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Author: Simon Martin Publisher: Pallant House Gallery ISBN: 9781869827762 Category : Art Languages : en Pages : 224
Book Description
The first color monograph on the artist Glyn Philpot - a key figure in Modern British art Glyn Philpot (1884-1937) was a key figure in Modern British art in the first half of the twentieth century, whose work spanned Arts and Crafts illustration, Edwardian "Swagger" portraiture, Symbolism, and Art Deco Modernism. Drawing on new research and recently rediscovered paintings and archive material, the first color monograph on the artist looks at his career from early works comprising more traditional formal portraiture through to modernism in the 1920s and 30s. Exploring Philpot's engagement with international modernism, it looks at his exposure to American art and the Harlem Renaissance, Neue Sachlichkeit in Berlin and the impact of living and working in Paris, especially the work of Rodin, Matisse, Picasso, and Cocteau. It also considers Philpot's work in the light of recent queer theory and writing on race, discussing Philpot's impact on queer writers and artists, including more recent works by Isaac Julien--in particular his film 'Looking for Langston'--and writers such as Booker Prize winner Alan Hollinghurst, who provides an introduction to this volume.
Author: Simon Martin Publisher: Pallant House Gallery ISBN: 9781869827762 Category : Art Languages : en Pages : 224
Book Description
The first color monograph on the artist Glyn Philpot - a key figure in Modern British art Glyn Philpot (1884-1937) was a key figure in Modern British art in the first half of the twentieth century, whose work spanned Arts and Crafts illustration, Edwardian "Swagger" portraiture, Symbolism, and Art Deco Modernism. Drawing on new research and recently rediscovered paintings and archive material, the first color monograph on the artist looks at his career from early works comprising more traditional formal portraiture through to modernism in the 1920s and 30s. Exploring Philpot's engagement with international modernism, it looks at his exposure to American art and the Harlem Renaissance, Neue Sachlichkeit in Berlin and the impact of living and working in Paris, especially the work of Rodin, Matisse, Picasso, and Cocteau. It also considers Philpot's work in the light of recent queer theory and writing on race, discussing Philpot's impact on queer writers and artists, including more recent works by Isaac Julien--in particular his film 'Looking for Langston'--and writers such as Booker Prize winner Alan Hollinghurst, who provides an introduction to this volume.
Author: J. G. Paul Delaney Publisher: Aldershot, England : Ashgate ISBN: Category : Art Languages : en Pages : 256
Book Description
'The latest news in the art world is that Mr Glyn Philpotts [sic] has been asked to remove his picture from the RA...' Virginia WoolfGlyn Philpot (1884-1937) was a portrait, figure and still-life painter and a sculptor. One of the most financially successful portrait painters of his generation, he achieved early prominence in both Britain and America. Philpot was a senior public figure who embodied deep personal contradictions. In 1933 at the age of 49, he submitted The Great Pan to the Royal Academy. The painting made explicit what had for so long been a coded language within homosexual writing and art and the artist suffered the ignominy of public rejection.The young Glyn Philpot circulated in the close company of the Edwardian aesthetes. Portraits financed his more committed work on subject pictures. In the Symbolist tradition, they reflect his deepest concerns: religious themes reveal a profound knowledge of his adopted Catholicism, while an increasing interest in the male nude and a series of superb portraits of young men, his black servants, models, friends and lovers, show the gradual public expression of his homosexuality. The tensions between his public and personal lives led Philpot to spend long periods outside Britain. In 1931, he visited Berlin. His encounter with that city's homosexual underworld had a profound spiritual and emotional effect and Philpot adopted a new style which owed much to international modernism.Philpot's new style was greeted with overt hostility. The scandal led to a period of acute financial hardship which undoubtedly contributed to the artist's early death at 53. Tragically, Philpot did not live long enough to see what he regarded as his most ambitious work accepted or approved. His reputation as a portraitist never faltered, but his subject pictures remain controversial. In 1985, the National Portrait Gallery, London staged a major retrospective of his work.In this fascinating account of an artist whose career bridged the transition between Edwardian aestheticism and international modernism, Paul Delaney has skilfully brought together disparate elements to reveal the personal, social and artistic crises that transformed Glyn Philpot's work.
Author: Robin Gibson Publisher: ISBN: Category : Artists Languages : en Pages : 156
Book Description
"Much of Philpot's work remains to be re-discovered ... If this exhibition achieves anything, however, it will demonstrate that Philpot was not only one of the most gifted portrait painters in a long British tradition, but also an original and sensitive artist, whose work has a recognisably individual beauty of technique and a virility of style and concept."--Page 35.
Author: Edward Lucie-Smith Publisher: ISBN: Category : Art Languages : en Pages : 170
Book Description
"The author analyzes the characteristics of the style, period and history of the movement, explaining its relationship to Classicism, the Symbolists, the Precisionists, photography and Cubism. He discusses the frequent use of classical imagery, the importance of society portraiture, the portrayal of the demi-monde and the lure of decorative exoticism." --from back cover.
Author: Clare Barlow Publisher: Tate Publishing ISBN: 9781849764520 Category : Languages : en Pages : 192
Book Description
In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. 00Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017).
Author: Devon Cox Publisher: Aurum Press ISBN: 0711274525 Category : History Languages : en Pages : 330
Book Description
A beautifully illustrated art history and cultural biography, The Street of Wonderful Possibilities focuses on one of the most influential artistic quarters in the late nineteenth and early twentieth centuries - London's Tite Street, where a staggering amount of talent thrived between the 1870s and 1930s, including James Abbott McNeill Whistler, Oscar Wilde and John Singer Sargent. It provides a new, fresh perspective on legendary figures in British art and literature and explores the relationship between these artists and their living environment. Today Tite Street is a narrow, quiet thoroughfare tucked away in a cosy corner of London. With the exception of a few blue plaques upon its walls, there is little indication of the rich and vibrant history of a street that once stood at the heart of the London art world. In this thriving artistic quarter, artists and writers created a bohemian enclave that would challenge Victorian values in art and literature. For Oscar Wilde, Tite Street was full of 'wonderful possibilities', while for Whistler it was 'the birthplace of art' where the nascent Aesthetic Movement was nurtured in his highly controversial White House. From the studios and houses of Tite Street issued modern masterpieces in art such as Whistler's Harmony in Pink and Greyand Sargent's Lady Agnew, and in literature with Wilde's The Picture of Dorian Gray.But Tite Street had a dark side as well. Here Whistler was bankrupted, Frank Miles was sent to an asylum, Wilde was imprisoned, and Peter Warlock was gassed to death. Throughout its turbulent existence, Tite Street mirrored the world around it. From the Aesthetic Movement to the Edwardian suffragettes, through the bombs of the Blitz in the 1940s to the bombs of the IRA in the 1970s, Tite Street remained a home to innumerable artists and writers, socialites and suffragettes, musicians and madmen. Countless biographies have explored the major figures in Tite Street individually, but never in the context of their living and working environment. The Street of Wonderful Possibilitiesunfolds this complex history, tying together the private and professional lives of Tite Street's artists, writers and bohemians to form a colourful tapestry of art and intrigue, illuminating their relationships to each other, to Tite Street and to a rapidly modernising London at the fin de siecle.
Author: Nicholas L. Syrett Publisher: University of Chicago Press ISBN: 022676155X Category : Biography & Autobiography Languages : en Pages : 219
Book Description
"An Open Secret traces the history of philanthropist Robert Allerton and his companion, John Wyatt Gregg, whom Allerton formally adopted as his son in 1960, after decades of living together. Yet why did these two men, who appear to be a gay couple from our view today, choose to project a father/son relationship? Syrett argues that in a period of both rising homosexual openness and social disapproval, the men had to find an alternative public logic for their situation. Whether or not Allerton and Gregg had sex with each other, they were undoubtedly a queer union: two high-society men who did not affirm traditional notions of partnership or couplehood"--
Author: Simon Martin
Author: Simon Martin
Author: J. G. Paul Delaney
Author: Robin Gibson
Author: Robin Gibson
Author: Edward Lucie-Smith
Author: Clare Barlow
Author: Devon Cox
Author: 
Author: Adrian Tinniswood
Author: Nicholas L. Syrett