Author: Emilie Kutash
Publisher: Bloomsbury Publishing
ISBN: 0567697401
Category : Religion
Languages : en
Pages : 257
Book Description
How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divinity, thereby addressing the continued role of goddesses in perpetuating gender binaries.
Goddesses in Myth and Cultural Memory
Author: Emilie Kutash
Publisher: Bloomsbury Publishing
ISBN: 0567697401
Category : Religion
Languages : en
Pages : 257
Book Description
How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divinity, thereby addressing the continued role of goddesses in perpetuating gender binaries.
Publisher: Bloomsbury Publishing
ISBN: 0567697401
Category : Religion
Languages : en
Pages : 257
Book Description
How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divinity, thereby addressing the continued role of goddesses in perpetuating gender binaries.
Goddesses in Myth and Cultural Memory
Author: Emilie Kutash
Publisher: Bloomsbury Publishing
ISBN: 056769741X
Category : Religion
Languages : en
Pages : 257
Book Description
How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divinity, thereby addressing the continued role of goddesses in perpetuating gender binaries.
Publisher: Bloomsbury Publishing
ISBN: 056769741X
Category : Religion
Languages : en
Pages : 257
Book Description
How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divinity, thereby addressing the continued role of goddesses in perpetuating gender binaries.
Pagan Grace
Author: Ginette Paris
Publisher: Spring Publications
ISBN: 9780882140674
Category : Religion
Languages : en
Pages : 180
Book Description
The gift of grace, coming to us as beauty, cannot be ordered or owned, only acknowledged and served. When events take on a mythical dimension and reverberate in the soul, then we feel grace. The three images of divinity guiding this book express the often unconscious pagan grace present in our daily lives. With this book, Ginette Paris continues the work of Pagan Meditations in reviving individual, cultural, and social life by reawakening their archetypal roots.
Publisher: Spring Publications
ISBN: 9780882140674
Category : Religion
Languages : en
Pages : 180
Book Description
The gift of grace, coming to us as beauty, cannot be ordered or owned, only acknowledged and served. When events take on a mythical dimension and reverberate in the soul, then we feel grace. The three images of divinity guiding this book express the often unconscious pagan grace present in our daily lives. With this book, Ginette Paris continues the work of Pagan Meditations in reviving individual, cultural, and social life by reawakening their archetypal roots.
The Cosmos in Ancient Greek Religious Experience
Author: Efrosyni Boutsikas
Publisher: Cambridge University Press
ISBN: 110848817X
Category : History
Languages : en
Pages : 281
Book Description
Reconstructs ancient rituals in their day/night/season combining them with relevant mythology and astronomical observations to understand the ritual's cosmological links.
Publisher: Cambridge University Press
ISBN: 110848817X
Category : History
Languages : en
Pages : 281
Book Description
Reconstructs ancient rituals in their day/night/season combining them with relevant mythology and astronomical observations to understand the ritual's cosmological links.
The Woman Who Married the Bear
Author: Barbara Alice Mann
Publisher: Oxford University Press
ISBN: 0197655440
Category : Social Science
Languages : en
Pages : 297
Book Description
Stories of the primordial woman who married a bear, appear in matriarchal traditions across the global North from Indigenous North America and Scandinavia to Russia and Korea. In The Woman Who Married the Bear, authors Barbara Alice Mann, a scholar of Indigenous American culture, and Kaarina Kailo, who specializes in the cultures of Northern Europe, join forces to examine these Woman-Bear stories, their common elements, and their meanings in the context of matriarchal culture. The authors reach back 35,000 years to tease out different threads of Indigenous Woman-Bear traditions, using the lens of bear spirituality to uncover the ancient matriarchies found in rock art, caves, ceremonies, rituals, and traditions. Across cultures, in the earliest known traditions, women and bears are shown to collaborate through star configurations and winter cave-dwelling, symbolized by the spring awakening from hibernation followed by the birth of "cubs." By the Bronze Age, however, the story of the Woman-Bear marriage had changed: it had become a hunting tale, refocused on the male hunter. Throughout the book, Mann and Kailo offer interpretations of this earliest known Bear religion in both its original and its later forms. Together, they uncover the maternal cultural symbolism behind the bear marriage and the Original Instructions given by Bear to Woman on sustainable ecology and lifeways free of patriarchy and social stratification.
Publisher: Oxford University Press
ISBN: 0197655440
Category : Social Science
Languages : en
Pages : 297
Book Description
Stories of the primordial woman who married a bear, appear in matriarchal traditions across the global North from Indigenous North America and Scandinavia to Russia and Korea. In The Woman Who Married the Bear, authors Barbara Alice Mann, a scholar of Indigenous American culture, and Kaarina Kailo, who specializes in the cultures of Northern Europe, join forces to examine these Woman-Bear stories, their common elements, and their meanings in the context of matriarchal culture. The authors reach back 35,000 years to tease out different threads of Indigenous Woman-Bear traditions, using the lens of bear spirituality to uncover the ancient matriarchies found in rock art, caves, ceremonies, rituals, and traditions. Across cultures, in the earliest known traditions, women and bears are shown to collaborate through star configurations and winter cave-dwelling, symbolized by the spring awakening from hibernation followed by the birth of "cubs." By the Bronze Age, however, the story of the Woman-Bear marriage had changed: it had become a hunting tale, refocused on the male hunter. Throughout the book, Mann and Kailo offer interpretations of this earliest known Bear religion in both its original and its later forms. Together, they uncover the maternal cultural symbolism behind the bear marriage and the Original Instructions given by Bear to Woman on sustainable ecology and lifeways free of patriarchy and social stratification.
Philosophical Imagination and Cultural Memory
Author: Patricia Cook
Publisher: Duke University Press
ISBN: 9780822313076
Category : History
Languages : en
Pages : 272
Book Description
Does philosophy have a future? Postmodern thought, with its rejection of claims to absolute truth or moral objectivity, would seem to put the philosophical enterprise in jeopardy. In this volume some of today's most influential thinkers face the question of philosophy's future and find an answer in its past. Their efforts show how historical traditions are currently being appropriated by philosophy, how some of the most provocative questions confronted by philosophers are given their impetus and direction by cultural memory. Unlike analytic philosophy, a discipline supposedly liberated from any manifestation of cultural memory, the movement represented by these essays demonstrates how the inquiries, narratives, traditions, and events of our cultural past can mediate some of the most interesting exercises of the present-day philosophical imagination. Attesting to the power of historical tradition to enhance and redirect the prospects of philosophy these essays exemplify a new mode of doing philosophy. The product of a National Endowment for the Humanities Summer Institute in 1990, it is the task of this book to show that history can be reclaimed by philosophy and resurrected in postmodernity. Contributors. George Allan, Eva T. H. Brann, Arthur C. Danto, Lynn S. Joy, George L. Kline, George R. Lucas, Jr., Alasdair MacIntyre, Robert C. Neville, John Rickard, Stanley Rosen, J. B. Scheenwind, Donald Phillip Verene
Publisher: Duke University Press
ISBN: 9780822313076
Category : History
Languages : en
Pages : 272
Book Description
Does philosophy have a future? Postmodern thought, with its rejection of claims to absolute truth or moral objectivity, would seem to put the philosophical enterprise in jeopardy. In this volume some of today's most influential thinkers face the question of philosophy's future and find an answer in its past. Their efforts show how historical traditions are currently being appropriated by philosophy, how some of the most provocative questions confronted by philosophers are given their impetus and direction by cultural memory. Unlike analytic philosophy, a discipline supposedly liberated from any manifestation of cultural memory, the movement represented by these essays demonstrates how the inquiries, narratives, traditions, and events of our cultural past can mediate some of the most interesting exercises of the present-day philosophical imagination. Attesting to the power of historical tradition to enhance and redirect the prospects of philosophy these essays exemplify a new mode of doing philosophy. The product of a National Endowment for the Humanities Summer Institute in 1990, it is the task of this book to show that history can be reclaimed by philosophy and resurrected in postmodernity. Contributors. George Allan, Eva T. H. Brann, Arthur C. Danto, Lynn S. Joy, George L. Kline, George R. Lucas, Jr., Alasdair MacIntyre, Robert C. Neville, John Rickard, Stanley Rosen, J. B. Scheenwind, Donald Phillip Verene
The Age of Promiscuity
Author: Doru Pop
Publisher: Rowman & Littlefield
ISBN: 1498580610
Category : Social Science
Languages : en
Pages : 447
Book Description
This book presents an original and engaging look at contemporary popular culture, opening with the provocative idea that this is a day and age of complete exhaustion of ideas, images, stories, and myths. Questioning the effects of content recycling in cinema and other media, the author further elaborates on the repurposing of cultural junk, the reassembling of narratives and myths. The thought-provoking hypothesis proposed in this research is that we have entered an age of cultural promiscuity. By analyzing the mutations of myth-making practices and connecting them with larger cultural manifestations, the author explains these transformations as integral to the development of a myth-illogical imagination. Cinematic and mythological representations in mainstream Hollywood films have reached a point of amalgamation with no return, which marks the beginning of a "fourth age of representations," where signs and meanings are manifested in illogical permutations. This is more explicit in films that commingle aliens, cowboys, undead American presidents, and zombie nazis, joining together in the same narrative ghosts, werewolves, and vampires, aggregating disjoined storylines and historical fake facts, all coalesced in an orgy of empty burlesque and infantile masquerades. This interdisciplinary research combines cultural studies, film criticism, art and myth interpretations, bringing into the debate multiple concepts from related fields such as critical theory and media criticism. The book also opens up to innovative approaches from a wide array of academic disciplines, offering researchers, students and those fascinated by the transformations happening in contemporary cinema an interpretative tool based on a revised dialectic approach. The conclusion is that we are now victims of a zombie semiotics. Meaning-making in contemporary culture, politics, and aesthetics is dominated by a process of incessant desecration of significations, specific to the total mishmash of representations analyzed here.
Publisher: Rowman & Littlefield
ISBN: 1498580610
Category : Social Science
Languages : en
Pages : 447
Book Description
This book presents an original and engaging look at contemporary popular culture, opening with the provocative idea that this is a day and age of complete exhaustion of ideas, images, stories, and myths. Questioning the effects of content recycling in cinema and other media, the author further elaborates on the repurposing of cultural junk, the reassembling of narratives and myths. The thought-provoking hypothesis proposed in this research is that we have entered an age of cultural promiscuity. By analyzing the mutations of myth-making practices and connecting them with larger cultural manifestations, the author explains these transformations as integral to the development of a myth-illogical imagination. Cinematic and mythological representations in mainstream Hollywood films have reached a point of amalgamation with no return, which marks the beginning of a "fourth age of representations," where signs and meanings are manifested in illogical permutations. This is more explicit in films that commingle aliens, cowboys, undead American presidents, and zombie nazis, joining together in the same narrative ghosts, werewolves, and vampires, aggregating disjoined storylines and historical fake facts, all coalesced in an orgy of empty burlesque and infantile masquerades. This interdisciplinary research combines cultural studies, film criticism, art and myth interpretations, bringing into the debate multiple concepts from related fields such as critical theory and media criticism. The book also opens up to innovative approaches from a wide array of academic disciplines, offering researchers, students and those fascinated by the transformations happening in contemporary cinema an interpretative tool based on a revised dialectic approach. The conclusion is that we are now victims of a zombie semiotics. Meaning-making in contemporary culture, politics, and aesthetics is dominated by a process of incessant desecration of significations, specific to the total mishmash of representations analyzed here.
Lost Goddesses
Author: Trudy Jacobsen
Publisher: NIAS Press
ISBN: 8776940012
Category : History
Languages : en
Pages : 352
Book Description
In prehistoric times, Southeast Asian women enjoyed high status. When, how and why did that change? This book explores the history of gender relations through economics, politics, art and literature. This title is a narrative and visual tour de force, of interest to scholars and the general public.
Publisher: NIAS Press
ISBN: 8776940012
Category : History
Languages : en
Pages : 352
Book Description
In prehistoric times, Southeast Asian women enjoyed high status. When, how and why did that change? This book explores the history of gender relations through economics, politics, art and literature. This title is a narrative and visual tour de force, of interest to scholars and the general public.
In the Wake of the Goddesses
Author: Tikva Simone Frymer-Kensky
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 312
Book Description
Exploring the rich and powerful symbols of religion and culture that have shaped Western thought, In the Wake of the Goddesses shows how conceptions of gender and sexualtiy developed and changed from the goddesses of ancient Mesopotamian civilizations to the one God of Biblical monotheism. 8-page insert.
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 312
Book Description
Exploring the rich and powerful symbols of religion and culture that have shaped Western thought, In the Wake of the Goddesses shows how conceptions of gender and sexualtiy developed and changed from the goddesses of ancient Mesopotamian civilizations to the one God of Biblical monotheism. 8-page insert.
Revelry, Rivalry, and Longing for the Goddesses of Bengal
Author: Rachel Fell McDermott
Publisher: Columbia University Press
ISBN: 023112919X
Category : History
Languages : en
Pages : 392
Book Description
Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.
Publisher: Columbia University Press
ISBN: 023112919X
Category : History
Languages : en
Pages : 392
Book Description
Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.