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Author: Byron Ellsworth Hamann Publisher: Getty Publications ISBN: 1606067745 Category : History Languages : en Pages : 290
Book Description
The story of Seville’s Archive of the Indies reveals how current views of the sixteenth and seventeenth centuries are based on radical historical revisionism in Spain in the late 1700s. The Invention of the Colonial Americas is an architectural history and media-archaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain’s pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain—spaces in which records about American history were stored together with records about European history—were dismembered. The Archive of the Indies thus constructed a scholarly apparatus that made it easier to imagine the history of the Americas as independent from the history of Europe, and vice versa. In this meticulously researched book, Byron Ellsworth Hamann explores how building layouts, systems of storage, and the arrangement of documents were designed to foster the creation of new knowledge. He draws on a rich collection of eighteenth-century architectural plans, descriptions, models, document catalogs, and surviving buildings to present a literal, materially precise account of archives as assemblages of spaces, humans, and data—assemblages that were understood circa 1800 as capable of actively generating scholarly innovation.
Author: Byron Ellsworth Hamann Publisher: Getty Publications ISBN: 1606067745 Category : History Languages : en Pages : 290
Book Description
The story of Seville’s Archive of the Indies reveals how current views of the sixteenth and seventeenth centuries are based on radical historical revisionism in Spain in the late 1700s. The Invention of the Colonial Americas is an architectural history and media-archaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain’s pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain—spaces in which records about American history were stored together with records about European history—were dismembered. The Archive of the Indies thus constructed a scholarly apparatus that made it easier to imagine the history of the Americas as independent from the history of Europe, and vice versa. In this meticulously researched book, Byron Ellsworth Hamann explores how building layouts, systems of storage, and the arrangement of documents were designed to foster the creation of new knowledge. He draws on a rich collection of eighteenth-century architectural plans, descriptions, models, document catalogs, and surviving buildings to present a literal, materially precise account of archives as assemblages of spaces, humans, and data—assemblages that were understood circa 1800 as capable of actively generating scholarly innovation.
Author: Juliet Wilson-Bareau Publisher: Yale University Press ISBN: 0300196261 Category : Art Languages : en Pages : 313
Book Description
"This book is the first to examine the extraordinary Goya collection--which includes more than 1,400 prints, a drawing, and three paintings--in the Norton Simon Museum. The collection includes prints from various series and editions treating a range of subjects, such as religious iconography, landscapes, portraits, and social satire. Lushly illustrated and authored by a distinguished Goya scholar, this catalogue is an essential guide to a treasure trove of the artist's works"--
Author: Mark McDonald Publisher: Metropolitan Museum of Art ISBN: 1588397149 Category : Art Languages : en Pages : 323
Book Description
This book presents the first focused investigation of Francisco Goya's (1746–1828) graphic output. Spanning six decades, Goya’s works on paper reflect the transformation and turmoil of the Enlightenment, the Inquisition, and Spain's years of constitutional government. Two essays, a detailed chronology, and more than 100 featured artworks illuminate the remarkable breadth and power of Goya's drawings and prints, situating the artist within his historical moment. The selected pieces document the various phases and qualities of Goya's graphic work—from his early etchings after Velázquez through print series such as the Caprichos and The Disasters of War to his late lithographs, The Bulls of Bordeaux, and including albums of drawings that reveal the artist’s nightmares, dreams, and visions.
Author: Henry Kamen Publisher: Penguin UK ISBN: 0141903619 Category : History Languages : en Pages : 743
Book Description
Spain has had a long history of exiles. Since the destruction of the last Muslim territories in Granada in 1492, wave after wave of its people have been driven from the country. The Disinherited paints a vivid picture of Spain’s diverse exiles, from Muslims, Jews and Protestants to Liberals, Socialists and Communists, artists, writers and musicians. Kamen describes the ways in which many of these expelled citizens have shaped Spanish culture – or impoverished it by leaving – and enriched their adopted homes through their creative responses to exile and to encounters with new worlds, Picasso, Miró, Dali and Buñuel among them. Henry Kamen’s compelling and sympathetic account tells the story of their incalculable impact on the world.
Author: Priscilla Muller Publisher: Oxford University Press ISBN: 0190297921 Category : Art Languages : en Pages : 85
Book Description
Francisco de Goya y Lucientes, a Spanish painter, draughtsman, and printmaker, was the most important Spanish artist of the last quarter of the 18th and first quarter of the 19th centuries, serving three generations of Spanish kings. During his six active decades he produced some 700 paintings, 900 drawings, and almost 300 prints, which reflect his rapidly changing world. This fully illustrated Grove Art Essentials title explores the artist's extraordinary and prolific career, which spanned the period from the late Rococo to Romanticism and, at the last, presaged Impressionism. Discover how Francisco de Goya, known by 1801 as the 'Apelles of Spain' has come to be regarded in the centuries since as a major master of international stature and the first 'modern' artist.
Author: Julia Blackburn Publisher: Vintage ISBN: 0307829200 Category : Biography & Autobiography Languages : en Pages : 257
Book Description
In 1792, when he was forty-seven, the Spanish painter Francisco de Goya contracted a serious illness that left him stone deaf. In this extraordinary book, Julia Blackburn follows Goya through the remaining thirty-five years of his life. It was a time of political turmoil, of war, violence, and confusion, and Goya transformed what he saw around him into visionary paintings, drawings, and etchings. These were also years of tenderness for Goya, of intimate relationships with the Duchess of Alba and with Leocadia, his mistress, who accompanied him to the end. Blackburn’s singular distinction as a biographer is her uncanny ability to create a kaleidoscope of biography, memoir, history, and meditation—to think herself into another world. In Goya she has found the perfect subject. Visiting the towns Goya frequented, reading the revelatory letters that he wrote for years to a boyhood friend, investigating the subjects he portrayed, Julia Blackburn writes about the elderly painter with the intimacy of an old friend, seeing through his eyes and sharing the silence in his head. With unprecedented immediacy and illumination, Old Man Goya gives us an unparalleled portrait of the artist.
Author: Priscilla E. Muller Publisher: ISBN: Category : Art Languages : en Pages : 264
Book Description
"A review of Goya's life as it unfolded before he bought the quinta in 1819 will provide an impression of the complexion of the man who soon offered such awe-inspiring imagery on the walls of two of its rooms. An examination of the quinta setting which yields a somewhat revised plan of how the 'black' paintings were seen will then demonstrate that the paintings were envisioned as a program consisteing of two separate, though not unrelated, cycles. (Unhappily, Goya's placement of the scenes cannot yet be repeated in full.) An analysis of the subjects set forth upon the quinta walls will illustrate the significances and relevancies they should have held at the time in which the were created, and thus, their raison d'être. A consideration of possible antecedents which may have given impetus to the formulation and format of the program, and indications of Goya's alertness to works by his contemporaries in art, literature and the theater, will furnish insight into the plans he may have held for the 'black' paintintgs he brushed with such urgency within his quinta rooms."--Introduction, page 13
Author: Byron Ellsworth Hamann
Author: Byron Ellsworth Hamann
Author: Juliet Wilson-Bareau
Author: Mark McDonald
Author: Lamb, Ursula
Author: Henry Kamen
Author: Priscilla Muller
Author: Julia Blackburn
Author: Jonathan Brown
Author: Priscilla E. Muller
Author: Frederick Burwick