Grammar of Vocal Music, Founded On the Method of Wilhem. (Comm. of Council On Educ.) PDF Download
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Author: John Pyke Hullah Publisher: Legare Street Press ISBN: 9781022508439 Category : Languages : en Pages : 0
Book Description
This book provides a comprehensive guide to the principles of vocal music, based on the pioneering work of Guillaume Louis Bocquillon-Wilhem and the recommendations of the British Council on Education. Written by the renowned music educator John Pyke Hullah, this book offers a valuable resource for students and teachers of vocal music. It includes detailed explanations of vocal technique, music theory, and much more. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: John Pyke Hullah Publisher: Legare Street Press ISBN: 9781022508439 Category : Languages : en Pages : 0
Book Description
This book provides a comprehensive guide to the principles of vocal music, based on the pioneering work of Guillaume Louis Bocquillon-Wilhem and the recommendations of the British Council on Education. Written by the renowned music educator John Pyke Hullah, this book offers a valuable resource for students and teachers of vocal music. It includes detailed explanations of vocal technique, music theory, and much more. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: John Pyke Hullah Publisher: Rarebooksclub.com ISBN: 9781230182261 Category : Languages : en Pages : 44
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1843 edition. Excerpt: ... note. What do we call the act of changing a passage from one scale to another?--Transposition. Can a passage be transposed from the scale of Do merely by placing the notes higher or lower on the stave?--No. Why?--Because the semitones would no longer be between the 3rd and 4th and 7th and 8th of the scale. Are the 3rd and 4th, and 7th and 8th of every major scale to be separated by semitones?--Yes. How then do we augment or diminish any of the intervals in a passage for the purpose of transposing it, or making it sound the same in one scale as another?--By using sharp or flat notes instead of natural notes. Repeat the names of the sounds which form the scale of Re-making the manual signs. To be done, thus: Re, Mi, Fa if, Sol, &c--7 In the same manner, the scale of Si y--To be done, as before. On what part of the hand are the sharp notes represented?--At the roots of the fingers. On what part of the hand are the flat notes represented?--At the tips of the fingers. Touch Dot, Sol, Soli, ReS, Re &c, &c.--To be done; and similar Exercises to be continued, ad lib. 1. Were notes made sharp or flat only for the purpose of transposition, there would be no difficulty in singing them. All major scales are equally easy to sing. 2. But it has been shown that sharps or flats are used for other purposes besides transposition; for modulation, for writing in the minor scale, and the chromatic scale. 3. By the use of a greater or lesser number of sharps or flats, we can not only write any scale, but augment or diminish any individual interval. Before proceeding further with the study of this Chapter, the Teacher should examine the class on the interval of the second.--(See Chap. IX.) 4. A major second may become minor, or a minor second...
Author: Derek B. Scott Publisher: Routledge ISBN: 1351540556 Category : Music Languages : en Pages : 288
Book Description
First published in 1989, The Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred song performed in the home. The popularity of these domestic songs opened up opportunities to women composers, and a chapter of the book is dedicated to the discussion of women songwriters and their work. The commercial success of bourgeois song through the sale of sheet music demonstrated how music might be incorporated into a system of capitalist enterprise. Scott examines the early amateur music market and its evolution into an increasingly professionalized activity towards the end of the century. This new updated edition features an additional chapter which provides a broad survey of music and class in London, drawing on sources that have appeared since the book's first publication. An overview of recent research is also given in a section of additional notes. The new bibliography of nineteenth-century British and American popular song is the most comprehensive of its kind and includes information on twentieth-century collections of songs, relevant periodicals, catalogues, dictionaries and indexes, as well as useful databases and internet sites. The book also features accompanying downloadable resources of songs from the period.
Author: John Pyke Hullah
Author: John Pyke Hullah
Author: John Pyke Hullah
Author: John Pyke Hullah
Author: John Pyke Hullah
Author: Bransby Blake Cooper
Author: John William Donaldson
Author: Duncan Farquharson Gregory
Author: Derek B. Scott
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