Author: Ettore Ghibellino
Publisher: Peter Lang
ISBN: 9781904505242
Category : Biography & Autobiography
Languages : en
Pages : 396
Book Description
An exploration of the possible love affair between Goethe and Anna Amalia
Goethe and Anna Amalia
Author: Ettore Ghibellino
Publisher: Peter Lang
ISBN: 9781904505242
Category : Biography & Autobiography
Languages : en
Pages : 396
Book Description
An exploration of the possible love affair between Goethe and Anna Amalia
Publisher: Peter Lang
ISBN: 9781904505242
Category : Biography & Autobiography
Languages : en
Pages : 396
Book Description
An exploration of the possible love affair between Goethe and Anna Amalia
GOETHE AND ANNA AMALIA
The Most Beautiful Libraries of the World
Author: Guillaume de Laubier
Publisher:
ISBN: 9780500511558
Category : Libraries
Languages : en
Pages : 248
Book Description
From El Escorial in Spain to the Congress in Washington, from Trinity College, Cambridge to the Abbey of Saint-Gall, this volume reveals an exceptional heritage: nearly 20 shrines to culture, entirely devoted to the presentation of knowledge, stacked with writings and shrouded in silence."
Publisher:
ISBN: 9780500511558
Category : Libraries
Languages : en
Pages : 248
Book Description
From El Escorial in Spain to the Congress in Washington, from Trinity College, Cambridge to the Abbey of Saint-Gall, this volume reveals an exceptional heritage: nearly 20 shrines to culture, entirely devoted to the presentation of knowledge, stacked with writings and shrouded in silence."
Between Myth and Reality
Author: Dan Farrelly
Publisher: Cambridge Scholars Publishing
ISBN: 1443833924
Category : Literary Criticism
Languages : en
Pages : 145
Book Description
“In 2004 Ettore Ghibellino published his provocative thesis that Goethe’s beloved was not Charlotte von Stein but the Dowager Duchess, Anna Amalia. Ghibellino claimed that Charlotte, the former lady-in-waiting of Anna Amalia, acted as a ‘straw woman’ and that the many letters, and the love they expressed, were really meant for Anna Amalia herself. Dan Farrelly, who translated Ghibellino’s book, has been preoccupied with this thesis since 2005. Here he has undertaken a meticulous re-reading of Goethe’s letters to Charlotte von Stein from 1776 to 1786. He analyses the whereabouts of Charlotte and Anna Amalia at any given time, including their journeys, and concludes that Charlotte was the real addressee of the letters. This amounts to a refutation of one of Ghibellino’s central arguments. This book is to be recommended as a further contribution to discussion of Goethe’s early Weimar period.” —Ilse Nagelschmidt, Leipzig “Although the image of Goethe in the popular imagination is quite different from the scholarly reception of Goethe’s life and work, the two worlds do cross over, and misconceptions about the poet are difficult to dispel once they become established in contemporary Goethean culture. In tackling Ghibellino’s recent misreading of Goethe’s relationship with Anna Amalia—which has recently merited attention in Die Zeit—Farrelly is able to give the high cultural and the colloquial equal credence. His combination of scholarship and a fundamental awareness of the plain sense of things has an intellectual hardness at its core. There is an unapologetic quality about Farrelly’s writing and a deep sense of intellectual responsibility and integrity.” —Lorraine Byrne Bodley, Dublin
Publisher: Cambridge Scholars Publishing
ISBN: 1443833924
Category : Literary Criticism
Languages : en
Pages : 145
Book Description
“In 2004 Ettore Ghibellino published his provocative thesis that Goethe’s beloved was not Charlotte von Stein but the Dowager Duchess, Anna Amalia. Ghibellino claimed that Charlotte, the former lady-in-waiting of Anna Amalia, acted as a ‘straw woman’ and that the many letters, and the love they expressed, were really meant for Anna Amalia herself. Dan Farrelly, who translated Ghibellino’s book, has been preoccupied with this thesis since 2005. Here he has undertaken a meticulous re-reading of Goethe’s letters to Charlotte von Stein from 1776 to 1786. He analyses the whereabouts of Charlotte and Anna Amalia at any given time, including their journeys, and concludes that Charlotte was the real addressee of the letters. This amounts to a refutation of one of Ghibellino’s central arguments. This book is to be recommended as a further contribution to discussion of Goethe’s early Weimar period.” —Ilse Nagelschmidt, Leipzig “Although the image of Goethe in the popular imagination is quite different from the scholarly reception of Goethe’s life and work, the two worlds do cross over, and misconceptions about the poet are difficult to dispel once they become established in contemporary Goethean culture. In tackling Ghibellino’s recent misreading of Goethe’s relationship with Anna Amalia—which has recently merited attention in Die Zeit—Farrelly is able to give the high cultural and the colloquial equal credence. His combination of scholarship and a fundamental awareness of the plain sense of things has an intellectual hardness at its core. There is an unapologetic quality about Farrelly’s writing and a deep sense of intellectual responsibility and integrity.” —Lorraine Byrne Bodley, Dublin
Representing Duchess Anna Amalia's Bildung
Author: Christina K. Lindeman
Publisher: Taylor & Francis
ISBN: 1351768069
Category : Art
Languages : en
Pages : 231
Book Description
Portraits of Anna Amalia, Duchess of Sachsen-Weimar-Eisenach chart a shift in perceptions of her public identity and of the gender dynamics that shaped that identity. This manuscript is more than just a patronage study or a biography; it is concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it, too. This study sheds real light on the power of portraiture in eighteenth- and early nineteenth-century Europe.
Publisher: Taylor & Francis
ISBN: 1351768069
Category : Art
Languages : en
Pages : 231
Book Description
Portraits of Anna Amalia, Duchess of Sachsen-Weimar-Eisenach chart a shift in perceptions of her public identity and of the gender dynamics that shaped that identity. This manuscript is more than just a patronage study or a biography; it is concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it, too. This study sheds real light on the power of portraiture in eighteenth- and early nineteenth-century Europe.
Goethe: Life as a Work of Art
Author: Rüdiger Safranski
Publisher: Liveright Publishing
ISBN: 0871404915
Category : Biography & Autobiography
Languages : en
Pages : 405
Book Description
A New York Times Book Review Editors’ Choice Selection Named one of the Best Books of the Year by the Economist and Kirkus Reviews This “splendid biography” (Wall Street Journal) of Goethe presents his life and work as an essential touchstone for the modern age. A masterful intellectual portrait, Goethe: Life as a Work of Art is celebrated as the seminal twenty-first-century biography of the writer considered to be the Shakespeare of German literature. Johann Wolfgang von Goethe (1749–1832), a remarkably prolific poet, playwright, novelist, and—as Rüdiger Safranksi emphasizes—a statesman and naturalist, first awakened not only a burgeoning German nation but the European continent with his electrifying novel The Sorrows of Young Werther. Safranski has scoured Goethe’s entire oeuvre, relying exclusively on primary sources, including his correspondence with contemporaries, to produce a “fresh and authentic” (Economist) portrait of the avatar of the Romantic era. Skillfully blending “artistic analysis with swift, sharp renderings” of the great political and intellectual figures Goethe encountered, “[Safranski’s] portrait of the prolific genius leaves the reader with lasting awe, even envy” of a monumental legacy (The New Yorker). As Safranski ultimately shows, Goethe’s greatest creation, even in comparison to his masterpiece Faust, was his own life.
Publisher: Liveright Publishing
ISBN: 0871404915
Category : Biography & Autobiography
Languages : en
Pages : 405
Book Description
A New York Times Book Review Editors’ Choice Selection Named one of the Best Books of the Year by the Economist and Kirkus Reviews This “splendid biography” (Wall Street Journal) of Goethe presents his life and work as an essential touchstone for the modern age. A masterful intellectual portrait, Goethe: Life as a Work of Art is celebrated as the seminal twenty-first-century biography of the writer considered to be the Shakespeare of German literature. Johann Wolfgang von Goethe (1749–1832), a remarkably prolific poet, playwright, novelist, and—as Rüdiger Safranksi emphasizes—a statesman and naturalist, first awakened not only a burgeoning German nation but the European continent with his electrifying novel The Sorrows of Young Werther. Safranski has scoured Goethe’s entire oeuvre, relying exclusively on primary sources, including his correspondence with contemporaries, to produce a “fresh and authentic” (Economist) portrait of the avatar of the Romantic era. Skillfully blending “artistic analysis with swift, sharp renderings” of the great political and intellectual figures Goethe encountered, “[Safranski’s] portrait of the prolific genius leaves the reader with lasting awe, even envy” of a monumental legacy (The New Yorker). As Safranski ultimately shows, Goethe’s greatest creation, even in comparison to his masterpiece Faust, was his own life.
Goethe's Mother
Author: Catharina Elisabeth Goethe
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
Book Description
Goethe
Author: Peter Boerner
Publisher: Haus Publishing
ISBN: 1908323523
Category : Biography & Autobiography
Languages : en
Pages : 135
Book Description
Johann Wolfgang von Goethe (1749–1832) was one of the greatest thinkers of the modern age: a world-famous writer, scientist, and statesman, his influence was already far-reaching during his lifetime, and his literary and intellectual legacy continues to reverberate throughout contemporary culture. In this book, newly updated, Peter Boerner, a highly respected authority on Goethe, presents the definitive short biography of this extraordinary figure. An exceptionally prolific and versatile writer, Goethe produced important works covering a range of genres. As a young man, he composed pastoral plays in the style of the waning Rococco, was an early proponent of the avant-garde Sturm und Drang movement, and became a literary superstar with The Sorrows of Young Werther, in which a young man’s unrequited love culminates in tragedy. In his classic play Faust, which evolved over a sixty-year period, he created one of the best-known versions of the legend and introduced the prototype of the romantic hero. A scientist active in various fields, including botany and the theory of colors, Goethe also pondered issues of evolution well before Darwin. In Boerner’s illustrated biography, Goethe’s impressive oeuvre comes to vibrant life. A major contribution to the English-language literature on Goethe, this is a beautiful and accessible introduction to one of history’s foremost geniuses.
Publisher: Haus Publishing
ISBN: 1908323523
Category : Biography & Autobiography
Languages : en
Pages : 135
Book Description
Johann Wolfgang von Goethe (1749–1832) was one of the greatest thinkers of the modern age: a world-famous writer, scientist, and statesman, his influence was already far-reaching during his lifetime, and his literary and intellectual legacy continues to reverberate throughout contemporary culture. In this book, newly updated, Peter Boerner, a highly respected authority on Goethe, presents the definitive short biography of this extraordinary figure. An exceptionally prolific and versatile writer, Goethe produced important works covering a range of genres. As a young man, he composed pastoral plays in the style of the waning Rococco, was an early proponent of the avant-garde Sturm und Drang movement, and became a literary superstar with The Sorrows of Young Werther, in which a young man’s unrequited love culminates in tragedy. In his classic play Faust, which evolved over a sixty-year period, he created one of the best-known versions of the legend and introduced the prototype of the romantic hero. A scientist active in various fields, including botany and the theory of colors, Goethe also pondered issues of evolution well before Darwin. In Boerner’s illustrated biography, Goethe’s impressive oeuvre comes to vibrant life. A major contribution to the English-language literature on Goethe, this is a beautiful and accessible introduction to one of history’s foremost geniuses.
The Norton/Grove Dictionary of Women Composers
Author: Julie Anne Sadie
Publisher: W. W. Norton & Company
ISBN: 9780393034875
Category : Music
Languages : en
Pages : 604
Book Description
Throughout history women have been composing music, but their achievements have usually gone unrecognized.
Publisher: W. W. Norton & Company
ISBN: 9780393034875
Category : Music
Languages : en
Pages : 604
Book Description
Throughout history women have been composing music, but their achievements have usually gone unrecognized.
Operatic Migrations
Author: DowningA. Thomas
Publisher: Routledge
ISBN: 1351555693
Category : Music
Languages : en
Pages : 264
Book Description
This volume takes an interdisciplinary approach to studying a wide range of subjects associated with the creation, performance and reception of 'opera' in varying social and historical contexts from the eighteenth to the twentieth centuries. Each essay addresses migrations between genres, cultures, literary and musical works, modes of expression, media of presentation and aesthetics. Although the directions the contributions take are diverse, they converge in significant ways, particularly with the rebuttal of the notion of the singular nature of the operatic work. The volume strongly asserts that works are meaningfully transformed by the manifold circumstances of their creation and reception, and that these circumstances have an impact on the life of those works in their many transformations and on a given audience's experience of them. Topics covered include transformations of literary sources and their migration into the operatic genre; works that move across geographical and social boundaries into different cultural contexts; movements between media and/or genre as well as alterations through interpretation and performance of the composer's creation; the translation of spoken theatre to lyric theatre; the theoretical issues contingent on the rendering of 'speech' into 'song'; and the transforming effects of aesthetic considerations as they bear on opera. Crossing over disciplinary boundaries between music, literary studies, history, cultural studies and art history, the volume enriches our knowledge and understanding of the operatic experience and the works. The book will therefore appeal to those working in the field of music, literary and cultural studies, and to those with a particular interest in opera and musical theatre.
Publisher: Routledge
ISBN: 1351555693
Category : Music
Languages : en
Pages : 264
Book Description
This volume takes an interdisciplinary approach to studying a wide range of subjects associated with the creation, performance and reception of 'opera' in varying social and historical contexts from the eighteenth to the twentieth centuries. Each essay addresses migrations between genres, cultures, literary and musical works, modes of expression, media of presentation and aesthetics. Although the directions the contributions take are diverse, they converge in significant ways, particularly with the rebuttal of the notion of the singular nature of the operatic work. The volume strongly asserts that works are meaningfully transformed by the manifold circumstances of their creation and reception, and that these circumstances have an impact on the life of those works in their many transformations and on a given audience's experience of them. Topics covered include transformations of literary sources and their migration into the operatic genre; works that move across geographical and social boundaries into different cultural contexts; movements between media and/or genre as well as alterations through interpretation and performance of the composer's creation; the translation of spoken theatre to lyric theatre; the theoretical issues contingent on the rendering of 'speech' into 'song'; and the transforming effects of aesthetic considerations as they bear on opera. Crossing over disciplinary boundaries between music, literary studies, history, cultural studies and art history, the volume enriches our knowledge and understanding of the operatic experience and the works. The book will therefore appeal to those working in the field of music, literary and cultural studies, and to those with a particular interest in opera and musical theatre.