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Author: Kevin Bazzana Publisher: Oxford : Clarendon Press ; Oxford ; Toronto : Oxford University Press ISBN: Category : Music Languages : en Pages : 336
Book Description
This book is a detailed study of the recordings and approach to performance of the Canadian pianist, broadcaster, writer, and composer Glenn Gould (1932-82). While focusing primarily on his extraordinary recorded performances, Kevin Bazzana also situates Gould's work and thought within broader musical, cultural, and historical contexts. Drawing on a wide range of Gould recordings and related literature, the book is divided into two parts: the first exploring Gould's aesthetic premises, the second discussing characteristic features of his piano style. The book is illustrated with graphic musical examples and plates.
Author: Kevin Bazzana Publisher: Oxford : Clarendon Press ; Oxford ; Toronto : Oxford University Press ISBN: Category : Music Languages : en Pages : 336
Book Description
This book is a detailed study of the recordings and approach to performance of the Canadian pianist, broadcaster, writer, and composer Glenn Gould (1932-82). While focusing primarily on his extraordinary recorded performances, Kevin Bazzana also situates Gould's work and thought within broader musical, cultural, and historical contexts. Drawing on a wide range of Gould recordings and related literature, the book is divided into two parts: the first exploring Gould's aesthetic premises, the second discussing characteristic features of his piano style. The book is illustrated with graphic musical examples and plates.
Author: Kevin Bazzana Publisher: McClelland & Stewart ISBN: 1551992876 Category : Biography & Autobiography Languages : en Pages : 554
Book Description
The first major biography of Glenn Gould to stress the critical influence of the Canadian context on his life and art Glenn Gould was not, as has previously been suggested, an isolated and self-taught eccentric who burst out of nowhere onto the international musical scene in the mid-1950s. He was, says Kevin Bazzana in this fascinating new full-scale biography, very much a product of his time and place – and his entire life and diverse work reflect his Canadian heritage. Bazzana, editor of the international Glenn Gould magazine, throws fresh light on this and many other aspects of Gould’s celebrated life as a pianist, writer, broadcaster, and composer. He portrays Gould’s upbringing in Toronto’s neighbourhood of The Beach in the 1930s, revealing the area’s influence as a distinct social, religious, and cultural milieu. He looks at the impact of Canadian radio on the young musician, his relations with the “new music” crowd in Toronto, and the ways in which his career was furthered by the extraordinary growth of Canada’s cultural institutions in the 1950s. He examines Gould’s place within the CBC “culture” of the 1960s and ‘70s, and his distinctly Canadian sense of humour. Bazanna also reveals new information on Gould’s famous eccentricities, his sometimes bizarre stage manner, his highly selective repertoire, his control mania, his private and sexual life, his hypochondria, his romanticism, and his abrupt retirement from concert performance to communicate solely through electronic and print media. And finally, he takes a detailed look at the extraordinary phenomenon of the posthumous “life” that Gould and his work have enjoyed.
Author: Peter F. Ostwald Publisher: W. W. Norton & Company ISBN: 9780393318470 Category : Biography & Autobiography Languages : en Pages : 380
Book Description
In this acclaimed biography, the late Peter Ostwald--himself an accomplished violinist and longtime personal friend of Gould's--raises many questions about Gould and his music, and lays bare the energy and contradiction behind his brilliance. Photos. NPR feature.
Author: Paul Elie Publisher: Union Books ISBN: 1908526416 Category : Biography & Autobiography Languages : en Pages : 731
Book Description
Johann Sebastian Bach – celebrated pipe organist, court composer and master of sacred music – was also a technical pioneer. Working in Germany in the early eighteenth century, he invented new instruments and carried out experiments in tuning, the effects of which are still with us today. Two hundred years later, a number of extraordinary musicians have utilised the music of Bach to thrilling effect through the art of recording, furthering their own virtuosity and reinventing the composer for our time. In Reinventing Bach, Paul Elie brilliantly blends the stories of modern musicians with a polyphonic account of our most celebrated composer’ s life to create a spellbinding narrative of the changing place of music in our lives. We see the sainted organist Albert Schweitzer playing to a mobile recording unit set up at London’ s Church of All Hallows in order to spread Bach’ s organ works to the world beyond the churches, and Pablo Casals’ s Abbey Road recordings of Bach’ s cello suites transform the middle-class sitting room into a hotbed of existentialism; we watch Leopold Stokowski persuade Walt Disney to feature his own grand orchestrations of Bach in the animated classical-music movie Fantasia – which made Bach the sound of children’ s playtime and Hollywood grandeur alike – and we witness how Glenn Gould’ s Goldberg Variations made Bach the byword for postwar cool. Through the Beatles and Switched-on Bach and Gö del, Escher, Bach – through film, rock music, the Walkman, the CD and up to Yo-Yo Ma and the iPod – Elie shows us how dozens of gifted musicians searched, experimented and collaborated with one another in the service of a composer who emerged as the prototype of the spiritualised, technically savvy artist.
Author: Geoffrey Payzant Publisher: Key Porter Books ISBN: Category : Biography & Autobiography Languages : en Pages : 230
Book Description
Dynamic changes in the market and the competitive environment demand a reorientation of marketing strategies. Developing and cultivating direct customer relationships and building customer trust are becoming key success factors. With new technologies such as broadband Internet and mobile communication, companies are able to create closer dialogues with key customers. The text analyses the enduring changes marketing is undergoing and presents the four most important new concepts: holistic brand management, customer relationship marketing, real-time marketing and multi-channel marketing. These new technologies have far-reaching consequences for marketing, sales and customer service.
Author: Edward Said Publisher: A&C Black ISBN: 140884625X Category : Literary Criticism Languages : en Pages : 178
Book Description
_______________ 'A series of dazzling case studies exploring the idea of lateness in a range of composers, writers and artists' - London Review of Books 'Gracefully unquiet, probing and wise ... Said's own elegiac masterpiece of late style' - Financial Times 'What Said stands for - critical intelligence, high art and the preservation of the language - must be at the centre of our lives. This book is a fine monument to his life and work' - Hanif Kureishi 'His own late style, if it is acceptable to call it that, mixes an easy mastery of material with an unquenched desire to preserve difficulties' - Guardian _______________ On Late Style examines the work produced by great artists -Beethoven, Thomas Mann, Jean Genet among them - at the end of their lives. Said makes it clear that, rather than the resolution of a lifetime's artistic endeavour, most of the late works discussed are rife with contradiction and almost impenetrable complexity. He helps us see how, though these works often stood in direct contrast to the tastes of society, they were, just as often, announcements of what was to come in the artist's discipline - works of true artistic genius.
Author: Ghyslaine Guertin Publisher: ISBN: 2924024153 Category : Biography & Autobiography Languages : en Pages : 96
Book Description
The work of Glenn Gould employs a range of expressive techniques that combine sounds, words and images without ever compromising the unity and logic of the aesthetic vision they reflect. Nevertheless, it is his interpretive brilliance as a pianist that continues to inspire emotion and awe. The genius of Glenn Gould lies in the sounds he created. With Gould, music becomes a language – a language of such rigour, coherence and clarity that all who hear it are able to discern its principal components. Each sound is articulated and perceived distinctly as part of a melodic and harmonic sequence that imbues it with meaning. The structure of each musical phrase is integrated into the work as a whole according to a rhythm and a tempo that continually reinforce the central discourse. Gould compared his approach to that of a composer analyzing and dissecting his own work. As an interpreter, he did not hesitate to define himself as a “recording artist” dedicated to the “reconstruction” of that same work.The CD on which it is presented to the listener is thus the result of a lengthy process: take after take of the same phrases, the same ornaments – marginally different each time – until the point when the whole piece precisely mirrored the idea already formulated in his mind. This endless editing and splicing of the audio tape can be likened to the craft of the filmmaker. As well as broadening the possibilities of his art through the application of new technologies, Gould helped revolutionize the relations between composer, work and listener, requiring that the latter be not only receptive but also creative. He always conceived of a listener with access to the most sophisticated equipment, whom he could lead straight to the essence – discovery of the work – of his own quest for beauty and ecstasy. S. Bach and his contrapuntal composition were his main source of inspiration. “I really can’t think of any other music which is so all-encompassing, which moves me so deeply and so consistently, and which, to use a rather imprecise word, is valuable beyond all of its skill and brilliance for something more meaningful than that – its humanity.”Gould’s career was framed by one of Bach’s most fascinating compositions, the Goldberg Variations. The work is concerned with balance, symmetry, harmonic coherence and, according to baroque principles, diversity and contrast. Transcending his mathematical rigour, the composer operates highly imaginatively, using a variety of genres, writing techniques and expressive means. Bach succeeds in transforming his basic musical material – an aria – without altering the general structure of the work. Owing to its harmonic form, the aria enables the listener to perceive the wide diversity of the sound landscape that is revealed as the work unfolds. The interpreter can play with complete freedom in the garden created by the composer: “It is, in short, music which observes neither end nor beginning, music with neither real climax nor real resolution.”
Author: Edward Said Publisher: A&C Black ISBN: 1408845873 Category : Art Languages : en Pages : 352
Book Description
_______________ 'Edward Said had a lifelong passion for music, and possessed the rare ability to write about it for the general reader with a lucid and penetrating intelligence' - TLS 'There are few whose command of words is sufficient not only to illuminate music, but to help music illuminate the world of those who make and listen to it. Said was one' - Daily Telegraph 'The sheer eloquence of Said's writings reminds us that with his untimely death we have lost one of our most distinguished music critics.' - Maynard Solomon, The Julliard School _______________ WITH A FOREWORD BY DANIEL BARENBOIM Music at the Limits brings together three decades of Edward W. Said's essays and articles on music. Addressing the work of a wide variety of composers and performers, Said analyses music's social and political contexts, and provides rich and often surprising assessments. He reflects on the censorship of Wagner in Israel; the relationship between music and feminism; and the works of Beethoven, Bruckner, Rossini, Schumann, Stravinsky and others. Always eloquent and often surprising, Music at the Limits reinforces Said's reputation as one of the most influential writers of the twentieth century. _______________ 'This fine collection by one of the most perceptive music critics of the last half-century is highly recommended' - Library Journal
Author: Kevin Bazzana
Author: Kevin Bazzana
Author: Kevin Bazzana
Author: Kevin Bazzana
Author: Andrew Kazdin
Author: Peter F. Ostwald
Author: Paul Elie
Author: Geoffrey Payzant
Author: Edward Said
Author: Ghyslaine Guertin
Author: Edward Said