Author: B. Martin Pedersen
Publisher: Harper Design
ISBN: 9781931241137
Category : Design
Languages : en
Pages : 280
Book Description
The best works of contemporary graphic design are featured here. Examples of categories such as annual reports, corporate identity, brochures, posters, products, promotions and packaging fill these pages and are reproduced in full detail and colour.
Graphis Advertising Annual 2004
Author: B. Martin Pedersen
Publisher: Harper Design
ISBN: 9781931241342
Category : Reference
Languages : en
Pages : 278
Book Description
The advertising art community's premiere showcase of print ads from around the world.
Publisher: Harper Design
ISBN: 9781931241342
Category : Reference
Languages : en
Pages : 278
Book Description
The advertising art community's premiere showcase of print ads from around the world.
Graphis
Communication Arts
PosterAnnual
Marian Bantjes
Author: Marian Bantjes
Publisher:
ISBN: 9781938922220
Category :
Languages : en
Pages : 0
Book Description
"Presents Bantjes's projects chronologically, revealing a fascinating journey from her early work as a typesetter to her experimentation in digital technologies and analogue materials alike"--Jacket.
Publisher:
ISBN: 9781938922220
Category :
Languages : en
Pages : 0
Book Description
"Presents Bantjes's projects chronologically, revealing a fascinating journey from her early work as a typesetter to her experimentation in digital technologies and analogue materials alike"--Jacket.
Advertising Annual
Graphic Design, Referenced
Author: Bryony Gomez Palacio
Publisher:
ISBN: 1592537421
Category : Art
Languages : en
Pages : 404
Book Description
From Caslon and Carson, from Gutenberg to Greiman, from Lascaux to letterpress, and from Postmodernism to pixel (among other entries), this title will provide all the necessary information and visual cues that designers need to know in order to become empowered, work efficiently and knowingly, and survive in a design conversation with peers.
Publisher:
ISBN: 1592537421
Category : Art
Languages : en
Pages : 404
Book Description
From Caslon and Carson, from Gutenberg to Greiman, from Lascaux to letterpress, and from Postmodernism to pixel (among other entries), this title will provide all the necessary information and visual cues that designers need to know in order to become empowered, work efficiently and knowingly, and survive in a design conversation with peers.
Format for Graphic Designers
Author: Gavin Ambrose
Publisher: Bloomsbury Publishing
ISBN: 1474299067
Category : Design
Languages : en
Pages : 210
Book Description
From traditional print to digital formats for mobile phones and tablets, this book provides a clear introduction to the creative use of format in graphic design. Using 200 inspirational examples from contemporary international designers, Format for Graphic Designers guides the student through the role of format in both the purpose and the narrative of a design. The authors look at the physical aspects of formats - traditional and experimental, print and digital - to explore innovative solutions and, through case studies, explore how and why professional designers choose particular formats for a job. Covering everything from books and magazines, point-of-purchase displays, packaging, direct mail, brochures, and screen-based formats, the new edition illuminates this critical element of design practice for students, and provides them with a solid foundation on which to build their own designs.
Publisher: Bloomsbury Publishing
ISBN: 1474299067
Category : Design
Languages : en
Pages : 210
Book Description
From traditional print to digital formats for mobile phones and tablets, this book provides a clear introduction to the creative use of format in graphic design. Using 200 inspirational examples from contemporary international designers, Format for Graphic Designers guides the student through the role of format in both the purpose and the narrative of a design. The authors look at the physical aspects of formats - traditional and experimental, print and digital - to explore innovative solutions and, through case studies, explore how and why professional designers choose particular formats for a job. Covering everything from books and magazines, point-of-purchase displays, packaging, direct mail, brochures, and screen-based formats, the new edition illuminates this critical element of design practice for students, and provides them with a solid foundation on which to build their own designs.
Emigre: GLOBAL DESIGN, VS. Globalism, Critisism, SCIENCE, AUTHENTIcity and Humanism - #67
Author: Rudy VanderLans
Publisher: Princeton Architectural Press
ISBN: 9781568984674
Category : Art
Languages : en
Pages : 148
Book Description
In his essay "Style is Not a Four Letter Word," Mr. Keedy looks at the continuing feud in design between style and content, form and function, and even pleasure and utility, and tries to pin down how style got such a bad reputation, and how restoring its value may save design. Kenneth FitzGerald in "Buzz Kill" continues to be amazed at the gyrations designers will go through to try and place themselves beyond criticism. His essay tries to drive a stake through the common techniques used by designers to neutralize criticism. Anthony Inciong mourns the fact that design no longer leads but answers to the market and how this coincides with the dumbing down of design education. He recommends an increase in theory, history, and research as a way for young designers to build an awareness of the culture in which they and their objects will live. Michael Schmidt and Katherine McCoy, in two separate essays, explore the role of graphic design in the age of globalization. Randy Nakamura looks at the continuing attempt by graphic designers to raise design above its middlebrow pedigree. David Cabianca reviews Fred Smeijer's book "Type now: a manifesto, plus work so far." Cabianca, who studies at the University of Reading (UK), looks at what a student of type design may take away from this book. Rudy VanderLans interviews Peter Bilak, the designer of the popular Fedra type family and co-publisher of "DotDotDot" magazine, as well as Dmitri Siegel, a recent Yale graduate who has a knack for writing original and insightful design critiques. Max Kisman lends us a few pages from his ongoing illustrated diary which currently contains over 15,000 pages. Plus, the Readers Respond, featuring letters in response to past issues of Emigre magazine.
Publisher: Princeton Architectural Press
ISBN: 9781568984674
Category : Art
Languages : en
Pages : 148
Book Description
In his essay "Style is Not a Four Letter Word," Mr. Keedy looks at the continuing feud in design between style and content, form and function, and even pleasure and utility, and tries to pin down how style got such a bad reputation, and how restoring its value may save design. Kenneth FitzGerald in "Buzz Kill" continues to be amazed at the gyrations designers will go through to try and place themselves beyond criticism. His essay tries to drive a stake through the common techniques used by designers to neutralize criticism. Anthony Inciong mourns the fact that design no longer leads but answers to the market and how this coincides with the dumbing down of design education. He recommends an increase in theory, history, and research as a way for young designers to build an awareness of the culture in which they and their objects will live. Michael Schmidt and Katherine McCoy, in two separate essays, explore the role of graphic design in the age of globalization. Randy Nakamura looks at the continuing attempt by graphic designers to raise design above its middlebrow pedigree. David Cabianca reviews Fred Smeijer's book "Type now: a manifesto, plus work so far." Cabianca, who studies at the University of Reading (UK), looks at what a student of type design may take away from this book. Rudy VanderLans interviews Peter Bilak, the designer of the popular Fedra type family and co-publisher of "DotDotDot" magazine, as well as Dmitri Siegel, a recent Yale graduate who has a knack for writing original and insightful design critiques. Max Kisman lends us a few pages from his ongoing illustrated diary which currently contains over 15,000 pages. Plus, the Readers Respond, featuring letters in response to past issues of Emigre magazine.