Author: Seth Abramson
Publisher: Wesleyan University Press
ISBN: 0819578193
Category : Poetry
Languages : en
Pages : 377
Book Description
Best American Experimental Writing 2018, guest-edited by Myung Mi Kim, is the fourth edition of the critically acclaimed anthology series compiling an exciting mix of fiction, poetry, non-fiction, and genre-defying work. Featuring a diverse roster of writers and artists culled from both established authors—like Mei-mei Berssenbrugge, Don Mee Choi, Mónica de la Torre, Layli Long Soldier, and Simone White—as well as new and unexpected voices, including Clickhole.com, BAX 2018 presents an expansive view of today's experimental and high-energy writing practices. A perfect gift for discerning readers as well as an important classroom tool, Best American Experimental Writing 2018 is a vital addition to the American literary landscape.
BAX 2018
Author: Seth Abramson
Publisher: Wesleyan University Press
ISBN: 0819578193
Category : Poetry
Languages : en
Pages : 377
Book Description
Best American Experimental Writing 2018, guest-edited by Myung Mi Kim, is the fourth edition of the critically acclaimed anthology series compiling an exciting mix of fiction, poetry, non-fiction, and genre-defying work. Featuring a diverse roster of writers and artists culled from both established authors—like Mei-mei Berssenbrugge, Don Mee Choi, Mónica de la Torre, Layli Long Soldier, and Simone White—as well as new and unexpected voices, including Clickhole.com, BAX 2018 presents an expansive view of today's experimental and high-energy writing practices. A perfect gift for discerning readers as well as an important classroom tool, Best American Experimental Writing 2018 is a vital addition to the American literary landscape.
Publisher: Wesleyan University Press
ISBN: 0819578193
Category : Poetry
Languages : en
Pages : 377
Book Description
Best American Experimental Writing 2018, guest-edited by Myung Mi Kim, is the fourth edition of the critically acclaimed anthology series compiling an exciting mix of fiction, poetry, non-fiction, and genre-defying work. Featuring a diverse roster of writers and artists culled from both established authors—like Mei-mei Berssenbrugge, Don Mee Choi, Mónica de la Torre, Layli Long Soldier, and Simone White—as well as new and unexpected voices, including Clickhole.com, BAX 2018 presents an expansive view of today's experimental and high-energy writing practices. A perfect gift for discerning readers as well as an important classroom tool, Best American Experimental Writing 2018 is a vital addition to the American literary landscape.
Gist : Rift : Drift : Bloom
Author: José Felipe Alvergue
Publisher:
ISBN: 9780989313230
Category : Artists' books
Languages : en
Pages : 0
Book Description
Poetry. Environmental Studies. Alvergue's second full-length collection of poetry is an eco-historical meditation on the relationship between landscape and language. GIST : RIFT : DRIFT : BLOOM was composed between Buffalo, New York and Eau Claire, Wisconsin. As a sort of interstice, definitions give pause to the continued evolution of language in the poetry, where a word is planted early. Compressed by language, or carried off by sketches and through space, these words bloom elsewhere.
Publisher:
ISBN: 9780989313230
Category : Artists' books
Languages : en
Pages : 0
Book Description
Poetry. Environmental Studies. Alvergue's second full-length collection of poetry is an eco-historical meditation on the relationship between landscape and language. GIST : RIFT : DRIFT : BLOOM was composed between Buffalo, New York and Eau Claire, Wisconsin. As a sort of interstice, definitions give pause to the continued evolution of language in the poetry, where a word is planted early. Compressed by language, or carried off by sketches and through space, these words bloom elsewhere.
21 | 19
Author: Alexandra Manglis
Publisher: Milkweed Editions
ISBN: 1571319867
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Essays on the modern relevance of Thoreau, Whitman, Dickinson, and more “suggest the ways poetry might be both agitator and balm in times of social crisis” (Poets & Writers). The nineteenth century is often viewed as a golden age of American literature, a historical moment when national identity was emergent and ideals such as freedom, democracy, and individual agency were promising, even if belied in reality by violence and hypocrisy. The writers of this “American Renaissance”—Thoreau, Fuller, Whitman, Emerson, and Dickinson, among many others—produced a body of work that has been both celebrated and contested by following generations. As the twenty-first century unfolds in a United States characterized by deep divisions, diminished democracy, and dramatic transformation of identities, the editors of this singular book approached a dozen North American poets, asking them to engage with texts by their predecessors in a manner that avoids both aloofness from the past and too-easy elegy. The resulting essays, delving into topics including race and gun violence, dwell provocatively on the border between the lyrical and the scholarly, casting fresh critical light on the golden age of American literature and exploring a handful of texts not commonly included in its canon. A polyvocal collection that reflects the complexity of the cross-temporal encounter it enacts, 21 | 19 offers a re-reading of the “American Renaissance” and new possibilities for imaginative critical practice today. “Displaying a sophisticated sense of poetics as well as a good grasp of history and its implications for the present moment . . . [the editors] have done a remarkable job of bringing together such a challenging collection.” —Harvard Review
Publisher: Milkweed Editions
ISBN: 1571319867
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Essays on the modern relevance of Thoreau, Whitman, Dickinson, and more “suggest the ways poetry might be both agitator and balm in times of social crisis” (Poets & Writers). The nineteenth century is often viewed as a golden age of American literature, a historical moment when national identity was emergent and ideals such as freedom, democracy, and individual agency were promising, even if belied in reality by violence and hypocrisy. The writers of this “American Renaissance”—Thoreau, Fuller, Whitman, Emerson, and Dickinson, among many others—produced a body of work that has been both celebrated and contested by following generations. As the twenty-first century unfolds in a United States characterized by deep divisions, diminished democracy, and dramatic transformation of identities, the editors of this singular book approached a dozen North American poets, asking them to engage with texts by their predecessors in a manner that avoids both aloofness from the past and too-easy elegy. The resulting essays, delving into topics including race and gun violence, dwell provocatively on the border between the lyrical and the scholarly, casting fresh critical light on the golden age of American literature and exploring a handful of texts not commonly included in its canon. A polyvocal collection that reflects the complexity of the cross-temporal encounter it enacts, 21 | 19 offers a re-reading of the “American Renaissance” and new possibilities for imaginative critical practice today. “Displaying a sophisticated sense of poetics as well as a good grasp of history and its implications for the present moment . . . [the editors] have done a remarkable job of bringing together such a challenging collection.” —Harvard Review
The Ethnic Avant-Garde
Author: Steven S. Lee
Publisher: Columbia University Press
ISBN: 0231540116
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
During the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called "the magic pilgrimage" to the Soviet Union, these intellectuals placed themselves at the forefront of modernism, using radical cultural and political experiments to reimagine identity and decenter the West. Shining rare light on these efforts, The Ethnic Avant-Garde makes a unique contribution to interwar literary, political, and art history, drawing extensively on Russian archives, travel narratives, and artistic exchanges to establish the parameters of an undervalued "ethnic avant-garde." These writers and artists cohered around distinct forms that mirrored Soviet techniques of montage, fragment, and interruption. They orbited interwar Moscow, where the international avant-garde converged with the Communist International. The book explores Vladimir Mayakovsky's 1925 visit to New York City via Cuba and Mexico, during which he wrote Russian-language poetry in an "Afro-Cuban" voice; Langston Hughes's translations of these poems while in Moscow, which he visited to assist on a Soviet film about African American life; a futurist play condemning Western imperialism in China, which became Broadway's first major production to feature a predominantly Asian American cast; and efforts to imagine the Bolshevik Revolution as Jewish messianic arrest, followed by the slow political disenchantment of the New York Intellectuals. Through an absorbing collage of cross-ethnic encounters that also include Herbert Biberman, Sergei Eisenstein, Paul Robeson, and Vladimir Tatlin, this work remaps global modernism along minority and Soviet-centered lines, further advancing the avant-garde project of seeing the world anew.
Publisher: Columbia University Press
ISBN: 0231540116
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
During the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called "the magic pilgrimage" to the Soviet Union, these intellectuals placed themselves at the forefront of modernism, using radical cultural and political experiments to reimagine identity and decenter the West. Shining rare light on these efforts, The Ethnic Avant-Garde makes a unique contribution to interwar literary, political, and art history, drawing extensively on Russian archives, travel narratives, and artistic exchanges to establish the parameters of an undervalued "ethnic avant-garde." These writers and artists cohered around distinct forms that mirrored Soviet techniques of montage, fragment, and interruption. They orbited interwar Moscow, where the international avant-garde converged with the Communist International. The book explores Vladimir Mayakovsky's 1925 visit to New York City via Cuba and Mexico, during which he wrote Russian-language poetry in an "Afro-Cuban" voice; Langston Hughes's translations of these poems while in Moscow, which he visited to assist on a Soviet film about African American life; a futurist play condemning Western imperialism in China, which became Broadway's first major production to feature a predominantly Asian American cast; and efforts to imagine the Bolshevik Revolution as Jewish messianic arrest, followed by the slow political disenchantment of the New York Intellectuals. Through an absorbing collage of cross-ethnic encounters that also include Herbert Biberman, Sergei Eisenstein, Paul Robeson, and Vladimir Tatlin, this work remaps global modernism along minority and Soviet-centered lines, further advancing the avant-garde project of seeing the world anew.
Ulysses
Scenery
Author: José Felipe Alvergue
Publisher: Poets Out Loud
ISBN: 9780823288670
Category : Poetry
Languages : en
Pages : 0
Book Description
Poetry, memoir, archival study on the development of personhood in America through reflections on law, colonial-to-contemporary violence, parenthood, and history.
Publisher: Poets Out Loud
ISBN: 9780823288670
Category : Poetry
Languages : en
Pages : 0
Book Description
Poetry, memoir, archival study on the development of personhood in America through reflections on law, colonial-to-contemporary violence, parenthood, and history.
Poems of Paul Hamilton Hayne
Author: Paul Hamilton Hayne
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 482
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 482
Book Description
The Edge of the Unknown
Author: Arthur Conan Doyle
Publisher: FV Éditions
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 252
Book Description
In 1916 Arthur Conan Doyle stated his belief in Spiritualism. "The Edge of the Unknown", first published in 1930, is a collection of articles covering various aspects of this subject.
Publisher: FV Éditions
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 252
Book Description
In 1916 Arthur Conan Doyle stated his belief in Spiritualism. "The Edge of the Unknown", first published in 1930, is a collection of articles covering various aspects of this subject.
Something Borrowed
Author: Emily Giffin
Publisher: St. Martin's Press
ISBN: 9781250011862
Category : Fiction
Languages : en
Pages : 420
Book Description
Giffin's smash-hit debut novel--basis for the 2011 film--is for every woman who has ever had a complicated love-hate friendship.
Publisher: St. Martin's Press
ISBN: 9781250011862
Category : Fiction
Languages : en
Pages : 420
Book Description
Giffin's smash-hit debut novel--basis for the 2011 film--is for every woman who has ever had a complicated love-hate friendship.
Men Like Gods
Author: Herbert George Wells
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description