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Author: Fernanda Torres Publisher: Restless Books ISBN: 1632061120 Category : Fiction Languages : en Pages : 235
Book Description
From Fernanda Torres, the celebrated Brazilian actress and bestselling author of The End, comes a riotous tragicomedy of a famed actor’s path from national sex symbol to cult icon to raving madman after a disastrous performance as King Lear. Mario Cardoso’s meteoric rise to fame begins in the early sixties, when the promise of sex and revolution permeates the Rio air. But as he conquers the stage, arthouse cinema, and primetime TV, the fever and the decadence of stardom take their toll, and middle-aged Mario finds himself with an ebbing reputation, hairline, and bank account. He needs a royal comeback. Enter King Lear. Mario’s turn as Shakespeare’s mad monarch goes well until he’s overtaken by a fit of laughter that gets more demented with each performance. Forced to cancel the show, he’s confronted with his mother’s unstaged madness—she’s now convinced that Mario is in fact her long-departed husband. Broke and desperate, Mario signs on for an evangelical network production: Sodoma. Yet, as low as he’s fallen, Mario’s final set is one he never imagined. With the wicked humor and fleet-footed pace that made her novel The End a runaway bestseller in Brazil, Fernanda Torres’s Glory and its Litany of Horrors is a razor-sharp take on the uneasy marriage of Art and the marketplace, and on the profession of acting in all its horror and glory. Praise for The End: “The End, a riotous, sex-stuffed novel by Torres, which takes Technicolor pleasure in detailing the deaths of five incorrigible old beach bums of the Bossa Nova generation…. Her five men, whom she kills off in reverse chronology, are ‘united by male allegiance, women, and the beach, in that order’.... With America undergoing a mass reckoning with male sexuality, a novel like this feels both taboo and gleeful, a guilty kind of reprieve.” —Hermione Hoby, The New Yorker “The intense but tenuous bonds of male friendship give shape and structure to this energetic, impressive debut from acclaimed Brazilian actress Torres. Set against the vivid backdrop of Copacabana, the episodic novel follows five contentious and devoted friends—Ciro, Silvio, Neto, Alvaro, and Ribeiro—from the hedonistic nights of their youth to the humbling days of old age. Beginning with the violent death of Alvaro, the group’s last surviving member, the story meticulously works it way back through the complicated lives of each friend, culminating with the operatic death of Ciro, who retains a spark of youth until his last moments. Torres paints a sharp, intimate portrait of male sexuality and psychology (including the experience of aging), illuminating the friends’ profound differences (such as between the decadent Silvio and the meeker Ribeiro) while never undermining the believability of their connection. As assured as the characterizations of the central characters are the investigations of the men and women who surround them, the wives who abide their exploits and the priests who speak at their funerals. The narration and momentum remain lively and sharp throughout.” —Publishers Weekly, Starred Review “Set in Rio de Janeiro, this fine literary debut from one of Brazil’s most distinguished actors tells the stories of five men as they approach their inevitable (and in some cases premature) ends. By turns tragic and hilarious, the novel is about friendship, betrayal and excess, and about male fury against the ravages of old age.” —Angel Gurría-Quintana, Financial Times “The End is the perfect summer release. Torres creates an aging, male Carioca friend group that is a mess of cynicism, nostalgia, frustration, and a seemingly unending appetite for sex. This book is raunchy, sophisticated, and so wonderfully Brazilian. I devoured this book in one sitting. Parabens Fernanda!!!” —Daniela Roger, Books & Books (Coral Gables, FL) "The year of 2013 would have been worth it for Fernanda Torres' novel alone. How beautiful it is to see an authentic literary talent emerge so clearly…. In her debut The End, she goes beyond just being a good writer. Her tone is so well crafted." —Caetano Veloso “You think you see The End coming—or the ending coming—but Fernanda Torres has other plans for you on this journey. Torres presents five friends—fairly flawed, tragic clowns—and their views on life and those around them as they try to navigate their lives and deaths. This novel is a funny, smart, well conceived, and perfectly executed playful look at mortality.” —Nick Buzanski, Book Culture (New York, NY) “Famed actress Fernanda Torres’s debut novel, The End, is a brutally unflinching look at the lifelong friendships of five aging male friends and the women in their lives.… [Torres has an] agile hand at establishing voice, pacing, and tone. Hers is strong, economical prose.… The machismo of each character is impressively rendered.… The End is vivid and irascible as it confronts the reality of aging, regrets, and death.” —Monica Carter, Foreword Reviews, Five-Heart Review “Torres’ writing [has] flair and wit… [an] unforgiving portrait of men at their worst.” —Kirkus
Author: Fernanda Torres Publisher: Restless Books ISBN: 1632061120 Category : Fiction Languages : en Pages : 235
Book Description
From Fernanda Torres, the celebrated Brazilian actress and bestselling author of The End, comes a riotous tragicomedy of a famed actor’s path from national sex symbol to cult icon to raving madman after a disastrous performance as King Lear. Mario Cardoso’s meteoric rise to fame begins in the early sixties, when the promise of sex and revolution permeates the Rio air. But as he conquers the stage, arthouse cinema, and primetime TV, the fever and the decadence of stardom take their toll, and middle-aged Mario finds himself with an ebbing reputation, hairline, and bank account. He needs a royal comeback. Enter King Lear. Mario’s turn as Shakespeare’s mad monarch goes well until he’s overtaken by a fit of laughter that gets more demented with each performance. Forced to cancel the show, he’s confronted with his mother’s unstaged madness—she’s now convinced that Mario is in fact her long-departed husband. Broke and desperate, Mario signs on for an evangelical network production: Sodoma. Yet, as low as he’s fallen, Mario’s final set is one he never imagined. With the wicked humor and fleet-footed pace that made her novel The End a runaway bestseller in Brazil, Fernanda Torres’s Glory and its Litany of Horrors is a razor-sharp take on the uneasy marriage of Art and the marketplace, and on the profession of acting in all its horror and glory. Praise for The End: “The End, a riotous, sex-stuffed novel by Torres, which takes Technicolor pleasure in detailing the deaths of five incorrigible old beach bums of the Bossa Nova generation…. Her five men, whom she kills off in reverse chronology, are ‘united by male allegiance, women, and the beach, in that order’.... With America undergoing a mass reckoning with male sexuality, a novel like this feels both taboo and gleeful, a guilty kind of reprieve.” —Hermione Hoby, The New Yorker “The intense but tenuous bonds of male friendship give shape and structure to this energetic, impressive debut from acclaimed Brazilian actress Torres. Set against the vivid backdrop of Copacabana, the episodic novel follows five contentious and devoted friends—Ciro, Silvio, Neto, Alvaro, and Ribeiro—from the hedonistic nights of their youth to the humbling days of old age. Beginning with the violent death of Alvaro, the group’s last surviving member, the story meticulously works it way back through the complicated lives of each friend, culminating with the operatic death of Ciro, who retains a spark of youth until his last moments. Torres paints a sharp, intimate portrait of male sexuality and psychology (including the experience of aging), illuminating the friends’ profound differences (such as between the decadent Silvio and the meeker Ribeiro) while never undermining the believability of their connection. As assured as the characterizations of the central characters are the investigations of the men and women who surround them, the wives who abide their exploits and the priests who speak at their funerals. The narration and momentum remain lively and sharp throughout.” —Publishers Weekly, Starred Review “Set in Rio de Janeiro, this fine literary debut from one of Brazil’s most distinguished actors tells the stories of five men as they approach their inevitable (and in some cases premature) ends. By turns tragic and hilarious, the novel is about friendship, betrayal and excess, and about male fury against the ravages of old age.” —Angel Gurría-Quintana, Financial Times “The End is the perfect summer release. Torres creates an aging, male Carioca friend group that is a mess of cynicism, nostalgia, frustration, and a seemingly unending appetite for sex. This book is raunchy, sophisticated, and so wonderfully Brazilian. I devoured this book in one sitting. Parabens Fernanda!!!” —Daniela Roger, Books & Books (Coral Gables, FL) "The year of 2013 would have been worth it for Fernanda Torres' novel alone. How beautiful it is to see an authentic literary talent emerge so clearly…. In her debut The End, she goes beyond just being a good writer. Her tone is so well crafted." —Caetano Veloso “You think you see The End coming—or the ending coming—but Fernanda Torres has other plans for you on this journey. Torres presents five friends—fairly flawed, tragic clowns—and their views on life and those around them as they try to navigate their lives and deaths. This novel is a funny, smart, well conceived, and perfectly executed playful look at mortality.” —Nick Buzanski, Book Culture (New York, NY) “Famed actress Fernanda Torres’s debut novel, The End, is a brutally unflinching look at the lifelong friendships of five aging male friends and the women in their lives.… [Torres has an] agile hand at establishing voice, pacing, and tone. Hers is strong, economical prose.… The machismo of each character is impressively rendered.… The End is vivid and irascible as it confronts the reality of aging, regrets, and death.” —Monica Carter, Foreword Reviews, Five-Heart Review “Torres’ writing [has] flair and wit… [an] unforgiving portrait of men at their worst.” —Kirkus
Author: Fernanda Torres Publisher: Restless Books ISBN: 1632061228 Category : Fiction Languages : en Pages : 222
Book Description
The End centers on five friends in Rio de Janeiro who, nearing the end of their lives, are left with memories—of parties, marriages, divorces, fixations, inhibitions, bad decisions—and the physical indignities of aging. Alvaro lives alone and spends his time going from doctor to doctor and bemoaning the evils of his ex-wife. Silvio is a junkie who can’t give up the excesses of sex and drugs even in his old age. Ribeiro is an athletic beach bum enjoying a prolonged sex life thanks to Viagra. Neto is the square member of the group, a faithful husband until his last days. And Ciro is the Don Juan envied by all—but the first to die, struck down by cancer. For all of them, successful careers, personal revelations, and Zen serenity are out of the question, blocked by a seemingly insurmountable wall of frustrations. Orbiting around them are a priest questioning his vocation and a cast of complicated women, neglected and embattled by these self-involved men. Edgy and wise, this tragicomic debut delves into taboo subjects—death, infidelity, impotence, the difficulties of marriage—with unsentimental honesty, and brings Rio and these characters to life in full color.
Author: R M Christofides Publisher: Bloomsbury Publishing ISBN: 1441101306 Category : Literary Criticism Languages : en Pages : 242
Book Description
By connecting Shakespeare's language to the stunning artwork that depicted the end of the world, this study provides not only provides a new reading of Shakespeare but illustrates how apocalyptic art continues to influence popular culture today. Drawing on extant examples of medieval imagery, Roger Christofides uses poststructuralist and psychoanalytic accounts of how language works to shed new light on our understanding of Hamlet, Othello, Macbeth, and King Lear. He then links Shakespeare's dependence on his audience to appreciate the allusions made to the religious paintings to the present day. For instance, popular television series like Battlestar Galactica, seminal horror movies such as An American Werewolf in London and Carrie and recent novels like Cormac McCarthy's The Road. All draw on imagery that can be traced directly back to the depictions of the Doom, an indication of the cultural power these vivid imaginings of the end of the world have in Shakespeare's day and now.
Author: Arthur Machen Publisher: e-artnow ISBN: 8026864336 Category : Fiction Languages : en Pages : 791
Book Description
This carefully crafted ebook: "The Greatest Works of Arthur Machen – The Ultimate Occult & Supernatural Horrors Collection" is formatted for your eReader with a functional and detailed table of contents. "The Three Impostors" is an episodic novel incorporating several weird stories, and culminates in a final denouement of deadly horror, connected with a secret society devoted to debauched pagan rites. "The Hill of Dreams" recounts the life of a young man, Lucian Taylor, focusing on his dreamy childhood in rural Wales, in a town based on Caerleon. "The Terror: — In wartime Britain, a series of unexplained murders occur with no sign of who or what is responsible. "The Secret Glory" — A public school boy becomes fascinated by tales of the Holy Grail and escapes from his repressive school in search of a deeper meaning to life. "The White People" — A young girl's diary, recounting tales told her by her nurse, and her increasingly deep delving into magic. "The Great God Pan" was at first widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. "The Inmost Light" — A scientist imprisons his wife's soul in a shining jewel, letting something else into her untenanted body, but the jewel is stolen. "The Shining Pyramid" — Strange arrangements of stones appear at the edge of a young man's property. He and a friend attempt to decipher their meaning before it is too late. "The Red Hand" — It focuses on a murder performed with an ancient stone axe. Arthur Machen (1863-1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. Table of Contents: The Three Impostors The Hill of Dreams The Terror The Secret Glory The White People The Great God Pan The Inmost Light The Shining Pyramid The Red Hand The Great Return The Bowmen The Children of the Pool The Bright Boy ...
Author: Robert Zacharias Publisher: Univ. of Manitoba Press ISBN: 0887554504 Category : Literary Criticism Languages : en Pages : 305
Book Description
Despite the fact that Russian Mennonites began arriving in Canada en masse in the 1870s, Mennonite Canadian literature has been marked by a compulsive retelling of the mass migration of some 20,000 Russian Mennonites to Canada following the collapse of the “Mennonite Commonwealth” in the 1920s. This privileging of a seminal dispersal within the community’s broader history reveals the ways in which the 1920s narrative has come to function as an origin story, or “break event,” for the Russian Mennonites in Canada, serving to affirm a communal identity across national and generational boundaries. Drawing on recent work in diaspora studies, Rewriting the Break Event offers a historicization of Mennonite literary studies in Canada, followed by close readings of five novels that rewrite the Mennonite break event through specific strains of emphasis, including a religious narrative, ethnic narrative, trauma narrative, and meta-narrative. The result is thoughtful and engaging exploration of the shifting contours of Mennonite collective identity, and an exciting new methodology that promises to resituate the discourse of migrant writing in Canada.
Author: Victoria Carpenter Publisher: Peter Lang ISBN: 9783039113354 Category : History Languages : en Pages : 310
Book Description
This collection of essays derives from a conference on Violence, Culture and Identity held in St Andrews in June 2003. It is a contribution to the understanding of representations of violence in Latin American narrative. The collected essays are dedicated to the study of the problematic history of violence as a means of 'civilizing' the region: violence used by dictatorial regimes to eradicate the collective memory of their actions; violence as a result of the history of marginalizing segments of the population; sexual violence as an attempt at complete control of the victim. The essays establish a clear link between historical, political and literary constructs spanning the past five hundred years of Latin American history. Close readings of political texts, historical documents, prose, poetry and films employ identity theories, postcolonial discourse, and the principles of mimetic and sacrificial violence. The volume adds to the ongoing critical investigation of the relationship between Latin American history and narrative, and to the key role of representations of violence within that narrative tradition.
Author: Laura Cumming Publisher: Simon and Schuster ISBN: 1501198734 Category : Biography & Autobiography Languages : en Pages : 320
Book Description
NOMINATED FOR THE 2019 NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY ONE OF NPR'S BEST BOOKS OF THE YEAR SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NONFICTION SHORTLISTED FOR THE RATHBONES FOLIO PRIZE LONGLISTED FOR THE RSL ONDAATJE PRIZE The acclaimed New York Times bestselling author of The Vanishing Velazquez shares a riveting true story “with as many twists and turns as any mystery” (Los Angeles Times) describing her mother’s mysterious kidnapping as a toddler in a small English coastal village—“an incredible and incredibly unusual book about family secrets” (Nick Hornby, The Believer). In the fall of 1929, when Laura Cumming’s mother was three years old, she was kidnapped from a beach on the Lincolnshire coast of England. There were no screams when she was taken, suggesting the culprit was someone familiar to her, and when she turned up again in a nearby village several days later, she was happy and in perfect health. No one was ever accused of a crime. The incident quickly faded from her memory, and her parents never discussed it. To the contrary, they deliberately hid it from her, and she did not learn of it for half a century. This was not the only secret her parents kept from her. For many years, while raising her in draconian isolation and protectiveness, they also hid the fact that she’d been adopted, and that shortly after the kidnapping, her name was changed from Grace to Betty. “Both page-turning and richly absorbing” (The Providence Journal), On Chapel Sands (originally titled Five Days Gone) unspools the tale of Cumming’s mother’s life and unravels the multiple mysteries at its core. Using photographs from the time, historical documents, and works of art, Cumming investigates this case of stolen identity with the toolset of a detective and the unique intimacy of a daughter trying to understand her family’s past and its legacies. “Brilliant” (The Guardian) and “a story told with such depth of feeling and observation and such lyrical writing I couldn’t put it down” (Anna Quindlen), On Chapel Sands is a masterful blend of memoir and history, an extraordinary personal narrative unlike any other.
Author: Arthur Machen Publisher: Strelbytskyy Multimedia Publishing ISBN: Category : Fiction Languages : en Pages : 6083
Book Description
Arthur Machen is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan (1890; 1894) has garnered a reputation as a classic of horror, with Stephen King describing it as "Maybe the best [horror story] in the English language." Machen was a great enthusiast for literature that expressed the "rapture, beauty, adoration, wonder, awe, mystery, sense of the unknown, desire for the unknown" that he summed up in the word ecstasy. The Novels THE HILL OF DREAMS THE TERROR THE SECRET GLORY EPILOGUE THE GREEN ROUND The Shorter Fiction THE CHRONICLE OF CLEMENDY: OR THE HISTORY OF THE IX JOYOUS JOURNEYS. CARBONNEK INTRODUCTION EPISTLE DEDICATORY MASTER PERROT’S DISCOURSE OF ALE THE PORTREEVE’S GAUDY-DAY STRANGE STORY OF A RED JAR THE SPIGOT CLERK’S FIRST TALE HOW THE FOLK OF ABERGAVENNY WERE PESTERED BY AN ACCURSED KNIGHT THE LORD MALTWORM’S FIRST TALE HOW A MAN OF CAERLEON FOUND A GREAT TREASURE THE RUBRICAN’S FIRST TALE THE TANKARD MARSHALL’S FIRST TALE THE QUEST OF CONSTANCY BY THE WAY THE SPIGOT CLERK’S SECOND TALE. THE PORTREEVE’S SOLEMNITY THE TALE TOLD BY THE SEIGNEUR OF LA ROCHE NEMOURS THE JOURNEY HOMEWARD SIGNOR PIERO LATINI’S TALE THE LORD MALTWORM’S SECOND TALE THE RUBRICAN’S SECOND TALE EPILOGUE THE GREAT GOD PAN, AND THE INMOST LIGHT The Great God Pan The Inmost Light THE THREE IMPOSTORS: OR THE TRANSMUTATIONS THREE IMPOSTORS PROLOGUE. ADVENTURE OF THE GOLD TIBERIUS. THE ENCOUNTER OF THE PAVEMENT. NOVEL OF THE DARK VALLEY. ADVENTURE OF THE MISSING BROTHER. NOVEL OF THE BLACK SEAL. INCIDENT OF THE PRIVATE BAR. THE DECORATIVE IMAGINATION. NOVEL OF THE IRON MAID. THE RECLUSE OF BAYSWATER. NOVEL OF THE WHITE POWDER. STRANGE OCCURRENCE IN CLERKENWELL. HISTORY OF THE YOUNG MAN WITH SPECTACLES ADVENTURE OF THE DESERTED RESIDENCE. THE HOUSE OF SOULS Introduction A Fragment of Life The White People The Red Hand THE ANGELS OF MONS Introduction The Bowmen The Soldiers’ Rest The Monstrance The Dazzling Light The Bowmen And Other Noble Ghosts Postscript THE GREAT RETURN THE SHINING PYRAMID, 1923 The Priest and the Barber The Spagyric Quest of Beroaldus Cosmopolita A Wonderful Woman The Lost Club Nature, or, The Splendid Holiday Drake’s Drum THE SHINING PYRAMID, 1924 The Arrow-Head Character The Eyes on the Wall The Search for the Bowl The Secret of the Pyramid The Little People THE GLORIOUS MYSTERY The Rose Garden Psychology, or, Fragments of Paper The Holy Things A New Christmas Carol THE COSY ROOM AND OTHER STORIES The Cosy Room A Double Return Munitions of War The Gift of Tongues The Islington Mystery Awaking Opening the Door The Compliments of the Season THE CHILDREN OF THE POOL, AND OTHER STORIES Children of the Pool Out of the Earth Change The Exalted Omega The Tree of Life Out of the Picture The Bright Boy UNCOLLECTED TALES Candletime Cidermas The Town of Long Ago Over the Gate Of the Isle of Shadows, and of the Strange Customs of the Men That Dwell There A Further Account of The Academy of Lagado Tales from Barataria Sir John’s Chef Rus in Urbe By the Brook The Autophone The Marriage of Panurge The Brook Farm A Remarkable Coincidence An Underground Adventure The Young Man in the Blue Suit The War Song of the Welsh The Light That Can Never Be Put Out Jocelyn’s Escape The Story of Sergt Richard Haughton and What Happened To Him on the Somme The Calvary of Azay 7b Coney Court Ritual Johnny Double N The Happy Children The Dover Road The Poems ELEUSINIA THE ASSEMBLING. THE SEA-SHORE THE FAST THE PROCESSION THE DAY OF TORCHES IACCHUS THE INITIATION THE REMEMBRANCE OF THE BARD THE PRAISE OF MYFANWY The Non-Fiction THE MEMOIRS OF JACQUES CASANOVA DE SEINGALT, 1725-1798 THE ANATOMY OF TOBACCO HIEROGLYPHICS DR STIGGINS: HIS VIEWS AND PRINCIPLES MISCELLANEOUS ESSAYS THE SECRET OF THE SANGRAAL THE STROLLER WHEN I WAS YOUNG IN LONDON THE GLITTER OF THE BROOK LONDON THIRTY YEARS AGO THE JOY OF LONDON RE-DISCOVERY OF LONDON DR JOHNSON’S DISAPPEARING ACT TOM O’BEDLAM AND HIS SONG THE ONLY WAY THE GRAY’S INN COFFEE HOUSE A NOTE ON POETRY
Author: Fernanda Torres
Author: Fernanda Torres
Author: Fernanda Torres
Author: Katherine D. McCann
Author: R M Christofides
Author: John Piper
Author: Arthur Machen
Author: Robert Zacharias
Author: Victoria Carpenter
Author: Laura Cumming
Author: Arthur Machen