Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1104
Book Description
Catalogue
Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1104
Book Description
Sale
Author: Anderson Galleries, IncPublisher:
ISBN:
Category : Art
Languages : en
Pages : 470
Book Description
A Catalogue of ... [books] ...
![A Catalogue of ... [books] ... PDF](https://books.google.com/books/content/images/frontcover/dqBrgjRVa2cC?fife=w80-h100)
Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1044
Book Description
Catalogue of Works on the Fine Arts
Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388
Book Description
A Catalogue of Rare and Valuable Books on the Fine Arts
Author: Bernard QuaritchCatalogue of Works on the Fine Arts Offered at the Net Prices Affixed
Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
CATALOGUE OF WORKS ON THE FINE ARTS
Author: "Sculptors and Design Reform in France, 1848 to 1895 "
Author: Claire JonesPublisher: Routledge
ISBN: 1351549693
Category : Art
Languages : en
Pages : 403
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
The Purchase of the Past
Author: Tom StammersPublisher: Cambridge University Press
ISBN: 1108807224
Category : History
Languages : en
Pages : 375
Book Description
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
Author: Bernard Quaritch