Author: Jack Rennert
Publisher:
ISBN: 9781929530427
Category :
Languages : fr
Pages : 0
Book Description
Vente du 6 mai 2012 proposant un large éventail d'affiches internationales sur des thèmatiques variées : automobile, aviation, tennis...
Rare Posters
Author: Jack Rennert
Publisher:
ISBN: 9781929530427
Category :
Languages : fr
Pages : 0
Book Description
Vente du 6 mai 2012 proposant un large éventail d'affiches internationales sur des thèmatiques variées : automobile, aviation, tennis...
Publisher:
ISBN: 9781929530427
Category :
Languages : fr
Pages : 0
Book Description
Vente du 6 mai 2012 proposant un large éventail d'affiches internationales sur des thèmatiques variées : automobile, aviation, tennis...
David King
Author: Rick Poynor
Publisher: Yale University Press
ISBN: 030025010X
Category : Design
Languages : en
Pages : 242
Book Description
Exploring an unjustly overlooked figure in 20th-century British visual culture This book offers a comprehensive overview to the work and legacy of David King (1943-2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain's Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism. He developed a particular interest in revolutionary Russia and began amassing a collection of graphic art and photographs--ultimately accumulating around 250,000 images that he shared with news outlets. Throughout his life, King blended political activism with his graphic design work, creating anti-Apartheid and anti-Nazi posters, covers for books on Communist history, album artwork for The Who and Jimi Hendrix, catalogues on Russian art and society for the Museum of Modern Art in Oxford, and typographic covers for the left-wing magazine City Limits. This well-researched and finely illustrated publication ties together King's accomplishments as a visual historian, artist, journalist, and activist.
Publisher: Yale University Press
ISBN: 030025010X
Category : Design
Languages : en
Pages : 242
Book Description
Exploring an unjustly overlooked figure in 20th-century British visual culture This book offers a comprehensive overview to the work and legacy of David King (1943-2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain's Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism. He developed a particular interest in revolutionary Russia and began amassing a collection of graphic art and photographs--ultimately accumulating around 250,000 images that he shared with news outlets. Throughout his life, King blended political activism with his graphic design work, creating anti-Apartheid and anti-Nazi posters, covers for books on Communist history, album artwork for The Who and Jimi Hendrix, catalogues on Russian art and society for the Museum of Modern Art in Oxford, and typographic covers for the left-wing magazine City Limits. This well-researched and finely illustrated publication ties together King's accomplishments as a visual historian, artist, journalist, and activist.
Graphic Design Reader
Author: Steven Heller
Publisher: Simon and Schuster
ISBN: 1581159749
Category : Design
Languages : en
Pages : 450
Book Description
From the lost art of show-card writing and the tumultuous days of guerrilla magazine publishing to the latest in electronic leaflet design and hot magazine covers, acclaimed graphic designer and author Steven Heller provides dozens of stunning examples of how graphic design has transformed from a subset of pop culture to a cultural driving force on its own.
Publisher: Simon and Schuster
ISBN: 1581159749
Category : Design
Languages : en
Pages : 450
Book Description
From the lost art of show-card writing and the tumultuous days of guerrilla magazine publishing to the latest in electronic leaflet design and hot magazine covers, acclaimed graphic designer and author Steven Heller provides dozens of stunning examples of how graphic design has transformed from a subset of pop culture to a cultural driving force on its own.
The Solotype Catalog of 4,147 Display Typefaces
Author: Dan X. Solo
Publisher: Courier Corporation
ISBN: 0486144062
Category : Art
Languages : en
Pages : 242
Book Description
The author of many books on typography, Dan X. Solo was also the proprietor of his own typography shop in Oakland, California — an establishment dedicated to unusual typography and special effects. This comprehensive catalog offers graphic designers a dazzling selection of over 4,000 typefaces and optical effects available from Solotype Typographers. Here, in Solo's words, is "a great cast of characters" — the alphabet — abetted by a cornucopia of typographical ideas and an endless resource of letters, words, phrases, slogans, logos, humorous comments, headlines, and graphic symbols. Individual sections of the book display a rich variety of typefaces in categories such as Condensed, Victorian, Art Nouveau, Art Deco, Rustic, Thick-and-tin, Calligraphic, Uncials, Latins, and Blackletter. Samples are imaginatively presented. "Stagecoach," for example, is printed in Fargo typeface, evoking dusty trails, rawhide, and ten-gallon hats, while "Sizzling summer savings" appears appropriately in the flamboyant Firebug typeface. All typefaces are indexed for quick and easy reference. As entertaining as it is practical and useful, this impressive treasury of versatile typefaces and optical effects will be indispensable to busy commercial artists as an inexhaustible source of typographic ideas and a "swipe file" of words, phrases, and letters for use in graphic art projects.
Publisher: Courier Corporation
ISBN: 0486144062
Category : Art
Languages : en
Pages : 242
Book Description
The author of many books on typography, Dan X. Solo was also the proprietor of his own typography shop in Oakland, California — an establishment dedicated to unusual typography and special effects. This comprehensive catalog offers graphic designers a dazzling selection of over 4,000 typefaces and optical effects available from Solotype Typographers. Here, in Solo's words, is "a great cast of characters" — the alphabet — abetted by a cornucopia of typographical ideas and an endless resource of letters, words, phrases, slogans, logos, humorous comments, headlines, and graphic symbols. Individual sections of the book display a rich variety of typefaces in categories such as Condensed, Victorian, Art Nouveau, Art Deco, Rustic, Thick-and-tin, Calligraphic, Uncials, Latins, and Blackletter. Samples are imaginatively presented. "Stagecoach," for example, is printed in Fargo typeface, evoking dusty trails, rawhide, and ten-gallon hats, while "Sizzling summer savings" appears appropriately in the flamboyant Firebug typeface. All typefaces are indexed for quick and easy reference. As entertaining as it is practical and useful, this impressive treasury of versatile typefaces and optical effects will be indispensable to busy commercial artists as an inexhaustible source of typographic ideas and a "swipe file" of words, phrases, and letters for use in graphic art projects.
Mayamatam (2 Volumes)
Author: Bruno Dagens
Publisher: Motilal Banarsidass
ISBN: 8120812263
Category : Architecture
Languages : en
Pages : 1086
Book Description
Motilal Banarsidass, Delhi motilalbanarsidass.com, [email protected] The Matamata is a Vastusastra, i.e. a treatise on dwelling, and as such, it deals with all the facets of gods' and men's dwellings, from the choice of the site to the iconography of the temple walls. It contains numerous and precise descriptions of villages and towns as well as of temples, houses, mansions and palaces. It gives indications for the selection of proper orientation, correct dimensions, and appropriate materials. It intends to be a manual for the architect and a guidebook for the layman. Well thought of by traditional architects (sthapati-s) of South India, the treatise is of great interest at a time when technical traditions, in all fields, are being scrutinized for their possible modern application. The present bilingual edition prepared by Dr Bruno Dagens contains critically edited Sanskrit text which is an improvement over the earlier edition by the same scholar and published as No.40 of Publications de L'Institut Francaisd' Indologie, Pondicherry. The English translation, also published earlier, has now been revised with copious notes. The usefulness of the edition has been further enhanced by adding an analytical table of contents and a comprehensive glossary. In the series of Kalamulasastra early texts on music, namely, Matralaksanam, Dattilam and Brhaddest, have been published. The medieval texts on music, especially, the Sribastamuktavali (No.3 in the series) and the Nartananirnaya (No.17 in the series), bring us up to the 15th and 16th centuries. In the case of architecture, despite the IGNCA's endeavour to publish portions of the Brhatsamhita, the Agni Purana and the Visnudharmottara-Purana, first, this has not been possible. Instead, our scholars were able to complete work first on a late but important text, namely, Silparatnakosa. We hope that the sections on architecture in the Brhatsamhita, the Agni Purana and the Visnudharmottara-Purana which predate the medieval texts, will be published soon, along with revised and re-edited texts of Manasollasa and Aparajitaprccha. The Mayamatam is the fourteenth and fifteenth volume in the Kalamulasastra series of the Indira Gandhi National Centre for the Arts (IGNCA).
Publisher: Motilal Banarsidass
ISBN: 8120812263
Category : Architecture
Languages : en
Pages : 1086
Book Description
Motilal Banarsidass, Delhi motilalbanarsidass.com, [email protected] The Matamata is a Vastusastra, i.e. a treatise on dwelling, and as such, it deals with all the facets of gods' and men's dwellings, from the choice of the site to the iconography of the temple walls. It contains numerous and precise descriptions of villages and towns as well as of temples, houses, mansions and palaces. It gives indications for the selection of proper orientation, correct dimensions, and appropriate materials. It intends to be a manual for the architect and a guidebook for the layman. Well thought of by traditional architects (sthapati-s) of South India, the treatise is of great interest at a time when technical traditions, in all fields, are being scrutinized for their possible modern application. The present bilingual edition prepared by Dr Bruno Dagens contains critically edited Sanskrit text which is an improvement over the earlier edition by the same scholar and published as No.40 of Publications de L'Institut Francaisd' Indologie, Pondicherry. The English translation, also published earlier, has now been revised with copious notes. The usefulness of the edition has been further enhanced by adding an analytical table of contents and a comprehensive glossary. In the series of Kalamulasastra early texts on music, namely, Matralaksanam, Dattilam and Brhaddest, have been published. The medieval texts on music, especially, the Sribastamuktavali (No.3 in the series) and the Nartananirnaya (No.17 in the series), bring us up to the 15th and 16th centuries. In the case of architecture, despite the IGNCA's endeavour to publish portions of the Brhatsamhita, the Agni Purana and the Visnudharmottara-Purana, first, this has not been possible. Instead, our scholars were able to complete work first on a late but important text, namely, Silparatnakosa. We hope that the sections on architecture in the Brhatsamhita, the Agni Purana and the Visnudharmottara-Purana which predate the medieval texts, will be published soon, along with revised and re-edited texts of Manasollasa and Aparajitaprccha. The Mayamatam is the fourteenth and fifteenth volume in the Kalamulasastra series of the Indira Gandhi National Centre for the Arts (IGNCA).
Affirmators!
Teaching Graphic Design History
Author: Steven Heller
Publisher: Allworth
ISBN: 9781621536840
Category : Design
Languages : en
Pages : 312
Book Description
An Examination of the Practice Through the Years Teaching the history of graphic design cannot simply be outlined by dates nor confined by places, but is defined by concepts and philosophies, as well as those who made, make, and inspire them. Teaching Graphic Design History is the first collection of essays, syllabi, and guides for conveying the heritage of this unique practice, from traditional chronologies to eclectic themes as developed by today’s historians, designers, scholars, and documentarians. Long overlooked within the broader history of printing and typesetting, when graphic design’s artifacts finally became the subject of serious study, the historian had to determine what was worthy and on what the history of graphic design should focus: the makers or the artifacts, the content or the context, or all of the above. With the author’s distinct viewpoint and many exclusive contributions, Teaching Graphic Design History chronicles the customs and conventions of various cultures and societies and how they are seen through signs, symbols, and the artifacts designed for use in the public—and sometimes private—sphere. Areas of focus include: Social and political effects of graphic design Philosophical perspectives on design Evolution of branding Development of the graphic design profession Predictions for the future of the practice An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
Publisher: Allworth
ISBN: 9781621536840
Category : Design
Languages : en
Pages : 312
Book Description
An Examination of the Practice Through the Years Teaching the history of graphic design cannot simply be outlined by dates nor confined by places, but is defined by concepts and philosophies, as well as those who made, make, and inspire them. Teaching Graphic Design History is the first collection of essays, syllabi, and guides for conveying the heritage of this unique practice, from traditional chronologies to eclectic themes as developed by today’s historians, designers, scholars, and documentarians. Long overlooked within the broader history of printing and typesetting, when graphic design’s artifacts finally became the subject of serious study, the historian had to determine what was worthy and on what the history of graphic design should focus: the makers or the artifacts, the content or the context, or all of the above. With the author’s distinct viewpoint and many exclusive contributions, Teaching Graphic Design History chronicles the customs and conventions of various cultures and societies and how they are seen through signs, symbols, and the artifacts designed for use in the public—and sometimes private—sphere. Areas of focus include: Social and political effects of graphic design Philosophical perspectives on design Evolution of branding Development of the graphic design profession Predictions for the future of the practice An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
Heart of the Home
Author: Susan Branch
Publisher: Little Brown
ISBN: 9780316106313
Category : Cooking
Languages : en
Pages : 159
Book Description
With an emphasis on simple preparation and fresh foods, the author offers seasonal recipes for Forth of July picnics, Valentine's Day treats, and warming winter meals.
Publisher: Little Brown
ISBN: 9780316106313
Category : Cooking
Languages : en
Pages : 159
Book Description
With an emphasis on simple preparation and fresh foods, the author offers seasonal recipes for Forth of July picnics, Valentine's Day treats, and warming winter meals.
Type Tells Tales
Author: Steven Heller
Publisher:
ISBN: 9780500420577
Category : Graphic arts
Languages : en
Pages : 0
Book Description
Type Tells Tales focuses on typography that is integral to the message or story it is expressing. This is type that speaks - that is literally the voice of the narrator. And the narrator is the typographer. This can be quite literal, for example when letters come from the mouth of a person or thing, as in a comics balloon. It can be hand lettering, drawn with its own distinctive peculiarities that convey personality and mood. Precedents for contemporary work might be in Apollinaire's calligram 'Il pleut' or Kurt Schwitters' children's picture book The Scarecrow, or in Concrete Poetry, Futurist 'Words in Freedom' or Dadaist collage. Seeking out examples in the furthest reaches of graphic design, Steven Heller and Gail Anderson uncover work that reveals how type can be used to render a particular voice or multiple conversations, how letters can be used in various shapes and sizes to create a kind of typographic pantomime, and how type can become both content and illustration as in, for example Paul Rand's 'ROARRRRR'. Letters take the shape and form of other things, such as people, faces, animals, cars or planes. There are examples of how typographic blocks, paragraphs, sentences and blurbs can be used to guide the eye through dense information.
Publisher:
ISBN: 9780500420577
Category : Graphic arts
Languages : en
Pages : 0
Book Description
Type Tells Tales focuses on typography that is integral to the message or story it is expressing. This is type that speaks - that is literally the voice of the narrator. And the narrator is the typographer. This can be quite literal, for example when letters come from the mouth of a person or thing, as in a comics balloon. It can be hand lettering, drawn with its own distinctive peculiarities that convey personality and mood. Precedents for contemporary work might be in Apollinaire's calligram 'Il pleut' or Kurt Schwitters' children's picture book The Scarecrow, or in Concrete Poetry, Futurist 'Words in Freedom' or Dadaist collage. Seeking out examples in the furthest reaches of graphic design, Steven Heller and Gail Anderson uncover work that reveals how type can be used to render a particular voice or multiple conversations, how letters can be used in various shapes and sizes to create a kind of typographic pantomime, and how type can become both content and illustration as in, for example Paul Rand's 'ROARRRRR'. Letters take the shape and form of other things, such as people, faces, animals, cars or planes. There are examples of how typographic blocks, paragraphs, sentences and blurbs can be used to guide the eye through dense information.
The Anti-museum
Author: Mathieu Copeland
Publisher: Koenig Books
ISBN: 9783960980032
Category : ART / Collections, Catalogs, Exhibitions / General
Languages : en
Pages : 780
Book Description
Since the early 1960s, artists have sealed off spaces in galleries and museums as a radical artistic gesture. These uncompromising works confront the viewer to a closed exhibition space, encouraging instead a physical, sensitive, or conceptual experience of each. These exhibitions are now re-explored at Fri Art. One after the other, they give structure to a retrospective that is written in time, as each work will successively close the exhibiton space, between August 6 and November 19, 2016. The retrospective's last day will be marked by the re-opening of the exhibition space. Festivities will include the launch of an important multidisciplinary, historical, and prospective anthology dedicated to radical artistic engagement: 'The Anti-Museum.' Exhibition: Fri Art - Centre d'art de Fribourg / Kunsthalle Freiburg, Switzerland (05.08-19.11.2016).
Publisher: Koenig Books
ISBN: 9783960980032
Category : ART / Collections, Catalogs, Exhibitions / General
Languages : en
Pages : 780
Book Description
Since the early 1960s, artists have sealed off spaces in galleries and museums as a radical artistic gesture. These uncompromising works confront the viewer to a closed exhibition space, encouraging instead a physical, sensitive, or conceptual experience of each. These exhibitions are now re-explored at Fri Art. One after the other, they give structure to a retrospective that is written in time, as each work will successively close the exhibiton space, between August 6 and November 19, 2016. The retrospective's last day will be marked by the re-opening of the exhibition space. Festivities will include the launch of an important multidisciplinary, historical, and prospective anthology dedicated to radical artistic engagement: 'The Anti-Museum.' Exhibition: Fri Art - Centre d'art de Fribourg / Kunsthalle Freiburg, Switzerland (05.08-19.11.2016).