Author: Raymond J. Le Blanc
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 246
Book Description
Gold Leaf Techniques
Author: Raymond J. Le Blanc
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 246
Book Description
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 246
Book Description
Gold Leaf Techniques
Author: Kent H. Smith
Publisher: ST Publications, Incorporated
ISBN: 9780944094259
Category : Gold-leaf
Languages : en
Pages : 0
Book Description
Publisher: ST Publications, Incorporated
ISBN: 9780944094259
Category : Gold-leaf
Languages : en
Pages : 0
Book Description
Gold Leaf Techniques for the Sign Painter
Author: Raymond J. Le Blanc
Publisher:
ISBN:
Category : Gold-leaf
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Gold-leaf
Languages : en
Pages : 224
Book Description
Sign Painters
Author: Faythe Levine
Publisher: Princeton Architectural Press
ISBN: 161689198X
Category : Art
Languages : en
Pages : 187
Book Description
There was a time, as recently as the 1980s, when storefronts, murals, banners, barn signs, billboards, and even street signs were all hand-lettered with brush and paint. But, like many skilled trades, the sign industry has been overrun by the techno-fueled promise of quicker and cheaper. The resulting proliferation of computer-designed, die-cut vinyl lettering and inkjet printers has ushered a creeping sameness into our visual landscape. Fortunately, there is a growing trend to seek out traditional sign painters and a renaissance in the trade. In 2010 filmmakers Faythe Levine, coauthor of Handmade Nation, and Sam Macon began documenting these dedicated practitioners, their time-honored methods, and their appreciation for quality and craftsmanship. Sign Painters, the first anecdotal history of the craft, features stories and photographs of more than two dozen sign painters working in cities throughout the United States. With a foreword by legendary artist (and former sign painter) Ed Ruscha, this vibrant book profiles sign painters young and old, from the new vanguard working solo to collaborative shops such as San Francisco s New Bohemia Signs and New York s Colossal Media s Sky High Murals.
Publisher: Princeton Architectural Press
ISBN: 161689198X
Category : Art
Languages : en
Pages : 187
Book Description
There was a time, as recently as the 1980s, when storefronts, murals, banners, barn signs, billboards, and even street signs were all hand-lettered with brush and paint. But, like many skilled trades, the sign industry has been overrun by the techno-fueled promise of quicker and cheaper. The resulting proliferation of computer-designed, die-cut vinyl lettering and inkjet printers has ushered a creeping sameness into our visual landscape. Fortunately, there is a growing trend to seek out traditional sign painters and a renaissance in the trade. In 2010 filmmakers Faythe Levine, coauthor of Handmade Nation, and Sam Macon began documenting these dedicated practitioners, their time-honored methods, and their appreciation for quality and craftsmanship. Sign Painters, the first anecdotal history of the craft, features stories and photographs of more than two dozen sign painters working in cities throughout the United States. With a foreword by legendary artist (and former sign painter) Ed Ruscha, this vibrant book profiles sign painters young and old, from the new vanguard working solo to collaborative shops such as San Francisco s New Bohemia Signs and New York s Colossal Media s Sky High Murals.
Gold Leaf, Paint & Glass
Author: Frances Federer
Publisher: Gatekeeper Press
ISBN: 1662910894
Category : Crafts & Hobbies
Languages : en
Pages : 253
Book Description
This pioneering book is the first publication in English to devote itself to the methods, techniques and history of reverse painting and gilding on glass, often known as 'verre eglomise'. Since the Renaissance the practice has passed in and out of fashion but today it is enjoying a resurgence in popularity. Discerning designers commission decorated glass for wall and ceiling panelling and for furniture inserts, while artists are increasingly exploring the medium, pushing at its boundaries. This book is written for students, artists, conservators, curators, interested amateurs, teachers and designers, many of whom will have been patiently waiting to learn more on this topic. The history of unfired decoration on glass is recounted in depth, illustrated with hitherto unpublished pictures. In the practical section clear step-by-step projects, suitable for a beginner as well as for a more experienced artist, serve as a singular introduction to an elegant, sophisticated art. Book Review 1: This is probably the most condensed (and refreshingly so), yet comprehensive book to date on gilded and painted glass. Concise and easy to read it mainly covers the most widely used cold process of gold and painted decoration on glass. Frances wastes no time in pointing out and clearing up the true meaning of the term verre eglomise, now commonly used as a general title for any type of decoration applied to glass, but let's not give too much away. This is all covered, including both cold and hot methods, in the opening paragraphs and under the Terminology section. There are many old books from medieval manuscripts to un-translated documentation, so this book is very welcomed. There has been a long gap in the market for gilded glass, but now the art of glass decoration is enjoying such a revival, and with so many new and varied designs, this couldn't really be better timed. The book moves from techniques (ancient to modern day) to origins and the development of glass decoration throughout the world. Fabulous examples of historic and important pieces are illustrated, each with a brief description of techniques and materials used. Some of these examples show a real diversity in design and methods used. The step by step approach for the entire gilding process is also explained and shown in great detail, covering initial design process for geometric and free hand patterns, the process of laying the leaf, engraving and colouring. Recipes, materials & tools, suppliers and useful references to websites make it easy for even a complete beginner or an amateur who has never laid a single leaf, but may wish to try their hand. Even for the professional there is nothing comparable to this book. It is up to date, an excellent concise reference manual with a wealth of useful information, in essence it is a book that can teach even the most experienced restorer or gilder something new. -- Dominic Schuster for The BAFRA, British Antique Furniture Restorers Association. Book Review 2: ...This book... brings together the results of years of research by the author... time-tested arcane formulae have been thoroughly modernized; intricate order-sensitive processes are thoroughly explained. Anyone practicing today has to get many things 'right' if they expect their work to last really long-term: that is why this book is so very important. -- William Gudenrath, Resident Advisor at The Studio of The Corning Museum of Glass, NY, USA. Book Review 3: I started reading your book and I think that it is great - it contains amazing amounts of information and yet it doesn't beat about the bush. -- Nina Binnington, mirror specialist, Germany. Book Review 4: Have now read four times, ever more slowly and with increasing understanding of the variables. Your experience and comments about what can be laid on top of what have in particular been very handy indeed for working out some potential snags ....I do so agree about repeating basic instructions in each separate context - from the reader's point of view, this is a blessing. Not to have to dash back and forth to re-establish an idea from a previous chapter, keeping a thumb in the page, is genuinely sensible.... I have put pencil marks all over the pages to remind me of small important details in the text. For me, that is clear proof that this is a book... genuinely useful workaday... to learn from and work with, not just to gawp at... -- Richard Byrne, UK. Book Review 5: It's a work of gilded art! This book will encourage and teach students for years to come. -- David Smith, ornamental glass artist, UK. Book Review 6: ...I want to say how much I am enjoying the book! Its such a fantastic resource and so inspiring - a real gift to the glass world. -- Lucy Batt, glass artist, UK. Book Review 7: ... after so much time, research and careful thought, it is truly an inspiration. I am very keen to explore this use of gold and colour in what I hope eventually will be my own personal expression. -- Christopher Ainslie, glass engraver, UK. Book Review 8: ...I just got the book in the post. It's lovely! Really well done, so easy to follow and beautifully illustrated. -- Lynne Rutter, decorative artist, San Francisco, USA. Book Review 9: ...Such a handsome book, and so filled with fascinating photos and text. It is beautifully organized, and will provide many worthwhile hours for readers of all levels. Congratulations, and thank you from all of us in the gilding community. -- Ina and Allen Marx, conservators and decorative artists, USA.
Publisher: Gatekeeper Press
ISBN: 1662910894
Category : Crafts & Hobbies
Languages : en
Pages : 253
Book Description
This pioneering book is the first publication in English to devote itself to the methods, techniques and history of reverse painting and gilding on glass, often known as 'verre eglomise'. Since the Renaissance the practice has passed in and out of fashion but today it is enjoying a resurgence in popularity. Discerning designers commission decorated glass for wall and ceiling panelling and for furniture inserts, while artists are increasingly exploring the medium, pushing at its boundaries. This book is written for students, artists, conservators, curators, interested amateurs, teachers and designers, many of whom will have been patiently waiting to learn more on this topic. The history of unfired decoration on glass is recounted in depth, illustrated with hitherto unpublished pictures. In the practical section clear step-by-step projects, suitable for a beginner as well as for a more experienced artist, serve as a singular introduction to an elegant, sophisticated art. Book Review 1: This is probably the most condensed (and refreshingly so), yet comprehensive book to date on gilded and painted glass. Concise and easy to read it mainly covers the most widely used cold process of gold and painted decoration on glass. Frances wastes no time in pointing out and clearing up the true meaning of the term verre eglomise, now commonly used as a general title for any type of decoration applied to glass, but let's not give too much away. This is all covered, including both cold and hot methods, in the opening paragraphs and under the Terminology section. There are many old books from medieval manuscripts to un-translated documentation, so this book is very welcomed. There has been a long gap in the market for gilded glass, but now the art of glass decoration is enjoying such a revival, and with so many new and varied designs, this couldn't really be better timed. The book moves from techniques (ancient to modern day) to origins and the development of glass decoration throughout the world. Fabulous examples of historic and important pieces are illustrated, each with a brief description of techniques and materials used. Some of these examples show a real diversity in design and methods used. The step by step approach for the entire gilding process is also explained and shown in great detail, covering initial design process for geometric and free hand patterns, the process of laying the leaf, engraving and colouring. Recipes, materials & tools, suppliers and useful references to websites make it easy for even a complete beginner or an amateur who has never laid a single leaf, but may wish to try their hand. Even for the professional there is nothing comparable to this book. It is up to date, an excellent concise reference manual with a wealth of useful information, in essence it is a book that can teach even the most experienced restorer or gilder something new. -- Dominic Schuster for The BAFRA, British Antique Furniture Restorers Association. Book Review 2: ...This book... brings together the results of years of research by the author... time-tested arcane formulae have been thoroughly modernized; intricate order-sensitive processes are thoroughly explained. Anyone practicing today has to get many things 'right' if they expect their work to last really long-term: that is why this book is so very important. -- William Gudenrath, Resident Advisor at The Studio of The Corning Museum of Glass, NY, USA. Book Review 3: I started reading your book and I think that it is great - it contains amazing amounts of information and yet it doesn't beat about the bush. -- Nina Binnington, mirror specialist, Germany. Book Review 4: Have now read four times, ever more slowly and with increasing understanding of the variables. Your experience and comments about what can be laid on top of what have in particular been very handy indeed for working out some potential snags ....I do so agree about repeating basic instructions in each separate context - from the reader's point of view, this is a blessing. Not to have to dash back and forth to re-establish an idea from a previous chapter, keeping a thumb in the page, is genuinely sensible.... I have put pencil marks all over the pages to remind me of small important details in the text. For me, that is clear proof that this is a book... genuinely useful workaday... to learn from and work with, not just to gawp at... -- Richard Byrne, UK. Book Review 5: It's a work of gilded art! This book will encourage and teach students for years to come. -- David Smith, ornamental glass artist, UK. Book Review 6: ...I want to say how much I am enjoying the book! Its such a fantastic resource and so inspiring - a real gift to the glass world. -- Lucy Batt, glass artist, UK. Book Review 7: ... after so much time, research and careful thought, it is truly an inspiration. I am very keen to explore this use of gold and colour in what I hope eventually will be my own personal expression. -- Christopher Ainslie, glass engraver, UK. Book Review 8: ...I just got the book in the post. It's lovely! Really well done, so easy to follow and beautifully illustrated. -- Lynne Rutter, decorative artist, San Francisco, USA. Book Review 9: ...Such a handsome book, and so filled with fascinating photos and text. It is beautifully organized, and will provide many worthwhile hours for readers of all levels. Congratulations, and thank you from all of us in the gilding community. -- Ina and Allen Marx, conservators and decorative artists, USA.
Ralph Gregory's Sign Painting Techniques
Sign Painting
Author: Mike Meyer & Friends
Publisher: Laurence King Publishing
ISBN: 1529420997
Category : Art
Languages : en
Pages : 378
Book Description
This book introduces the fundamentals of sign painting, allowing readers to learn about the tools, materials and techniques needed to create painted signs. All the basics are covered, from choosing and using brushes, paints, mahl sticks, dippers and pencils, to how to prepare and finish surfaces, transfer designs, mix paint and work with the brush. A gallery section of original alphabets, created for the book by sign painters around the world, provides visual inspiration and demonstrates a wide variety of styles and approaches.
Publisher: Laurence King Publishing
ISBN: 1529420997
Category : Art
Languages : en
Pages : 378
Book Description
This book introduces the fundamentals of sign painting, allowing readers to learn about the tools, materials and techniques needed to create painted signs. All the basics are covered, from choosing and using brushes, paints, mahl sticks, dippers and pencils, to how to prepare and finish surfaces, transfer designs, mix paint and work with the brush. A gallery section of original alphabets, created for the book by sign painters around the world, provides visual inspiration and demonstrates a wide variety of styles and approaches.
Art in Felt & Stitch
Author: Moy Mackay
Publisher: Search Press Limited
ISBN: 1781268622
Category : Crafts & Hobbies
Languages : en
Pages : 67
Book Description
In this visually stunning book, Moy Mackay reveals how you too can create beautiful pictures using felt. Characterised by her wonderful use of colour, Moy's work is breathtaking and includes still-lifes, animals and landscapes inspired by the dramatic scenery of the Scottish Borders where she lives and works. Moy takes you through every step of the process, including the materials and tools you need, the feltmaking process itself (which is easier than you'd imagine), and how to put together four fabulous felt paintings of your own. There is guidance on stitching, including both hand- and machine-stitching, as well as how to use colour and introduce texture in the form of different fibres and threads. There are numerous examples of Moy's work through the book, and by the end you will not fail to be inspired to create gorgeous felt paintings of your own. "e;Moy's passionate use of colour and the deep texture created by felting are what draw me to her work. I also like the way that she concentrates on her surroundings for her subject matter - her work is very free."e;-Kaffe Fassett
Publisher: Search Press Limited
ISBN: 1781268622
Category : Crafts & Hobbies
Languages : en
Pages : 67
Book Description
In this visually stunning book, Moy Mackay reveals how you too can create beautiful pictures using felt. Characterised by her wonderful use of colour, Moy's work is breathtaking and includes still-lifes, animals and landscapes inspired by the dramatic scenery of the Scottish Borders where she lives and works. Moy takes you through every step of the process, including the materials and tools you need, the feltmaking process itself (which is easier than you'd imagine), and how to put together four fabulous felt paintings of your own. There is guidance on stitching, including both hand- and machine-stitching, as well as how to use colour and introduce texture in the form of different fibres and threads. There are numerous examples of Moy's work through the book, and by the end you will not fail to be inspired to create gorgeous felt paintings of your own. "e;Moy's passionate use of colour and the deep texture created by felting are what draw me to her work. I also like the way that she concentrates on her surroundings for her subject matter - her work is very free."e;-Kaffe Fassett
Artists' Techniques and Materials
Author: Antonella Fuga
Publisher: Getty Publications
ISBN: 9780892368600
Category : Art
Languages : en
Pages : 384
Book Description
This latest volume in the popular Guide to Imagery series discusses the materials and processes used in eight media: painting, drawing, printmaking, sculpture, mosaics, ceramics, glass, and metalwork. The book provides art enthusiasts with new insights into the creation of many of the world's great masterpieces.
Publisher: Getty Publications
ISBN: 9780892368600
Category : Art
Languages : en
Pages : 384
Book Description
This latest volume in the popular Guide to Imagery series discusses the materials and processes used in eight media: painting, drawing, printmaking, sculpture, mosaics, ceramics, glass, and metalwork. The book provides art enthusiasts with new insights into the creation of many of the world's great masterpieces.
A Sign Painter's Sketchbook
Author: Sam Liberto
Publisher:
ISBN: 9781733608305
Category :
Languages : en
Pages : 172
Book Description
Lettering art and production sketches from Noel B. Weber's 45 year sign painting career. Includes an interview with Noel B. Weber discussing his work and his involvement in the founding of the Letterheads sign painting group. With a foreword by Mark Oatis.
Publisher:
ISBN: 9781733608305
Category :
Languages : en
Pages : 172
Book Description
Lettering art and production sketches from Noel B. Weber's 45 year sign painting career. Includes an interview with Noel B. Weber discussing his work and his involvement in the founding of the Letterheads sign painting group. With a foreword by Mark Oatis.