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Author: Ghyslaine Guertin Publisher: ISBN: 2924024153 Category : Biography & Autobiography Languages : en Pages : 96
Book Description
The work of Glenn Gould employs a range of expressive techniques that combine sounds, words and images without ever compromising the unity and logic of the aesthetic vision they reflect. Nevertheless, it is his interpretive brilliance as a pianist that continues to inspire emotion and awe. The genius of Glenn Gould lies in the sounds he created. With Gould, music becomes a language – a language of such rigour, coherence and clarity that all who hear it are able to discern its principal components. Each sound is articulated and perceived distinctly as part of a melodic and harmonic sequence that imbues it with meaning. The structure of each musical phrase is integrated into the work as a whole according to a rhythm and a tempo that continually reinforce the central discourse. Gould compared his approach to that of a composer analyzing and dissecting his own work. As an interpreter, he did not hesitate to define himself as a “recording artist” dedicated to the “reconstruction” of that same work.The CD on which it is presented to the listener is thus the result of a lengthy process: take after take of the same phrases, the same ornaments – marginally different each time – until the point when the whole piece precisely mirrored the idea already formulated in his mind. This endless editing and splicing of the audio tape can be likened to the craft of the filmmaker. As well as broadening the possibilities of his art through the application of new technologies, Gould helped revolutionize the relations between composer, work and listener, requiring that the latter be not only receptive but also creative. He always conceived of a listener with access to the most sophisticated equipment, whom he could lead straight to the essence – discovery of the work – of his own quest for beauty and ecstasy. S. Bach and his contrapuntal composition were his main source of inspiration. “I really can’t think of any other music which is so all-encompassing, which moves me so deeply and so consistently, and which, to use a rather imprecise word, is valuable beyond all of its skill and brilliance for something more meaningful than that – its humanity.”Gould’s career was framed by one of Bach’s most fascinating compositions, the Goldberg Variations. The work is concerned with balance, symmetry, harmonic coherence and, according to baroque principles, diversity and contrast. Transcending his mathematical rigour, the composer operates highly imaginatively, using a variety of genres, writing techniques and expressive means. Bach succeeds in transforming his basic musical material – an aria – without altering the general structure of the work. Owing to its harmonic form, the aria enables the listener to perceive the wide diversity of the sound landscape that is revealed as the work unfolds. The interpreter can play with complete freedom in the garden created by the composer: “It is, in short, music which observes neither end nor beginning, music with neither real climax nor real resolution.”
Author: Ghyslaine Guertin Publisher: ISBN: 2924024153 Category : Biography & Autobiography Languages : en Pages : 96
Book Description
The work of Glenn Gould employs a range of expressive techniques that combine sounds, words and images without ever compromising the unity and logic of the aesthetic vision they reflect. Nevertheless, it is his interpretive brilliance as a pianist that continues to inspire emotion and awe. The genius of Glenn Gould lies in the sounds he created. With Gould, music becomes a language – a language of such rigour, coherence and clarity that all who hear it are able to discern its principal components. Each sound is articulated and perceived distinctly as part of a melodic and harmonic sequence that imbues it with meaning. The structure of each musical phrase is integrated into the work as a whole according to a rhythm and a tempo that continually reinforce the central discourse. Gould compared his approach to that of a composer analyzing and dissecting his own work. As an interpreter, he did not hesitate to define himself as a “recording artist” dedicated to the “reconstruction” of that same work.The CD on which it is presented to the listener is thus the result of a lengthy process: take after take of the same phrases, the same ornaments – marginally different each time – until the point when the whole piece precisely mirrored the idea already formulated in his mind. This endless editing and splicing of the audio tape can be likened to the craft of the filmmaker. As well as broadening the possibilities of his art through the application of new technologies, Gould helped revolutionize the relations between composer, work and listener, requiring that the latter be not only receptive but also creative. He always conceived of a listener with access to the most sophisticated equipment, whom he could lead straight to the essence – discovery of the work – of his own quest for beauty and ecstasy. S. Bach and his contrapuntal composition were his main source of inspiration. “I really can’t think of any other music which is so all-encompassing, which moves me so deeply and so consistently, and which, to use a rather imprecise word, is valuable beyond all of its skill and brilliance for something more meaningful than that – its humanity.”Gould’s career was framed by one of Bach’s most fascinating compositions, the Goldberg Variations. The work is concerned with balance, symmetry, harmonic coherence and, according to baroque principles, diversity and contrast. Transcending his mathematical rigour, the composer operates highly imaginatively, using a variety of genres, writing techniques and expressive means. Bach succeeds in transforming his basic musical material – an aria – without altering the general structure of the work. Owing to its harmonic form, the aria enables the listener to perceive the wide diversity of the sound landscape that is revealed as the work unfolds. The interpreter can play with complete freedom in the garden created by the composer: “It is, in short, music which observes neither end nor beginning, music with neither real climax nor real resolution.”
Author: Kevin Bazzana Publisher: McClelland & Stewart ISBN: 1551992876 Category : Biography & Autobiography Languages : en Pages : 554
Book Description
The first major biography of Glenn Gould to stress the critical influence of the Canadian context on his life and art Glenn Gould was not, as has previously been suggested, an isolated and self-taught eccentric who burst out of nowhere onto the international musical scene in the mid-1950s. He was, says Kevin Bazzana in this fascinating new full-scale biography, very much a product of his time and place – and his entire life and diverse work reflect his Canadian heritage. Bazzana, editor of the international Glenn Gould magazine, throws fresh light on this and many other aspects of Gould’s celebrated life as a pianist, writer, broadcaster, and composer. He portrays Gould’s upbringing in Toronto’s neighbourhood of The Beach in the 1930s, revealing the area’s influence as a distinct social, religious, and cultural milieu. He looks at the impact of Canadian radio on the young musician, his relations with the “new music” crowd in Toronto, and the ways in which his career was furthered by the extraordinary growth of Canada’s cultural institutions in the 1950s. He examines Gould’s place within the CBC “culture” of the 1960s and ‘70s, and his distinctly Canadian sense of humour. Bazanna also reveals new information on Gould’s famous eccentricities, his sometimes bizarre stage manner, his highly selective repertoire, his control mania, his private and sexual life, his hypochondria, his romanticism, and his abrupt retirement from concert performance to communicate solely through electronic and print media. And finally, he takes a detailed look at the extraordinary phenomenon of the posthumous “life” that Gould and his work have enjoyed.
Author: Stephen Jay Gould Publisher: Harvard University Press ISBN: 0674061616 Category : Science Languages : en Pages : 257
Book Description
Gould shows why a more accurate way of understanding our world is to look at a given subject within its own context, to see it as a part of a spectrum of variation and then to reconceptualize trends as expansion or contraction of this “full house” of variation, and not as the progress or degeneration of an average value, or single thing.
Author: Dale Innes Publisher: ISBN: 9781495092145 Category : Languages : en Pages : 168
Book Description
(Amadeus). Glenn Gould's legacy continues to intrigue us; new areas of research emerge every year. In this study, Dale Innes explores the evolution of Glenn Gould's interpretation of the keyboard music of J. S. Bach, with particular emphasis on the contrast between his youthful 1955 recording of the Goldberg Variations and his final 1981 recording of the same work. This style transformation is placed in the context of Gould's life, including his early studies with Alberto Guerrero at the Toronto Conservatory of Music (now called the Royal Conservatory of Music), his abandonment of the concert stage to focus exclusively on recording, and some aesthetic directions that he was following later in life. The core of the study, an in-depth analysis of the two recording of the Variations , leads the reader to a critical look at authenticity in the performance of baroque music, and its reception by listeners. Innes concludes with a look at some writers who may have influenced Gould, including the Japanese author Natsume Soseki, and explores the special relationship that Gould developed with the Canadian North, particularly the area around Wawa, Ontario, on the east coast of Lake Superior.
Author: Peter F. Ostwald Publisher: W. W. Norton & Company ISBN: 9780393318470 Category : Biography & Autobiography Languages : en Pages : 380
Book Description
In this acclaimed biography, the late Peter Ostwald--himself an accomplished violinist and longtime personal friend of Gould's--raises many questions about Gould and his music, and lays bare the energy and contradiction behind his brilliance. Photos. NPR feature.
Author: Tim Page Publisher: Vintage ISBN: 0679731350 Category : Music Languages : en Pages : 0
Book Description
As a pianist, Glenn Gould was both a showman and a high priest, an artist whose devotion to music was so great that he eschewed the distractions of live performance. That same combination of flamboyance and aesthetic rigor may be found in this collection of Gould’s writings, which covers composers from Bach to Terry Riley, performers from Arthur Rubinstein to Petula Clark, and yields unfettered and often heretical opinions on music competitions, the limitations of live audiences, and the relationship between technology and art. Witty, emphatic, and finely honed, The Glenn Gould Reader presents its author in all his guises as an impassioned artist, an omnivorous listener, and an astute and deeply knowledgeable critic. The Glenn Gould Reader abounds with the literary voice of one of the most extraordinary musical talents of our time. Whether Gould’s subject is Boulez, Stokowski, Streisand, or his own highly individual thoughts on the performance and creation of music, the reader will be caught up in his intensity, intelligence, passion and devotion. For those who never knew him, this book will be a particular treasure as a companion to his recordings and as the delicious discovery of a new friend.
Author: Stephen Jay Gould Publisher: W. W. Norton & Company ISBN: 0393340406 Category : Science Languages : en Pages : 458
Book Description
The definitive refutation to the argument of The Bell Curve. When published in 1981, The Mismeasure of Man was immediately hailed as a masterwork, the ringing answer to those who would classify people, rank them according to their supposed genetic gifts and limits. And yet the idea of innate limits—of biology as destiny—dies hard, as witness the attention devoted to The Bell Curve, whose arguments are here so effectively anticipated and thoroughly undermined by Stephen Jay Gould. In this edition Dr. Gould has written a substantial new introduction telling how and why he wrote the book and tracing the subsequent history of the controversy on innateness right through The Bell Curve. Further, he has added five essays on questions of The Bell Curve in particular and on race, racism, and biological determinism in general. These additions strengthen the book's claim to be, as Leo J. Kamin of Princeton University has said, "a major contribution toward deflating pseudo-biological 'explanations' of our present social woes."
Author: Richard Powers Publisher: HarperCollins ISBN: 0063119420 Category : Fiction Languages : en Pages : 768
Book Description
National Bestseller National Book Critics Circle Award Nominee From the Pulitzer Prize–winning author of The Overstory and the forthcoming Bewilderment, a magnificent double love story of two young couples separated by a distance of twenty-five years. “The most lavishly ambitious American novel since Gravity’s Rainbow . . . An outright marvel.” —Washington Post Stuart Ressler, a brilliant young molecular biologist, sets out in 1957 to crack the genetic code. His efforts are sidetracked by other, more intractable codes—social, moral, musical, spiritual—and he falls in love with a member of his research team. Years later, another young man and woman team up to investigate a different scientific mystery: Why did the eminently promising Ressler suddenly disappear from the world of science? Strand by strand, these two love stories twist about each other in a double helix of desire. The critically acclaimed third novel from Pulitzer Prize–winning author Richard Powers, The Gold Bug Variations is an intellectual tour-de-force that probes the meaning of love, science, music, and art.
Author: Ghyslaine Guertin
Author: Ghyslaine Guertin
Author: Otto Friedrich
Author: Kevin Bazzana
Author: Stephen Jay Gould
Author: Dale Innes
Author: Peter F. Ostwald
Author: Tim Page
Author: Stephen Jay Gould
Author: Richard Powers
Author: Kim Sterelny