Index of Art Sales Catalogs 1981-1985: Main index, October 7, 1984-December 23, 1985. Subject index PDF Download

Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656

View

Book Description

Author:
Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632

View

Book Description

Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642

View

Book Description

Author: Inventaire général des monuments et des richesses artistiques de la France
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 176

View

Book Description

Author: Inventaire général des monuments et des richesses artistiques de la France
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 172

View

Book Description

Author: Ettore Sottsass, Jr.
Publisher: Skira
ISBN: 9788857235356
Category : Architect-designed glassware
Languages : en
Pages : 328

View

Book Description
The brilliant architect and designer Ettore Sottsass "made glass" from 1947 until the end of his career. This volume documents the entire period of his glass oeuvre, from the series he designed in the 1970s for Vistosi to the Memphis collections of the 1980s, the symbolic forms of the 1990s, the stunning constructions for the Millennium House in Qatar, and the famous Kachinas. The wealth of images, the analysis of design and painting together with the coeval cultural and artistic context, and the summary of works including many unpublished pieces make this volume edited by Luca Massimo Barbero the first scientific study on Ettore Sottsass's works in glass and crystal

Author: Roger Benjamin
Publisher: Univ of California Press
ISBN: 0520924401
Category : Architecture
Languages : en
Pages : 394

View

Book Description
Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.

Author: Sylva Petrová
Publisher:
ISBN: 9788087989630
Category :
Languages : en
Pages :

View

Book Description

Author: Marino Barovier
Publisher: Skira Editore
ISBN: 9788857241005
Category : Crafts & Hobbies
Languages : en
Pages : 480

View

Book Description
Thomas Stearns and his collaboration with the Venini glassworks in the early Sixties in the new chapter of the series "Le Stanze del Vetro". The American artist Thomas Stearns (1936-2006) collaborated with the Venini glassworks as guest designer between 1960 and 1962. Thomas Stearns designed elegant blown-glasspieces with irregular features using various materials. Stearns was the first American to design for Venini; he won a on Fulbright Travel Grant, left Cranbrook Academy, and showed up in Murano with new ideas, but absolutely no knowledge of the Italian language. But, from this potentially disastrous situation grew a collection of ground-breaking designs that actually won the "Best of Show" award at the Venice Bienale of 1962. When the judges found out that the winner was not Italian, but a monolingual American, they actually rescinded the award. By then, however, it was pretty impossible to deny that Thomas Stearns had created something really special. Stearns' amazing designs proved too difficult to put into mass production, which made them even more special.

Author: Royal Society of Arts (Great Britain)
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 690

View

Book Description