Author: Robin Gibson
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 156
Book Description
"Much of Philpot's work remains to be re-discovered ... If this exhibition achieves anything, however, it will demonstrate that Philpot was not only one of the most gifted portrait painters in a long British tradition, but also an original and sensitive artist, whose work has a recognisably individual beauty of technique and a virility of style and concept."--Page 35.
Glyn Philpot, 1884-1937
Author: Robin Gibson
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 156
Book Description
"Much of Philpot's work remains to be re-discovered ... If this exhibition achieves anything, however, it will demonstrate that Philpot was not only one of the most gifted portrait painters in a long British tradition, but also an original and sensitive artist, whose work has a recognisably individual beauty of technique and a virility of style and concept."--Page 35.
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 156
Book Description
"Much of Philpot's work remains to be re-discovered ... If this exhibition achieves anything, however, it will demonstrate that Philpot was not only one of the most gifted portrait painters in a long British tradition, but also an original and sensitive artist, whose work has a recognisably individual beauty of technique and a virility of style and concept."--Page 35.
Glyn Philpot, R.A., 1884-1937
Glyn Philpot
Author: J. G. Paul Delaney
Publisher: Aldershot, England : Ashgate
ISBN:
Category : Art
Languages : en
Pages : 256
Book Description
'The latest news in the art world is that Mr Glyn Philpotts [sic] has been asked to remove his picture from the RA...' Virginia WoolfGlyn Philpot (1884-1937) was a portrait, figure and still-life painter and a sculptor. One of the most financially successful portrait painters of his generation, he achieved early prominence in both Britain and America. Philpot was a senior public figure who embodied deep personal contradictions. In 1933 at the age of 49, he submitted The Great Pan to the Royal Academy. The painting made explicit what had for so long been a coded language within homosexual writing and art and the artist suffered the ignominy of public rejection.The young Glyn Philpot circulated in the close company of the Edwardian aesthetes. Portraits financed his more committed work on subject pictures. In the Symbolist tradition, they reflect his deepest concerns: religious themes reveal a profound knowledge of his adopted Catholicism, while an increasing interest in the male nude and a series of superb portraits of young men, his black servants, models, friends and lovers, show the gradual public expression of his homosexuality. The tensions between his public and personal lives led Philpot to spend long periods outside Britain. In 1931, he visited Berlin. His encounter with that city's homosexual underworld had a profound spiritual and emotional effect and Philpot adopted a new style which owed much to international modernism.Philpot's new style was greeted with overt hostility. The scandal led to a period of acute financial hardship which undoubtedly contributed to the artist's early death at 53. Tragically, Philpot did not live long enough to see what he regarded as his most ambitious work accepted or approved. His reputation as a portraitist never faltered, but his subject pictures remain controversial. In 1985, the National Portrait Gallery, London staged a major retrospective of his work.In this fascinating account of an artist whose career bridged the transition between Edwardian aestheticism and international modernism, Paul Delaney has skilfully brought together disparate elements to reveal the personal, social and artistic crises that transformed Glyn Philpot's work.
Publisher: Aldershot, England : Ashgate
ISBN:
Category : Art
Languages : en
Pages : 256
Book Description
'The latest news in the art world is that Mr Glyn Philpotts [sic] has been asked to remove his picture from the RA...' Virginia WoolfGlyn Philpot (1884-1937) was a portrait, figure and still-life painter and a sculptor. One of the most financially successful portrait painters of his generation, he achieved early prominence in both Britain and America. Philpot was a senior public figure who embodied deep personal contradictions. In 1933 at the age of 49, he submitted The Great Pan to the Royal Academy. The painting made explicit what had for so long been a coded language within homosexual writing and art and the artist suffered the ignominy of public rejection.The young Glyn Philpot circulated in the close company of the Edwardian aesthetes. Portraits financed his more committed work on subject pictures. In the Symbolist tradition, they reflect his deepest concerns: religious themes reveal a profound knowledge of his adopted Catholicism, while an increasing interest in the male nude and a series of superb portraits of young men, his black servants, models, friends and lovers, show the gradual public expression of his homosexuality. The tensions between his public and personal lives led Philpot to spend long periods outside Britain. In 1931, he visited Berlin. His encounter with that city's homosexual underworld had a profound spiritual and emotional effect and Philpot adopted a new style which owed much to international modernism.Philpot's new style was greeted with overt hostility. The scandal led to a period of acute financial hardship which undoubtedly contributed to the artist's early death at 53. Tragically, Philpot did not live long enough to see what he regarded as his most ambitious work accepted or approved. His reputation as a portraitist never faltered, but his subject pictures remain controversial. In 1985, the National Portrait Gallery, London staged a major retrospective of his work.In this fascinating account of an artist whose career bridged the transition between Edwardian aestheticism and international modernism, Paul Delaney has skilfully brought together disparate elements to reveal the personal, social and artistic crises that transformed Glyn Philpot's work.
Glyn Philpot, 1884-1937
Author: Robin Gibson
Publisher: Mitchell Beazley
ISBN:
Category : Art
Languages : en
Pages : 156
Book Description
Publisher: Mitchell Beazley
ISBN:
Category : Art
Languages : en
Pages : 156
Book Description
Mural Painting in Britain 1840-1940
Author: Clare A. P. Willsdon
Publisher: Oxford University Press, USA
ISBN: 9780198175155
Category : Art
Languages : en
Pages : 730
Book Description
This survey sets state, civic, commercial, church, private and other murals in their historical and cultural contexts. The book covers work by over 400 artists and numerous murals never previously documented or illustrated.
Publisher: Oxford University Press, USA
ISBN: 9780198175155
Category : Art
Languages : en
Pages : 730
Book Description
This survey sets state, civic, commercial, church, private and other murals in their historical and cultural contexts. The book covers work by over 400 artists and numerous murals never previously documented or illustrated.
Handbook of Modern British Painting and Printmaking 1900-90
Author: Alan Windsor
Publisher: Routledge
ISBN: 0429614861
Category : Art
Languages : en
Pages : 628
Book Description
Originally published in 1998, The Handbook of Modern British Painting and Printmaking 1900-1990 has been designed for people who enjoy, study and buy British art. The only portable dictionary-style guide to the life and work of modern British painters and printmakers, the book provides information on some 2,000 artists, as well as entries on schools of art, on museums, galleries and collections, on societies and groups, and critics and patrons who have influenced the development of modern art in Britain. Compiled by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterisation of the artist's work, and major bibliographic references. Wherever possible, one or two suggestions for further reading are cited.
Publisher: Routledge
ISBN: 0429614861
Category : Art
Languages : en
Pages : 628
Book Description
Originally published in 1998, The Handbook of Modern British Painting and Printmaking 1900-1990 has been designed for people who enjoy, study and buy British art. The only portable dictionary-style guide to the life and work of modern British painters and printmakers, the book provides information on some 2,000 artists, as well as entries on schools of art, on museums, galleries and collections, on societies and groups, and critics and patrons who have influenced the development of modern art in Britain. Compiled by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterisation of the artist's work, and major bibliographic references. Wherever possible, one or two suggestions for further reading are cited.
European Painting
Author: Muskegon Museum of Art
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 86
Book Description
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 86
Book Description
World Collectors Annuary
Museums Journal
Author: Elijah Howarth
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 694
Book Description
"Indexes to papers read before the Museums Association, 1890-1909. Comp. by Charles Madeley": v. 9, p. 427-452.
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 694
Book Description
"Indexes to papers read before the Museums Association, 1890-1909. Comp. by Charles Madeley": v. 9, p. 427-452.