Graff Wars: Graffiti inspired by the Star Wars universe PDF Download

Author: Martin Berdahl Aamundsen
Publisher: SCB Distributors
ISBN: 8293053593
Category : Art
Languages : en
Pages : 160

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Book Description
Graff Wars documents the huge influence the Star Wars legacy has had on graffiti and many of its performers. The book demonstrates how one single phenomenon within a worldwide pop culture is picked up, interpreted, and given its own artistic expression. This book is a tribute to the generations who have been inspired and delighted by, and dedicated to, George Lucas’ fantastic universe. Graff Wars contains amazing Star Wars inspired graffiti from all over the world. Graff Wars is the result of an international collaboration, with contributors from Kuala Lumpur to New York, from Australia to Spain, The Netherlands, China, Norway, Germany, and many more countries.

Author: Martin Berdahl Aamundsen
Publisher:
ISBN: 9788293053040
Category : Art
Languages : en
Pages : 0

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Book Description
Stencil Wars is a collection of the fantastic Star Wars inspired Street Art from all over the world. Be inspired and fascinated by the combination of the ironic, political and sarcastic expression of the urban art form of Street Art, with one of the most well known pop cultural phenomenon of our time, the Star Wars Universe.

Author: Martin Berdahl Aamundsen
Publisher: SCB Distributors
ISBN: 8293053607
Category : Art
Languages : en
Pages : 128

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Book Description
Stencil Wars: The Ultimate Book on Star Wars Inspired Street Art collects fantastic Star Wars inspired Street Art from all over the world. Be inspired and fascinated by the combination of the ironic, political and sarcastic expression of the urban art form of Street Art with one of the most well known pop-cultural phenomenon of our time, the Star Wars Universe.

Author: Martin Berdahl Aamundsen
Publisher: Kontur Publishing
ISBN: 9788293053309
Category : Graffiti
Languages : en
Pages : 0

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Book Description
With artists like Dolk, Pa, bel, DotDotDot and Martin Whatson receiving much international attention in recent years, the Norwegian Street Art scene has gone from an anonymous existence to gaining international recognition. With the release of Street Art Norway vol. II we want to communicate this development to a wider audience. Urban Street Art is an art form that reflects society at the time the art work was created. It can be a comment on something in the media, current events, or it can be the artist's own personal statement. In Street Art the motive is important, but also the message -- often a reaction or a counter-reaction to current affairs, that the artist wants to communicate to the public. And Street Art is easily understood because of its simple visualization. In the aftermath of July 22nd 2011, Street Art artists reacted in their own way to the horrendous acts carried out that day. In Oslo there were many different "Oslo paintings" and messages of support, and all around Norway artists put up stencils in memory of those who were taken away. It was also a way for the artists themselves to mourn.

Author: Charles B. Strozier
Publisher: NYU Press
ISBN: 0814780318
Category : History
Languages : en
Pages : 353

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Book Description
A fascinating collection of predictions for the end-times in the year 2000 The Year 2000 is at hand. The end of the millennium means many things to many people, but it has significance for almost everyone. A thousand years ago, monks stopped copying manuscripts and religious building projects came to a halt as panic swept Europe. Today, anxiety about global warming, government power, superviruses, even recycling, is on some level rooted in the fear of irreversible cataclysm. In a landscape shadowed by racial conflict, technological upheaval, AIDS, and nuclear weapons, we reasonably fear the end of history. 2000 looms large in our religious, political, and cultural imagination. But while 2000 brings dread it also raises the prospect of transformation. There is hope to be found in the apocalyptic. This panoramic volume explores how the Year 2000 operates in contemporary political discourse, from Black evangelical politics to radical right-wing rhetoric. One section is devoted specifically to apocalyptic violence, analyzing twentieth-century cults and cultural movements, from David Koresh—who renamed his Waco compound Ranch Apocalypse and perished in a modern-day Armageddon that fueled the millennialist angst of other extremist groups—to environmental campaigns like Earth First! that also rely on the language of violence and imminent doom in their greening of the Apocalypse.

Author: Laura Hillenbrand
Publisher: Random House Trade Paperbacks
ISBN: 0812974492
Category : Biography & Autobiography
Languages : en
Pages : 530

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Book Description
#1 NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • Look for special features inside. Join the Random House Reader’s Circle for author chats and more. In boyhood, Louis Zamperini was an incorrigible delinquent. As a teenager, he channeled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics. But when World War II began, the athlete became an airman, embarking on a journey that led to a doomed flight on a May afternoon in 1943. When his Army Air Forces bomber crashed into the Pacific Ocean, against all odds, Zamperini survived, adrift on a foundering life raft. Ahead of Zamperini lay thousands of miles of open ocean, leaping sharks, thirst and starvation, enemy aircraft, and, beyond, a trial even greater. Driven to the limits of endurance, Zamperini would answer desperation with ingenuity; suffering with hope, resolve, and humor; brutality with rebellion. His fate, whether triumph or tragedy, would be suspended on the fraying wire of his will. Appearing in paperback for the first time—with twenty arresting new photos and an extensive Q&A with the author—Unbroken is an unforgettable testament to the resilience of the human mind, body, and spirit, brought vividly to life by Seabiscuit author Laura Hillenbrand. Hailed as the top nonfiction book of the year by Time magazine • Winner of the Los Angeles Times Book Prize for biography and the Indies Choice Adult Nonfiction Book of the Year award “Extraordinarily moving . . . a powerfully drawn survival epic.”—The Wall Street Journal “[A] one-in-a-billion story . . . designed to wrench from self-respecting critics all the blurby adjectives we normally try to avoid: It is amazing, unforgettable, gripping, harrowing, chilling, and inspiring.”—New York “Staggering . . . mesmerizing . . . Hillenbrand’s writing is so ferociously cinematic, the events she describes so incredible, you don’t dare take your eyes off the page.”—People “A meticulous, soaring and beautifully written account of an extraordinary life.”—The Washington Post “Ambitious and powerful . . . a startling narrative and an inspirational book.”—The New York Times Book Review “Magnificent . . . incredible . . . [Hillenbrand] has crafted another masterful blend of sports, history and overcoming terrific odds; this is biography taken to the nth degree, a chronicle of a remarkable life lived through extraordinary times.”—The Dallas Morning News “An astonishing testament to the superhuman power of tenacity.”—Entertainment Weekly “A tale of triumph and redemption . . . astonishingly detailed.”—O: The Oprah Magazine “[A] masterfully told true story . . . nothing less than a marvel.”—Washingtonian “[Hillenbrand tells this] story with cool elegance but at a thrilling sprinter’s pace.”—Time “Hillenbrand [is] one of our best writers of narrative history. You don’t have to be a sports fan or a war-history buff to devour this book—you just have to love great storytelling.”—Rebecca Skloot, author of The Immortal Life of Henrietta Lacks

Author: François Chastanet
Publisher: SCB Distributors
ISBN: 9185639850
Category : Art
Languages : en
Pages : 128

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Book Description
Cholo writing originally constitues the handstyle created by the Latino gangs in Los Angeles. It is probably the oldest form of the graffiti of names in the 20th century, with its own aesthetic, evident long before the East Coast appearance and the explosion in the early 1970s in Philadelphia and New York. The term cholo means lowlife , appropriated by Chicano youth to describe the style and people associated with local gangs; cholo became a popular expression to define the Mexican American culture. Latino gangs are a parallel reality of the local urban life, with their own traditions and codes from oral language, way of dressing, tattoos and hand signs to letterforms. These wall-writings, sometimes called the newspaper of the streets , are territorial signs which main function is to define clearly and constantly the limits of a gang s influence area and encouraging gang strength, a graffiti made by the neighborhood for the neighborhood. Cholo inscriptions has a speficic written aesthetic based on a strong sense of the place and on a monolinear adaptation of historic blackletters for street bombing. Howard Gribble, an amateur photographer from the city of Torrance in the South of Los Angeles County, documented Latino gang graffiti from 1970 to 1975. These photographs of various Cholo handletterings, constituted an unique opportunity to try to push forward the calligraphic analysis of Cholo writing, its origins and formal evolution. A second series of photographs made by Francois Chastanet in 2008 from East LA to South Central, are an attempt to produce a visual comparison of letterforms by finding the same barrios (neighborhoods) and gangs group names more than thirty five years after Gribble s work. Without ignoring the violence and self-destruction inherent to la vida loca (or the crazy life , referring to the barrio gang experience), this present book documents the visual strategies of a given sub-culture to survive as a visible entity in an environement made of a never ending sprawl of warehouses, freeways, wood framed houses, fences and back alleys: welcome to LA suburbia, where block after block, one can observe more of the same. The two exceptionnal photographical series and essays are a tentative for the recognization of Cholo writing as a major influence on the whole Californian underground cultures. Foreword by Chaz Bojorquez.

Author: Pepe Karmel
Publisher: The Museum of Modern Art
ISBN: 9780870700378
Category : Art
Languages : en
Pages : 288

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Book Description
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.

Author: Cavan Scott
Publisher: Star Wars Adventures
ISBN: 9781684059065
Category : Juvenile Fiction
Languages : en
Pages : 120

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Book Description
Join Lina, Milo Graf, and Crater for one last adventure to Vader's Castle! Perfect for middle-grade readers, these fun, but eerie and horror-packed tales, take you through the creepy side of the Star Wars galaxy. The ghosts of Vader's Castle are haunting everybody's dreams! First, Milo has been having nightmares about zombie droids, with a special appearance by Anakin Skywalker, Padmé Amidala, and Jar Jar Binks. Then, Lina runs into Jaxxon, who reveals that he, too, has been having troubling dreams of vicious Wookies bigger than mountains! Plus, catch up with Hudd and Skritt as Hudd deals with dreams concerning the Spirit of the Swamp, a gilled monster that terrorizes Dagobah! But Lina isn't immune to the nightmares either, as her dreams are visited by the galaxy's most threatening villain-Darth Vader! In the finale, Lina, Hudd, Skritt, and Jaxxon race to Mustafar to save Milo and Crater. Will the group be able to fight the ghosts that still haunt the castle, or will the galaxy forever be bound to suffer from the wrath of the Ghosts of Vader's Castle?! Ghosts of Vader's Castle finishes the saga started in Tales of Vader's Castle and Return to Vader's Castle!

Author: Hans Harder
Publisher: Springer Science & Business Media
ISBN: 3642286070
Category : Foreign Language Study
Languages : en
Pages : 446

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Book Description
This book deals with Punches and Punch-like magazines in 19th and 20th century Asia, covering an area from Egypt and the Ottoman Empire in the West via British India up to China and Japan in the East. It traces an alternative and largely unacknowledged side of the history of this popular British periodical, and simultaneously casts a wide-reaching comparative glance on the genesis of satirical journalism in various Asian countries. Demonstrating the spread of both textual and visual satire, it is an apt demonstration of the transcultural trajectory of a format intimately linked to media-bound public spheres evolving in the period concerned.