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Author: Wilma De Jong Publisher: Pluto Press (UK) ISBN: Category : Computers Languages : en Pages : 250
Book Description
The first four films from the spy franchise starring Tom Cruise as a special agent. In 'Mission Impossible' (1996) Ethan Hunt (Cruise), an IMF (Impossible Mission Force) agent, is hunted by his own organisation after a mission in Prague goes wrong. Going to ground, Hunt enlists the help of two discredited agents to track down the real villain of the piece, a quest that takes him to the heart of CIA operations. In 'Mission Impossible 2' (2000), Impossible Missions Force's Ethan Hunt is charged with tracking down renegade fellow agent Sean Ambrose (Dougray Scott), who has stolen the only known supply of Bellophron - the antidote to man-made virus Chimera. Ethan enlists the help of Ambrose's ex-girlfriend, Nyah Nordoff-Hall (Thandie Newton), and, although the pair have fallen in love, Nyah agrees to return to Ambrose in order to gain information. However, Ambrose now intends to trigger off an epidemic of Chimera in order to sell Bellophron to the highest bidder and when he becomes suspicious of Nyah decides to use her as a guinea pig. In 'Mission Impossible 3' (2006), Hunt confronts the toughest villain he's ever faced - Owen Davian (Philip Seymour Hoffman), an international weapons and information provider with no remorse and no conscience. Hunt assembles his team, his old friend Luther Strickell (Ving Rhames), transportation expert Declan (Jonathan Rhys Meyers), background operative Zhen (Maggie Q) and fresh recruit Lindsey (Keri Russell) - to travel the globe pursuing Davian and rescue Hunt's love, Julia (Michelle Monaghan). In 'Mission Impossible - Ghost Protocol' (2011), when the Kremlin is bombed by terrorists, the IMF is implicated and all its team members instantaneously disavowed by the United States government. Hunt and his new team must go rogue to clear the IMF's name - but are warned that if any one of them is captured during their mission they will be charged as terrorists plotting to incite global nuclear war. Hunt seeks the help of an enigmatic former IMF agent, Brandt (Jeremy Renner), and is surprised to learn how much the shadowy figure knows about his past.
Author: Wilma De Jong Publisher: Pluto Press (UK) ISBN: Category : Computers Languages : en Pages : 250
Book Description
The first four films from the spy franchise starring Tom Cruise as a special agent. In 'Mission Impossible' (1996) Ethan Hunt (Cruise), an IMF (Impossible Mission Force) agent, is hunted by his own organisation after a mission in Prague goes wrong. Going to ground, Hunt enlists the help of two discredited agents to track down the real villain of the piece, a quest that takes him to the heart of CIA operations. In 'Mission Impossible 2' (2000), Impossible Missions Force's Ethan Hunt is charged with tracking down renegade fellow agent Sean Ambrose (Dougray Scott), who has stolen the only known supply of Bellophron - the antidote to man-made virus Chimera. Ethan enlists the help of Ambrose's ex-girlfriend, Nyah Nordoff-Hall (Thandie Newton), and, although the pair have fallen in love, Nyah agrees to return to Ambrose in order to gain information. However, Ambrose now intends to trigger off an epidemic of Chimera in order to sell Bellophron to the highest bidder and when he becomes suspicious of Nyah decides to use her as a guinea pig. In 'Mission Impossible 3' (2006), Hunt confronts the toughest villain he's ever faced - Owen Davian (Philip Seymour Hoffman), an international weapons and information provider with no remorse and no conscience. Hunt assembles his team, his old friend Luther Strickell (Ving Rhames), transportation expert Declan (Jonathan Rhys Meyers), background operative Zhen (Maggie Q) and fresh recruit Lindsey (Keri Russell) - to travel the globe pursuing Davian and rescue Hunt's love, Julia (Michelle Monaghan). In 'Mission Impossible - Ghost Protocol' (2011), when the Kremlin is bombed by terrorists, the IMF is implicated and all its team members instantaneously disavowed by the United States government. Hunt and his new team must go rogue to clear the IMF's name - but are warned that if any one of them is captured during their mission they will be charged as terrorists plotting to incite global nuclear war. Hunt seeks the help of an enigmatic former IMF agent, Brandt (Jeremy Renner), and is surprised to learn how much the shadowy figure knows about his past.
Author: Peter Weibel Publisher: National Geographic Books ISBN: 0262526891 Category : Art Languages : en Pages : 0
Book Description
Documenting and describing the emerging “performative democracy,” the first new art form of the twenty-first century. Today political protest often takes the form of spontaneous, noninstitutional, mass action. Mass protests during the Arab Spring showed that established systems of power—in that case, the reciprocal support among Arab dictators and Western democracies—can be interrupted, at least for a short moment in history. These new activist movements often use online media to spread their message. Mass demonstrations from Tahrir Square in Cairo to Taksim Square in Istanbul show the power of networked communication to fuel “performative democracy”—at the center of which stands the global citizen. Art is emerging as a public space in which the individual can claim the promises of constitutional and state democracy. Activism may be the first new art form of the twenty-first century. global aCtIVISm (the capitalized letters form the Latin word civis, emphasizing the power of citizens) describes and documents politically inspired art—global art practices that draw attention to grievances and demand the transformation of existing conditions through actions, demonstrations, and performances in public space. Essays by leading thinkers—including Noam Chomsky, Antonio Negri, Peter Sloterdijk, and Slavoj Žižek—consider the emerging role of the citizen in the new performative democracy. The essays are followed by images of art objects, illustrations, documents, and other material (first shown in an exhibition at ZKM Center for Art and Media, Karlsruhe) as well as case studies by artists and activists. Essays by Can Altay, Sruti Bala and Veronika Zangl, Tatiana Bazzichelli, Olaf Bertram-Nothnagel, Angela Bonadies, Robin Celikates, Korhan Gümüs, Dietrich Heißenbüttel, Bruno Latour, Sarah Maske, Ugo Mattei, Graham Meikle, André Mesquita, Marcus Michaelsen, Walter D. Mignolo, MTL, Antonio Negri, Dimitris Papadopoulos, Vassilis Tsianos and Margarita Tsomou, Rita Raley, Arman and Arash T. Riahi, Martha Rosler, Peter Sloterdijk, Karl-Peter Sommermann, Guido Strack, Jackie Sumell, Zixue Tai, Tatiana Volkova, Christoph Wachter and Mathias Jud, Dan S. Wang and Sarah Augusta Lewison, Peter Weibel, Ahmad Zatari, Bo Zheng, Ragip Zik, Slavoj Žižek. Interviews with Ammar Abo Bakr and Ganzeer, Younes Belghazi and Hadeer Elmahdawy, Erdem Gündüz, Joulia Strauss
Author: Chris Robé Publisher: Indiana University Press ISBN: 0253051401 Category : Social Science Languages : en Pages : 348
Book Description
In the 1940s, it was 16 mm film. In the 1980s, it was handheld video cameras. Today, it is cell phones and social media. Activists have always found ways to use the media du jour for quick and widespread distribution. InsUrgent Media from the Front takes a look at activist media practices in the 21st century and sheds light on what it means to enact change using different media of the past and present. Chris Robé and Stephen Charbonneau's edited collection uses the term "insUrgent media" to highlight the ways grassroots media activists challenged and are challenging hegemonic norms like colonialism, patriarchy, imperialism, classism, and heteronormativity. Additionally, the term is used to convey the sense of urgency that defines media activism. Unlike slower traditional media, activist media has historically sacrificed aesthetics for immediacy. Consequently, this "run and gun" method of capturing content has shaped the way activist media looks throughout history. With chapters focused on indigenous resistance, community media, and the use of media as activism throughout US history, InsUrgent Media from the Front emphasizes the wide reach media activism has had over time. Visibility is not enough when it comes to media activism, and the contributors provide examples of how to refocus the field not only to be an activist but to study activism as well.
Author: Matthew Breay Bolton Publisher: Springer Nature ISBN: 3030276112 Category : Political Science Languages : en Pages : 279
Book Description
This book analyses the politics of the humanitarian disarmament community—a loose coalition of activist and advocacy groups, humanitarian agencies and diplomats—who have successfully achieved international treaties banning landmines, cluster munitions and nuclear weapons, as well as restricting the global arms trade. Two campaigns have won Nobel Peace Prizes. Disarmament has long been a dirty word in the international relations lexicon. But the success of the humanitarian disarmament agenda shows that people often choose to prohibit or limit certain violent technologies, for reasons of security, honour, ethics or humanitarianism. This edited volume showcases interdisciplinary research by scholars and practitioners seeking to understand the dynamics and impact of the new global activism on weapons. While some raise concerns that humanitarian disarmament may be piecemeal and depoliticizing, others see opportunities to breathe new life into moribund arms control policymaking. Foreword by 1997 Nobel Peace Prize Laureate Jody Williams.
Author: Gabriele Balbi Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110740281 Category : History Languages : en Pages : 295
Book Description
As media environments and communication practices evolve over time, so do theoretical concepts. This book analyzes some of the most well-known and fiercely discussed concepts of the digital age from a historical perspective, showing how many of them have pre-digital roots and how they have changed and still are constantly changing in the digital era. Written by leading authors in media and communication studies, the chapters historicize 16 concepts that have become central in the digital media literature, focusing on three main areas. The first part, Technologies and Connections, historicises concepts like network, media convergence, multimedia, interactivity and artificial intelligence. The second one is related to Agency and Politics and explores global governance, datafication, fake news, echo chambers, digital media activism. The last one, Users and Practices, is finally devoted to telepresence, digital loneliness, amateurism, user generated content, fandom and authenticity. The book aims to shed light on how concepts emerge and are co-shaped, circulated, used and reappropriated in different contexts. It argues for the need for a conceptual media and communication history that will reveal new developments without concealing continuities and it demonstrates how the analogue/digital dichotomy is often a misleading one.
Author: Ryan Watson Publisher: Indiana University Press ISBN: 0253058023 Category : Social Science Languages : en Pages : 231
Book Description
When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence." In Radical Documentary and Global Crises, Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations. Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate.
Author: Victor Pickard Publisher: Routledge ISBN: 1315393921 Category : Social Science Languages : en Pages : 262
Book Description
Media Activism in the Digital Age captures an exciting moment in the evolution of media activism studies and offers an invaluable guide to this vibrant and evolving field of research. Victor Pickard and Guobin Yang have assembled essays by leading scholars and activists to provide case studies of feminist, technological, and political interventions during different historical periods and at local, national, and global levels. Looking at the underlying theories, histories, politics, ideologies, tactics, strategies, and aesthetics, the book takes an expansive view of media activism. It explores how varieties of activism are mediated through communication technologies, how activists deploy strategies for changing the structures of media systems, and how governments and corporations seek to police media activism. From memes to zines, hacktivism to artivism, this volume considers activist practices involving both older kinds of media and newer digital, social, and network-based forms. Media Activism in the Digital Age provides a useful cross-section of this growing field for both students and researchers.
Author: Michela Ardizzoni Publisher: Routledge ISBN: 1317265734 Category : Political Science Languages : en Pages : 290
Book Description
The intersection of virtual and physical spaces at the heart of contemporary political protests is a pivotal element in new practices of activism. In this new and global ecology of dissent and activism, different forces, stakeholders, and spaces, once defiantly discordant, come together to define the increasingly malleable nature and terms of participatory politics and the performance of democracy. This book explores the emerging sites, aesthetics and politics of contemporary dissent as a critical attempt to foreground their mediation and negotiation in an era of neoliberal globalization. Contemporary forms of media activism occupy deeply ambivalent spaces, which Ardizzoni analyzes using the lens of what she calls "matrix activism." Rather than confining the analysis to a single platform, a single technology, or a single social actor, matrix activism allows us to explain the hybrid nature of new forms of dissent and resistance, as they are located at the intersection of alternative and mainstream, non-profit and corporate, individual and social, production and consumption, online and offline.
Author: Ruth Reitan Publisher: Routledge ISBN: 0415455510 Category : History Languages : en Pages : 351
Book Description
Over the last two decades there has been a sea change in the nature of activism, with groups increasingly networking, launching campaigns, petitioning and framing their demands at the international level. This study examines this development and explores the special role of the World Social Forum.
Author: Wilma De Jong
Author: Wilma De Jong
Author: Peter Weibel
Author: Chris Robé
Author: Matthew Breay Bolton
Author: Gabriele Balbi
Author: Ryan Watson
Author: Luc Reydams
Author: Victor Pickard
Author: Michela Ardizzoni
Author: Ruth Reitan