Author: Timothy Daniel Sullivan
Publisher:
ISBN:
Category : Political ballads and songs
Languages : en
Pages : 296
Book Description
Poems
Author: Timothy Daniel Sullivan
Publisher:
ISBN:
Category : Political ballads and songs
Languages : en
Pages : 296
Book Description
Publisher:
ISBN:
Category : Political ballads and songs
Languages : en
Pages : 296
Book Description
Economics for Irishmen
Author: Pat (pseud.)
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 190
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 190
Book Description
Irish Literature
Author: Justin McCarthy
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 496
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 496
Book Description
Selected Documents in Irish History
Author: Josef L. Altholz
Publisher: Routledge
ISBN: 1317460049
Category : History
Languages : en
Pages : 161
Book Description
The first collection of readings designed to supplement Irish History courses, this book includes 42 religious documents, historical statutes, acts of Parliament, speeches, proclamations, poems, and other selections fundamental to understanding Ireland's rich history.
Publisher: Routledge
ISBN: 1317460049
Category : History
Languages : en
Pages : 161
Book Description
The first collection of readings designed to supplement Irish History courses, this book includes 42 religious documents, historical statutes, acts of Parliament, speeches, proclamations, poems, and other selections fundamental to understanding Ireland's rich history.
The Music of My Heart
Publications
Author: Irish Unionist Alliance
Publisher:
ISBN:
Category : Home rule
Languages : en
Pages : 572
Book Description
Publisher:
ISBN:
Category : Home rule
Languages : en
Pages : 572
Book Description
The Tablet
A Spring-time Case: Otsuya Koroshi
Author: Jun'ichiro Tanizaki
Publisher: Library of Alexandria
ISBN: 1465508864
Category : Fiction
Languages : en
Pages : 135
Book Description
The scenes of the present story are laid in the town of Tokyo which in those days was still known as “Yeddo”—a name to-day seldom mentioned save in connection with that period of some two hundred years leading close up to the dawn of the Modern Age of Japan, generally known as the Restoration, when the fine arts and literature of the country, with their centre at Yeddo, reached a state of splendid activity, with few parallels in the history of the country. It were not going too far, in fact, to say that the name of “Yeddo” to-day conjures up a period of peace, with the whole nation glorying in a free and full enjoyment of life, following the dictates of their own hearts and minds, in a complete deliverance of spirit from the black reign of the War God. The nation which had returned to peace some eighty years since, and claimed the rightful heritage of life which had been denied them under war-like conditions prevailing throughout a period of some three hundred years, had by this time developed a civilization quite unique for its romantic fervour. Not a civilization to be considered in terms of “steam whistles and bicycles,” to be sure; but a state of artistic emancipation where the soul of man was honoured and the aspirations of mind exalted. Under the administration of the Shogun Government, the country fared well, and even waxed rich in so far as the welfare of the people was concerned. The piper piped; the people danced. The blade hitherto kept whetted sharp was now allowed to rest rusting in its sheath. The hand hardened in war-like training had now turned to the plough or to the brush and the chisel. Art grew rich and literature advanced. In the age of the Genroku, the new spirit of the country had reached a state of ripened mellowness; its name carries to this day visions of vivid colours and brilliant freedom. It is back to those times of the “Yeddo” period, deep into the life of that age, that Tanizaki takes us in his present story. If he has treated the subject with a modern touch in some aspects, his canvas is nevertheless done true to the tradition which masters of the age have left in their supreme understanding of colour and line. Tanizakiconsistently displays himself an unerring judge of the tools at his service, and is ever sure of the effect to be attained. His colours are striking, if often bold; his lines always forceful, because simple. The story concerns a great deal with one particular side of Japanese life, as it existed in those days of old, and even continues to this day with but slight changes in certain aspects. It is just the side where the impassive mask of the Japanese stoic is thrust aside in a true enjoyment of life; where the best and sweetest in the Japanese woman is brought forth for the benefit of man. It is a world of the “geisha” which is generally translated as “singing girls,” an epithet so misleading, because whatever vocal talent they may be called upon to display is given not on the stage or in the public, as it suggests, but is given for the entertainment of men who have elected to confine themselves in their private company. Not a community where licensed vice is trafficked; but an institution where the woman’s artistic attainments and wits, no less than her personality, are thrown in direct touch with men within encompassed society,—a system born out of a moral notion that disfavoured open association between men and women.
Publisher: Library of Alexandria
ISBN: 1465508864
Category : Fiction
Languages : en
Pages : 135
Book Description
The scenes of the present story are laid in the town of Tokyo which in those days was still known as “Yeddo”—a name to-day seldom mentioned save in connection with that period of some two hundred years leading close up to the dawn of the Modern Age of Japan, generally known as the Restoration, when the fine arts and literature of the country, with their centre at Yeddo, reached a state of splendid activity, with few parallels in the history of the country. It were not going too far, in fact, to say that the name of “Yeddo” to-day conjures up a period of peace, with the whole nation glorying in a free and full enjoyment of life, following the dictates of their own hearts and minds, in a complete deliverance of spirit from the black reign of the War God. The nation which had returned to peace some eighty years since, and claimed the rightful heritage of life which had been denied them under war-like conditions prevailing throughout a period of some three hundred years, had by this time developed a civilization quite unique for its romantic fervour. Not a civilization to be considered in terms of “steam whistles and bicycles,” to be sure; but a state of artistic emancipation where the soul of man was honoured and the aspirations of mind exalted. Under the administration of the Shogun Government, the country fared well, and even waxed rich in so far as the welfare of the people was concerned. The piper piped; the people danced. The blade hitherto kept whetted sharp was now allowed to rest rusting in its sheath. The hand hardened in war-like training had now turned to the plough or to the brush and the chisel. Art grew rich and literature advanced. In the age of the Genroku, the new spirit of the country had reached a state of ripened mellowness; its name carries to this day visions of vivid colours and brilliant freedom. It is back to those times of the “Yeddo” period, deep into the life of that age, that Tanizaki takes us in his present story. If he has treated the subject with a modern touch in some aspects, his canvas is nevertheless done true to the tradition which masters of the age have left in their supreme understanding of colour and line. Tanizakiconsistently displays himself an unerring judge of the tools at his service, and is ever sure of the effect to be attained. His colours are striking, if often bold; his lines always forceful, because simple. The story concerns a great deal with one particular side of Japanese life, as it existed in those days of old, and even continues to this day with but slight changes in certain aspects. It is just the side where the impassive mask of the Japanese stoic is thrust aside in a true enjoyment of life; where the best and sweetest in the Japanese woman is brought forth for the benefit of man. It is a world of the “geisha” which is generally translated as “singing girls,” an epithet so misleading, because whatever vocal talent they may be called upon to display is given not on the stage or in the public, as it suggests, but is given for the entertainment of men who have elected to confine themselves in their private company. Not a community where licensed vice is trafficked; but an institution where the woman’s artistic attainments and wits, no less than her personality, are thrown in direct touch with men within encompassed society,—a system born out of a moral notion that disfavoured open association between men and women.
Irish Minstrelsy
Author: Henry Halliday Sparling
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 552
Book Description
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 552
Book Description
Musical Culture and the Spirit of Irish Nationalism, 1848–1972
Author: Richard Parfitt
Publisher: Routledge
ISBN: 1000517632
Category : History
Languages : en
Pages : 267
Book Description
Musical Culture and the Spirit of Irish Nationalism is the first comprehensive history of music’s relationship with Irish nationalist politics. Addressing rebel songs, traditional music and dance, national anthems and protest song, the book draws upon an unprecedented volume of material to explore music’s role in cultural and political nationalism in modern Ireland. From the nineteenth-century Young Irelanders, the Fenians, the Home Rule movement, Sinn Féin and the Anglo-Irish War to establishment politics in independent Ireland and civil rights protests in Northern Ireland, this wide-ranging survey considers music’s importance and its limitations across a variety of political movements.
Publisher: Routledge
ISBN: 1000517632
Category : History
Languages : en
Pages : 267
Book Description
Musical Culture and the Spirit of Irish Nationalism is the first comprehensive history of music’s relationship with Irish nationalist politics. Addressing rebel songs, traditional music and dance, national anthems and protest song, the book draws upon an unprecedented volume of material to explore music’s role in cultural and political nationalism in modern Ireland. From the nineteenth-century Young Irelanders, the Fenians, the Home Rule movement, Sinn Féin and the Anglo-Irish War to establishment politics in independent Ireland and civil rights protests in Northern Ireland, this wide-ranging survey considers music’s importance and its limitations across a variety of political movements.