Author: Jimmy Packham
Publisher: University of Wales Press
ISBN: 1786837552
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
The Gothic has always been interested in strange utterances and unsettling voices – from half-heard ghostly murmurings and the admonitions of the dead, to the terrible cries of the monstrous nonhuman. Gothic Utterance is the first book-length study of the role played by such voices in the Gothic tradition, exploring their prominence and importance in the American literature produced between the Revolutionary War and the close of the nineteenth century. The book argues that the American Gothic foregrounds the overpowering affect and distressing significations of the voices of the dead, dying, abjected, marginalised or nonhuman, in order to undertake a sustained interrogation of what it means to be and speak as an American in this period. The American Gothic imagines new forms of relation between speaking subjects, positing more inclusive and expansive kinds of community, while also emphasising the ethical demands attending our encounters with Gothic voices. The Gothic suggests that how we choose to hear and respond to these voices says much about our relationship with the world around us, its inhabitants – dead or otherwise – and the limits of our own subjectivity and empathy.
Gothic Utterance
Author: Jimmy Packham
Publisher: University of Wales Press
ISBN: 1786837552
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
The Gothic has always been interested in strange utterances and unsettling voices – from half-heard ghostly murmurings and the admonitions of the dead, to the terrible cries of the monstrous nonhuman. Gothic Utterance is the first book-length study of the role played by such voices in the Gothic tradition, exploring their prominence and importance in the American literature produced between the Revolutionary War and the close of the nineteenth century. The book argues that the American Gothic foregrounds the overpowering affect and distressing significations of the voices of the dead, dying, abjected, marginalised or nonhuman, in order to undertake a sustained interrogation of what it means to be and speak as an American in this period. The American Gothic imagines new forms of relation between speaking subjects, positing more inclusive and expansive kinds of community, while also emphasising the ethical demands attending our encounters with Gothic voices. The Gothic suggests that how we choose to hear and respond to these voices says much about our relationship with the world around us, its inhabitants – dead or otherwise – and the limits of our own subjectivity and empathy.
Publisher: University of Wales Press
ISBN: 1786837552
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
The Gothic has always been interested in strange utterances and unsettling voices – from half-heard ghostly murmurings and the admonitions of the dead, to the terrible cries of the monstrous nonhuman. Gothic Utterance is the first book-length study of the role played by such voices in the Gothic tradition, exploring their prominence and importance in the American literature produced between the Revolutionary War and the close of the nineteenth century. The book argues that the American Gothic foregrounds the overpowering affect and distressing significations of the voices of the dead, dying, abjected, marginalised or nonhuman, in order to undertake a sustained interrogation of what it means to be and speak as an American in this period. The American Gothic imagines new forms of relation between speaking subjects, positing more inclusive and expansive kinds of community, while also emphasising the ethical demands attending our encounters with Gothic voices. The Gothic suggests that how we choose to hear and respond to these voices says much about our relationship with the world around us, its inhabitants – dead or otherwise – and the limits of our own subjectivity and empathy.
General Principles of the Structure of Language
Author: James Byrne
Publisher:
ISBN:
Category : Grammar, Comparative and general
Languages : en
Pages : 448
Book Description
Publisher:
ISBN:
Category : Grammar, Comparative and general
Languages : en
Pages : 448
Book Description
The Gothic Forms of Victorian Poetry
Author: Olivia Loksing Moy
Publisher: Edinburgh University Press
ISBN: 1474487203
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
A lonely damsel imprisoned within a castle or convent cell. The eavesdropping of a prisoner next door. The framed image of a woman with a sinister past. These familiar tropes from 1790s novels and tales exploded onto the English literary scene in 'low-brow' titles of Gothic romance. Surprisingly, however, they also re-emerged as features of major Victorian poems from the 1830s to 1870s. Such signature tropes - inquisitional overhearing; female confinement and the damsel in distress; supernatural switches between living and dead bodies - were transfigured into poetic forms that we recognise and teach today as canonically Victorian. The Gothic Forms of Victorian Poetry identifies a poetics of Gothic enclosure constitutive of high Victorian poetry that came to define key nineteenth-century poetic forms, from the dramatic monologue, to women's sonnet sequences and metasonnets, to Pre-Raphaelite picture poems.
Publisher: Edinburgh University Press
ISBN: 1474487203
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
A lonely damsel imprisoned within a castle or convent cell. The eavesdropping of a prisoner next door. The framed image of a woman with a sinister past. These familiar tropes from 1790s novels and tales exploded onto the English literary scene in 'low-brow' titles of Gothic romance. Surprisingly, however, they also re-emerged as features of major Victorian poems from the 1830s to 1870s. Such signature tropes - inquisitional overhearing; female confinement and the damsel in distress; supernatural switches between living and dead bodies - were transfigured into poetic forms that we recognise and teach today as canonically Victorian. The Gothic Forms of Victorian Poetry identifies a poetics of Gothic enclosure constitutive of high Victorian poetry that came to define key nineteenth-century poetic forms, from the dramatic monologue, to women's sonnet sequences and metasonnets, to Pre-Raphaelite picture poems.
European Gothic
Author: Avril Horner
Publisher: Manchester University Press
ISBN: 1526125692
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
The only collection to concentrate on the European Gothic - writing in English, French, German, Russian and Spanish. Charts the rich process of cross-fertilisation, especially regarding Anglo-French exchanges in the development of the Gothic novel. Emphasises the importance of the impact of translation on the development of the Gothic novel. Uses a variety of critical perspectives to reassess the work of authors such as Clara Reeve, Sophia Lee, Charlotte Smith, Ann Radcliffe, Matthew Lewis, Charles Maturin, Coleridge, Mary Shelley, Jan Potocki, Balzac, Dostoevesky, Gaston Leroux and Djuna Barnes. Offers a fresh way of thinking about Gothic lineages and histories.
Publisher: Manchester University Press
ISBN: 1526125692
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
The only collection to concentrate on the European Gothic - writing in English, French, German, Russian and Spanish. Charts the rich process of cross-fertilisation, especially regarding Anglo-French exchanges in the development of the Gothic novel. Emphasises the importance of the impact of translation on the development of the Gothic novel. Uses a variety of critical perspectives to reassess the work of authors such as Clara Reeve, Sophia Lee, Charlotte Smith, Ann Radcliffe, Matthew Lewis, Charles Maturin, Coleridge, Mary Shelley, Jan Potocki, Balzac, Dostoevesky, Gaston Leroux and Djuna Barnes. Offers a fresh way of thinking about Gothic lineages and histories.
A History of Gothic Art in England
Author: Edward Schröder Prior
Publisher: London G. Bell 1900.
ISBN:
Category : Architecture
Languages : en
Pages : 502
Book Description
Publisher: London G. Bell 1900.
ISBN:
Category : Architecture
Languages : en
Pages : 502
Book Description
A Comparative Grammar of the Anglo Saxon Language. In which its Forms are Illustrated by Those of the Sankrit, Greek, Latin, Gothic, Old Saxon, Old Friesic, Old Norse, and Old High German
Author: Francis Andrew March
Publisher: BoD – Books on Demand
ISBN: 3385522129
Category : Fiction
Languages : en
Pages : 270
Book Description
Reprint of the original, first published in 1877.
Publisher: BoD – Books on Demand
ISBN: 3385522129
Category : Fiction
Languages : en
Pages : 270
Book Description
Reprint of the original, first published in 1877.
A Comparative Grammar of the Anglo-Saxon Language
Author: Francis Andrew March
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
Les Vestiges Du Gothique
Author: Catherine Lanone
Publisher: Presses Univ. du Mirail
ISBN: 9782858167166
Category :
Languages : en
Pages : 310
Book Description
Publisher: Presses Univ. du Mirail
ISBN: 9782858167166
Category :
Languages : en
Pages : 310
Book Description
A Comparative Grammar of the Anglo-Saxon Language
A Handbook of the English Language
Author: R. G. Latham
Publisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 242
Book Description
DigiCat Publishing presents to you this special edition of "A Handbook of the English Language" by R. G. Latham. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Publisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 242
Book Description
DigiCat Publishing presents to you this special edition of "A Handbook of the English Language" by R. G. Latham. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.