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Author: Alison Milbank Publisher: Oxford University Press, USA ISBN: 0198824467 Category : Literary Criticism Languages : en Pages : 365
Book Description
God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part one interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe's melancholic theology which uses distance and loss to enable a new mediation. Part two traces the origins of the doppelganger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In part three, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in part four nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M. R. James circle restore the sacramental and psychical efficacy of objects.
Author: Alison Milbank Publisher: Oxford University Press, USA ISBN: 0198824467 Category : Literary Criticism Languages : en Pages : 365
Book Description
God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part one interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe's melancholic theology which uses distance and loss to enable a new mediation. Part two traces the origins of the doppelganger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In part three, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in part four nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M. R. James circle restore the sacramental and psychical efficacy of objects.
Author: Alison Milbank Publisher: Oxford University Press ISBN: 0192557858 Category : Literary Criticism Languages : en Pages : 344
Book Description
God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part one interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe's melancholic theology which uses distance and loss to enable a new mediation. Part two traces the origins of the doppelgänger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In part three, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in part four nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M. R. James circle restore the sacramental and psychical efficacy of objects.
Author: Alison Milbank Publisher: Oxford University Press ISBN: 019255784X Category : Literary Criticism Languages : en Pages : 344
Book Description
God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part one interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe's melancholic theology which uses distance and loss to enable a new mediation. Part two traces the origins of the doppelgänger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In part three, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in part four nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M. R. James circle restore the sacramental and psychical efficacy of objects.
Author: Alison Milbank Publisher: ISBN: 9780191863257 Category : LITERARY CRITICISM Languages : en Pages :
Book Description
"God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the Monasteries, now seen as usurption of power by the authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part I interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe's melancholic theology which uses distance and loss to enable a new mediation. Part II traces the origins of the doppelgänger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In Part III, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in Part IV nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M.R. James circle restores the sacramental and psychical efficacy of objects"--
Author: Shane Jensen Publisher: Createspace Independent Publishing Platform ISBN: 9781507729564 Category : Languages : en Pages : 118
Book Description
A young man with tattoos and piercings, wearing all black, is kneeling down in church praying the Rosary. Is this truly a Goth showing reverence for God? Isn't "Catholic Goth" a contradiction? Within these pages the author discusses his entrance into the Gothic and Catholic communities, and attempts to clear up many of the misconceptions that people have about both groups.
Author: The Gothic Mystic Publisher: ISBN: Category : Languages : en Pages : 158
Book Description
The adversary has the church in such a tight headlock, that he has us fighting amongst ourselves about "doctrine" and the most simplest of biblical scripture. He has us split into thousands of different "denominations" and freak out at the simplest inkling of resistance that people perceive in our lives and people instantly blame him. Anything that doesn't agree with our current "doctrine", people instantly throw it away without thinking on it and testing to see if it agrees with scripture. We've lost the focus and ideal of focusing on God, allowing Holy Spirit to teach us things that people don't know yet. This book focuses on revealing many of the manifestations of the religious spirit that has made it's way into not just the church, but also the world. From the widely recognized "Holier Than Thou" mentality to the aspect of how the church shows false love to itself and the world without even knowing it. The author does his best to reveal all of these manifestations and details what is needed in order to get past and overcome this spirit.
Author: Aelfric Avery Publisher: Lulu.com ISBN: 9781329929852 Category : Religion Languages : en Pages : 290
Book Description
Gaut's Descendants: Gothic Religion and Culture in Germania explores the religion and culture of the Goths and the Gothic influence on other Germanic tribes. Some of the topics examined include: the gods and goddesses of the Goths; the rituals and magic of the Goths; Gaut, the founding father god of the Goths, his surviving myths and his cult of sacral kingship; the various influences that contributed to the synthesis of Gothic religion and culture; the nature of Gothic Christianity and survivals of Gothic heathenry in Christian times; how the Migration Age layer of Germanic mythology differed from the more well-known Viking Age layer of Germanic mythology; how the Goths contributed to Germanic mystical and religious concepts preserved in the Eddas such as the differences between the Aesir and Vanir gods; the substantial influence of the Goths on the legend and poetry of the rest of the Germanic world, especially in Viking Age Scandinavia and Anglo-Saxon England.
Author: Richard Matthew Pollard Publisher: Cambridge University Press ISBN: 110717791X Category : Art Languages : en Pages : 377
Book Description
A comprehensive, innovative study of how medieval people envisioned heaven, hell, and purgatory - images and imaginings that endure today.
Author: Victoria Nelson Publisher: Harvard University Press ISBN: 0674069609 Category : Literary Criticism Languages : en Pages : 316
Book Description
The Gothic, Romanticism's gritty older sibling, has flourished in myriad permutations since the eighteenth century. In Gothicka, Victoria Nelson identifies the revolutionary turn it has taken in the twenty-first. Today's Gothic has fashioned its monsters into heroes and its devils into angels. It is actively reviving supernaturalism in popular culture, not as an evil dimension divorced from ordinary human existence but as part of our daily lives. To explain this millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of The Shack), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H. P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic-the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the Twilight and Left Behind series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in The Da Vinci Code and the child Ofelia becomes a goddess in Pan's Labyrinth, Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.
Author: Alison Milbank
Author: Alison Milbank
Author: Alison Milbank
Author: Alison Milbank
Author: Alison Milbank
Author: Shane Jensen
Author: The Gothic Mystic
Author: Aelfric Avery
Author: Edith Birkhead
Author: Richard Matthew Pollard
Author: Victoria Nelson