also includes the study of textual variations and considers cultural history in Italy during the early twentieth century.

Grazia Deledda's Dance of Modernity

Author: Margherita Heyer-Caput
Publisher: University of Toronto Press
ISBN: 1442692839
Category : Literary Criticism
Languages : en
Pages : 329

Book Description
Grazia Deledda (1871-1936) was the author of many influential novels and remains one of the most significant Italian women writers of her time. However, critics tend to pigeonhole her works into convenient literary categories and to ignore the uniqueness of her style and voice. Grazia Deledda's Dance of Modernity offers a timely and thought-provoking interpretation of this Nobel laureate, examining her work in the context of European philosophical and literary modernity. Margherita Heyer-Caput takes a philosophical and philological approach in order to provide a reassessment of Deledda's position in the literary canon. At the same time, she raises the larger issue of the status of allegedly 'regional' or 'minor' literatures within the context of Italian modernity. Dealing with four novels representative of Deledda's vast corpus, Heyer-Caput addresses and dismantles elements of regionalismo, verismo, and decadentismo, labels with which Deledda's works are regularly associated. This is the first volume to introduce some of Deledda's overlooked texts to an Anglophone audience. It invites readers to overturn established critical categories and to question margin-centre hierarchies both in the broad context of literary modernity and the narrower frame of Deledda's writing. Grazia Deledda's Dance of Modernity is a highly original and innovative interpretation of Deledda's narrative in philosophical perspective, which also includes the study of textual variations and considers cultural history in Italy during the early twentieth century. It is a much-needed examination of an important writer and how she managed to construct her own literary and gender identity in the context of modernity.

Women Writing Race, Nation, and History

Author: Sonita Sarker
Publisher: Oxford University Press
ISBN: 0192849964
Category : English literature
Languages : en
Pages : 233

Book Description
This book presents how Nation and Narrative are bound together through the figure of the "N/native" as it appears in the non-fictional writings of Cornelia Sorabji, Grazia Deledda, Zitkála-Sá, Virginia Woolf, Victoria Ocampo, and Gwendolyn Bennett. It addresses two questions: How did women writers in the early twentieth century tackle the entangled roots of political and cultural citizenship from which crises of belonging arise? How do their narrative negotiations of those crises inform modernist practice and modernity, then and now? The "N/native" moves between "born in" and "first in" in the context of the modern nation-state. In the dominant discourses of post-imperial as well as de-colonizing nations, "Native" is relegated to Time (static or fetishized through nostalgia and romance). History is envisioned as active and contoured, associated with motion and progress, which the "native" inhabits and for whom citizenship is a political as well as a temporal attribute. The six authors' identities as Native, settler, indigenous, immigrant, or native-citizen, are formed from their gendered, racialized, and classed locations in their respective nations. Each author negotiates the intertwined strands of Time and History by mobilizing the "N/native" to reclaim citizenship (cultural-political belonging). This study reveals how their lineage, connections to land, experiences in learning (education), and their labor generate their narratives. The juxtaposition of the six writers keeps in focus the asymmetries in their responses to their times, and illustrates how relevant women's/feminist production were, and are in today's versions of the same urgent debates about heightened nativisms and nationalisms

Modernist Idealism

Author: Michael J. Subialka
Publisher: University of Toronto Press
ISBN: 148752868X
Category : Literary Criticism
Languages : en
Pages : 401

Book Description
Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author’s main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form.

Eleonora Duse and Cenere (Ashes)

Author: Maria Pia Pagani
Publisher: McFarland
ISBN: 1476663750
Category : Performing Arts
Languages : en
Pages : 187

Book Description
The 1916 silent film Cenere (Ashes) features the great Italian actress Eleonora Duse (1858-1924) in her only cinematic role. In her meditative approach to her craft, she reprised for the screen all the "mother roles" she had created for the theater. Marking the film's 100th anniversary, this collection of essays brings together for the first time in English a range of scholarship. The difficulties involved in the making of the film are explored--Duse's perfectionism was too advanced for the Italian movie industry of the 1910s. Her work is discussed within the creative, political and historical context of the silent movie industry as it developed in wartime Italy.

Topics and Concepts in Literary Translation

Author: Roberto A. Valdeón
Publisher: Routledge
ISBN: 1000651495
Category : Language Arts & Disciplines
Languages : en
Pages : 217

Book Description
This book explores literary translation in a variety of contexts. The chapters showcase the research into literary translation in North America, Europe, and Asia. Written by a group of experienced researchers and young academics, the contributors study a variety of languages (including English, Spanish, Italian, Chinese, French, Japanese, Dutch, German, and Swedish), use a wide range of approaches (including quantitative review of literary translations; transfictional approaches to translation; and a review of concepts such as paratexts, intralingual translation, intertextuality, and retranslation), and aim to expand on existing debates on translation and translation studies as a discipline. The chapters aim to provide a panorama of the variety of topics and interests of contemporary translation studies, as well as problematize some of the concepts and approaches that seem to have become the only accepted/acceptable model in some academic quarters. This book was originally published as a special issue of Perspectives Studies in Translation Theory and Practice.

Wandering Women

Author: Laura Di Bianco
Publisher: Indiana University Press
ISBN: 025306466X
Category : History
Languages : en
Pages : 242

Book Description
Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives. Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit. Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.