Author: Pedro Soares Neves Publisher: Vol.4 ISBN: 9781794304659 Category : Art Languages : en Pages : 142
Book Description
After Urban Creativity Lisbon activities (5,6 and 7 of July 2018) here is presented the 4th Volume of SAUC Journal, reaching other audiences and building an ongoing trajectory of recognition aimed to the highest standards, not only academic and or institutional, but above all production and practice-oriented. Engaging with a big heterogeneity of disciplines, focused on graffiti, street art as subjects of theorization and practice, towards the definition of an academic and professional disciplinary field of Urban Creativity. The 2018 activities thematic "about time" aimed the objective of problematizing the chronological constraints of street art, graffiti, and urban creativity in general. Reinforcing the idea of the atemporal, potentially interpreted as something indissociable of human nature, linking 30000 old archeological findings with today. If in the conference we used 3 venues, Main Auditorium, Lagoa Henriques of Fine Arts Faculty Auditoriums, and the Auditorium of Cascais Cultural Center, were more that 80 participants had the opportunity to share perspectives from more that 20 disciplinary fields, and 35 countries. Here in the 2018 edition of SAUC, Volume 4, with near 40 contributions distributed in 2 journal issues. This issue 2, "Changing times: Resilience" gather contributions about Resilience and adaptability through institutionalization, formal aesthetic shift, Graffiti as a Palimpsest, Framing Poetical Expression, Poetic Objects in Public Space. Geographically framed approached as The "black-and-white mural" in Polytechneio in Athens, The Evolution of Street art and Graffiti in India, Shark Graffiti On Reunion Island Russia - Specifics of Periodization in Russian Street Art . Temporal overview looks upon: strategies for creating village identity symbols using street art tactics, The commodification of alternative cultural spaces, English Language Video Documentaries On Contemporary Graffiti And Street Art, A brief history of street art as a term up to 2000. And finaly an article review of Glaser, K., 2017. Street Art and New Media. And the invited contribution of OPNI Group - Grupo OPNI graffiti and urban violence in present-day Brazil.With contributions from Switzerland, Finland, Spain, Sweden, Greece, Poland, New Zealand, USA, Austria, UK, Russia, and Brazil.
Author: Pedro Soares Neves Publisher: Vol.4 ISBN: 9781793262547 Category : Art Languages : en Pages : 144
Book Description
After Urban Creativity Lisbon activities (5,6 and 7 of July 2018) here is presented the 4th Volume of SAUC Journal, reaching other audiences and building an ongoing trajectory of recognition aimed to the highest standards, not only academic and or institutional, but above all production and practice-oriented. The 2018 activities thematic "about time" aimed the objective of problematizing the chronological constraints of street art, graffiti, and urban creativity in general. Reinforcing the idea of the atemporal, potentially interpreted as something indissociable of human nature, linking 30000 old archeological findings with today. This issue 1, "Changing times: Tactics" gathers contributes about the Displacement of the Street Art Aesthetic (OSGEMEOS in the white cube), looking at a City-wide Art Gallery or The Pixed City the Body-Landscape, Aesthetics of Change with Multiculturalism. Also Sustainable Graffiti Management Solutions for Public Areas and street art and Copyright hard areas of approach. And more soft approaches (based on human sciences) on and Against Street Signs: On Art Made out of Street Signs, Work and play, in Line or within Graffiti-Writing traditions and Street Art innovations. Visioning with the posturban paradigm and where street art and graffiti are not (going to be), the evolution of Halls of Fame, and as a statement: No Tags. No Masterpieces, but also the duality of Image versus writing: from post-graffiti and murals' assault to graffiti's scriptural riposte. Also Graffiti as a catalyst of individual creativity and more broad contents about Documenting graffiti culture. All brave Paths also documenting Graffiti on trains, photography and Subterráneos.With contributions from Germany, Iran, Brazil, Australia, UK, Spain, Italy, Ukraine, Austria, Portugal, and France.
Author: Pedro Soares Neves Publisher: ISBN: Category : Languages : en Pages : 120
Book Description
We place here in discussion the maturity of the academic and pedagogical field that graffiti, urban and street art, urban creativity constitute. It's in fact identified a consistency of knowledge and structure of thought in the several disciplinary areas. As we are convinced that this trend will continue in multiple forms including experimental ones bridging theory and practice, here's the result of the invite for participation in this reflection.Here is also combined the conference outcomes. There were two main results to achieve during the dialogues of the 2020 online conference. One was to observe the maturity of the academic and pedagogical field that graffiti, urban and street art, well, urban creativity in general have. On the 2020 conference was in fact proven that the consistency of knowledge and structure of thought in the several disciplinary areas regarding the urban creativity topics, are giving way to multiple approaches to classes integrated in master courses, informing the teaching of art historians, the work of designers, and research of cognitive scientists and educators. It was evident that this trend will continue in multiple forms including experimental ones bridging theory and practice, sometimes inverting the role of researchers and authors, but always enlarging audiences, practitioners and studious.The second main result was to observe how the relation evolved between UX and Urban Creativity topics, and the result was fantastic. This observations originated one article that will be published on the UXUC Journal.Urban Creativity User Experience Online Conference 9, 10 and 11 July 2020, 31 presenters 99, participants per day average (full capacity).Closing panel with Henry Chalfant, Jim Prigoff, Susan Farell and John Fekner.With contributions from Australia, France, Italy, Greece, Belgium, Austria, USA, Netherlands, Sweden, Norway, England, Spain, Japan, China, Russia and Portugal.
Author: Pedro Soares Neves Publisher: ISBN: Category : Languages : en Pages : 116
Book Description
We place here in discussion the maturity of the academic and pedagogical field that graffiti, urban and street art, urban creativity constitute. It's in fact identified a consistency of knowledge and structure of thought in the several disciplinary areas. As we are convinced that this trend will continue in multiple forms including experimental ones bridging theory and practice, here's the result of the invite for participation in this reflection.Here is also combined the conference outcomes. There were two main results to achieve during the dialogues of the 2020 online conference. One was to observe the maturity of the academic and pedagogical field that graffiti, urban and street art, well, urban creativity in general have. On the 2020 conference was in fact proven that the consistency of knowledge and structure of thought in the several disciplinary areas regarding the urban creativity topics, are giving way to multiple approaches to classes integrated in master courses, informing the teaching of art historians, the work of designers, and research of cognitive scientists and educators. It was evident that this trend will continue in multiple forms including experimental ones bridging theory and practice, sometimes inverting the role of researchers and authors, but always enlarging audiences, practitioners and studious.The second main result was to observe how the relation evolved between UX and Urban Creativity topics, and the result was fantastic. This observations originated one article that will be published on the UXUC Journal.Urban Creativity User Experience Online Conference 9, 10 and 11 July 2020, 31 presenters 99, participants per day average (full capacity).Closing panel with Henry Chalfant, Jim Prigoff, Susan Farell and John Fekner.With contributions from Australia, France, Italy, Greece, Belgium, Austria, USA, Netherlands, Sweden, Norway, England, Spain, Japan, China, Russia and Portugal.
Author: Pedro Soares Neves Publisher: Createspace Independent Publishing Platform ISBN: 9781540734129 Category : Languages : en Pages : 78
Book Description
After the Lisbon Street Art & Urban Creativity International Conference and book publishing in 2014, Seminar and Volume 1 (numbers 1 and 2) of the Street Art & Urban Creativity Scientific Journal (in 2015), the quality, quantity and originality of contributions from distinctive disciplinary fields, confirm the pertinence and relevance of our collective ongoing work. For the 2016 open call we invited contributions from all disciplines to discuss the tensions and complementarities of Center, Periphery, Theory and Practice, as concepts and as concrete characteristics of the Street Art & Urban Creativity research topic. What makes it distinct to be in the center or in the periphery of the urban context, of the practice or theory? How the approach from the practitioners, the art critics, the bloggers, the followers, contact the academic research and scientific approach? This are examples of the kind of issues that we were looking for to be addressed. The 2016 edition, volume 2, is composed by 2 numbers, number 1 "Center, Periphery: Practice" and number 2 "Center, Periphery: Theory." The number 2, is devoted to Theoretical approaches to Center, Periphery. Addressing tangible geographies like Uruguay and Brazil, methodological geographies centered in values, also about digital geographies, having space also for one philosophical essay and one book review.
Author: Cristian Campos Publisher: Rockport Publishers ISBN: 1610601505 Category : Art Languages : en Pages : 320
Book Description
Graffiti and street art used to be a sure sign of a neighborhood’s neglect. Even though it is still a countercultural art form, its role has grown: it enlivens public space, provides social commentary, and adds humor and color to the urban and suburban landscape. 1,000 Ideas for Graffiti and Street Art is a showcase of urban art suitable for artists of any medium, designers, and other creative artists looking for urban-style inspiration for their visual work. A visual catalog, it is both a practical, inspirational handbook and a coffee-table conversation piece. Graffiti and street artists—rebellious and non-rebellious alike—will relish the opportunity to have so many ideas for color play, illustration, and wild expressions at their fingertips. Inside you’ll find: -1,000 photographs of graffiti and other types of urban art, with captions that feature location (city, state, country) artist name (if known). -Artwork sorted into categories such as letterforms, stencils, portraits, murals, nature, tags, throw-ups, pieces, and productions -Urban art glossary, basic aerosol painting and street art techniques, and more
Author: Cedar Lewisohn Publisher: ABRAMS ISBN: Category : Graffiti Languages : en Pages : 168
Book Description
Street Art - art made in public spaces and including graffiti, stickers, poster art, stencil art and wheat-pasting, but not corporate-sponsored advertising or "public art" - has become one of the most popular and hotly discussed areas of art practice on the contemporary scene.
Author: Edwige Comoy Fusaro Publisher: ISBN: 9781705423981 Category : Languages : en Pages : 124
Book Description
As in the first two yearly conferences of the NSAP, the 2017 conference gathered various researchers, young and seasoned, French and foreigners, from a wide range of disciplines: Cultural Studies, Aesthetics, Philosophy, Art History, Italian Studies, English-American Studies, Architecture and Urbanism, Psychology and Communication Studies. As all scholars interested in G&SA (graffiti and street art) know, such an object of study requires a comprehensive, transdisciplinary approach. The focus of the third edition was on borderlines, frames and framing. Once more, we addressed the vexata quaestio of what we are talking about, id est what street art is (compared to or beside Graffiti, Graffiti Writing, Urban Art, Street Creativity, Urban Creativity, Public Art or other names, for its boundaries are blurred and constantly changing) because we need categories to comprehend concepts and objects. Beyond terminological dissents among scholars and between the latter and non-academics, and taking for granted that the "term Street Art cannot be defined conclusively since what it encompasses is constantly being negotiated" (Bengtsen 2014), we have decided to stick to a very large conception of street art as an umbrella term, including all sorts of art made in the public space for the people, indiscriminately, and with the people, while keeping Graffiti in the title of the book in the acronym G&SA, for its pioneering prominency.
Author: Pedro Neves Publisher: Createspace Independent Publishing Platform ISBN: 9781983805370 Category : Languages : en Pages : 124
Book Description
Texts from both scholarly and professional/practice-based approaches may be found in this publication. This volume of the SAUC Scientific Journal takes these debates conversations forward in presenting a series of papers tightly focused on the issues of intangible heritage and knowledge transfer, and the range of strategic responses to these challenges that could be adopted. We hope that this volume is both a timely resource and a reminder of the positive and productive debates and conversations held at the SAUC 2017 conference.
Author: Enrico Bonadio Publisher: Cambridge University Press ISBN: 9781108482332 Category : Law Languages : en Pages : 348
Book Description
In recent years, the number of conflicts related to the misuse of street art and graffiti has been on the rise around the world. Some cases involve claims of misappropriation related to corporate advertising campaigns, while others entail the destruction or 'surgical' removal of street art from the walls on which they were created. In this work, Enrico Bonadio brings together a group of experts to provide the first comprehensive analysis of issues related to copyright in street art and graffiti. Chapter authors shed light not only on the legal tools available in thirteen key jurisdictions for street and graffiti artists to object to unauthorized exploitations and unwanted treatments of their works, but also offer policy and sociological insights designed to spur further debate on whether and to what extent the street art and graffiti subcultures can benefit from copyright and moral rights protection.
Author: Pedro Soares Neves
Author: Pedro Soares Neves
Author: Pedro Soares Neves
Author: Pedro Soares Neves
Author: Pedro Soares Neves
Author: Cristian Campos
Author: Cedar Lewisohn
Author: Edwige Comoy Fusaro
Author: Pedro Neves
Author: Enrico Bonadio