Author: Alessandro Perosa
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 356
Book Description
Giovanni Rucellai Ed Il Suo Zibaldone: A Florentine patrician and his palace
Author: Alessandro Perosa
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 356
Book Description
The Renaissance Palace in Florence
Author: JamesR. Lindow
Publisher: Routledge
ISBN: 1351541056
Category : Art
Languages : en
Pages : 275
Book Description
This book provides a reassessment of the theory of magnificence in light of the related social virtue of splendour. Author James Lindow highlights how magnificence, when applied to private palaces, extended beyond the exterior to include the interior as a series of splendid spaces where virtuous expenditure could and should be displayed. Examining the fifteenth-century Florentine palazzo from a new perspective, Lindow's groundbreaking study considers these buildings comprehensively as complete entities, from the exterior through to the interior. This book highlights the ways in which classical theory and Renaissance practice intersected in quattrocento Florence. Using unpublished inventories, private documents and surviving domestic objects, The Renaissance Palace in Florence offers a more nuanced understanding of the early modern urban palace.
Publisher: Routledge
ISBN: 1351541056
Category : Art
Languages : en
Pages : 275
Book Description
This book provides a reassessment of the theory of magnificence in light of the related social virtue of splendour. Author James Lindow highlights how magnificence, when applied to private palaces, extended beyond the exterior to include the interior as a series of splendid spaces where virtuous expenditure could and should be displayed. Examining the fifteenth-century Florentine palazzo from a new perspective, Lindow's groundbreaking study considers these buildings comprehensively as complete entities, from the exterior through to the interior. This book highlights the ways in which classical theory and Renaissance practice intersected in quattrocento Florence. Using unpublished inventories, private documents and surviving domestic objects, The Renaissance Palace in Florence offers a more nuanced understanding of the early modern urban palace.
Florentine Villas in the Fifteenth Century
Author: Amanda Lillie
Publisher: Cambridge University Press
ISBN: 9780521770477
Category : Architecture
Languages : en
Pages : 734
Book Description
In this book, which was originally published in 2005, Amanda Lillie challenges the urban bias in Renaissance art and architectural history by investigating the architecture and patronage strategies, particularly those of the Strozzi and the Sassetti clans, in the Florentine countryside during the fifteenth century. Based entirely on archival material that remained unpublished at the time of publication, her book examines a number of villas from this period and reconstructs the value systems that emerge from these sources, which defy the traditional, idealized interpretation of the 'renaissance villa'. Here, the house is studied in relation to the families who lived in them and to the land that surrounded them. The villa emerges as a functional, utilitarian farming unit upon whose success families depended, and where dynastic and patrimonial values could be nurtured.
Publisher: Cambridge University Press
ISBN: 9780521770477
Category : Architecture
Languages : en
Pages : 734
Book Description
In this book, which was originally published in 2005, Amanda Lillie challenges the urban bias in Renaissance art and architectural history by investigating the architecture and patronage strategies, particularly those of the Strozzi and the Sassetti clans, in the Florentine countryside during the fifteenth century. Based entirely on archival material that remained unpublished at the time of publication, her book examines a number of villas from this period and reconstructs the value systems that emerge from these sources, which defy the traditional, idealized interpretation of the 'renaissance villa'. Here, the house is studied in relation to the families who lived in them and to the land that surrounded them. The villa emerges as a functional, utilitarian farming unit upon whose success families depended, and where dynastic and patrimonial values could be nurtured.
The Memoir of Marco Parenti
Author: Mark Salber Phillips
Publisher: Princeton University Press
ISBN: 140085993X
Category : Biography & Autobiography
Languages : en
Pages : 299
Book Description
For this vivid description of the world of a Florentine patrician, Mark Phillips draws on Marco Parenti's private letters, ricordanze or diaries, and public history or memoir. When Cosimo de' Medici died in 1464, Parenti foresaw a return to liberty and began to write a history, but his political hopes and his literary ambitions foundered when the Medici party won a decisive victory over their patrician enemies in 1466. Despite this setback, Parenti's historical Memoir, recently rediscovered by Mark Phillips, is our best witness to this major crisis in Florentine politics. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 140085993X
Category : Biography & Autobiography
Languages : en
Pages : 299
Book Description
For this vivid description of the world of a Florentine patrician, Mark Phillips draws on Marco Parenti's private letters, ricordanze or diaries, and public history or memoir. When Cosimo de' Medici died in 1464, Parenti foresaw a return to liberty and began to write a history, but his political hopes and his literary ambitions foundered when the Medici party won a decisive victory over their patrician enemies in 1466. Despite this setback, Parenti's historical Memoir, recently rediscovered by Mark Phillips, is our best witness to this major crisis in Florentine politics. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Negotiating the Art of Fatherhood in Late Medieval and Early Modern Italy
Author: Juliann Vitullo
Publisher: Springer Nature
ISBN: 303029045X
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
Negotiating the Art of Fatherhood in Late Medieval and Early Modern Italy examines contested notions of fatherhood in written and visual texts during the development of the mercantile economy in fourteenth- and fifteenth-century Italy. It analyzes debates about the household and community management of wealth, emotion, and trade in luxury “goods,” including enslaved women, as moral questions. Juliann Vitullo considers how this mercantile economy affected paternity and the portraits of ideal fatherhood, which in some cases reconceived the role of fathers and in others reconfirmed traditional notions of paternal authority.
Publisher: Springer Nature
ISBN: 303029045X
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
Negotiating the Art of Fatherhood in Late Medieval and Early Modern Italy examines contested notions of fatherhood in written and visual texts during the development of the mercantile economy in fourteenth- and fifteenth-century Italy. It analyzes debates about the household and community management of wealth, emotion, and trade in luxury “goods,” including enslaved women, as moral questions. Juliann Vitullo considers how this mercantile economy affected paternity and the portraits of ideal fatherhood, which in some cases reconceived the role of fathers and in others reconfirmed traditional notions of paternal authority.
Rethinking the High Renaissance
Author: Jill Burke
Publisher: Routledge
ISBN: 1351551108
Category : Art
Languages : en
Pages : 408
Book Description
The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates and deepens our understanding of artistic change. Focusing on Rome, the paradigmatic centre of the High Renaissance narrative, each essay presents a case study of a particular aspect of the culture of the city in the early sixteenth century, including new analyses of Raphael's stanze, Michelangelo's Sistine Ceiling and the architectural designs of Bramante. The contributors question notions of periodization, reconsider the Renaissance relationship with classical antiquity, and ultimately reconfigure our understanding of 'high Renaissance style'.
Publisher: Routledge
ISBN: 1351551108
Category : Art
Languages : en
Pages : 408
Book Description
The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates and deepens our understanding of artistic change. Focusing on Rome, the paradigmatic centre of the High Renaissance narrative, each essay presents a case study of a particular aspect of the culture of the city in the early sixteenth century, including new analyses of Raphael's stanze, Michelangelo's Sistine Ceiling and the architectural designs of Bramante. The contributors question notions of periodization, reconsider the Renaissance relationship with classical antiquity, and ultimately reconfigure our understanding of 'high Renaissance style'.
Patronage and Dynasty
Author: Ian F. Verstegen
Publisher: Penn State Press
ISBN: 027109110X
Category : Art
Languages : en
Pages : 239
Book Description
This collection of essays offers a thorough study of the patron-artist relationship through the lens of one of early modern Italy’s most powerful and influential historical families. Contributors present a longitudinal study of the della Rovere family’s ascent into Italian nobility. The della Rovere was a family of popes, cardinals, and powerful dukes who financed some of the world’s best-known and greatest artwork. The essays explore the issue of identity and its maintenance, of carving a permanent spot for a family name in a rapidly changing atmosphere. Although these studies depart from art patronage, they uncover how the popes, cardinals, dukes, and signore of the della Rovere family constituted their identity. Originally a nouveau-riche creation of papal nepotism, the della Rovere first populated the ranks of cardinals under the powerful popes Sixtus IV and Julius II. Within the framework of later papal relations, the family negotiated its position within the economy of Italian nobles.
Publisher: Penn State Press
ISBN: 027109110X
Category : Art
Languages : en
Pages : 239
Book Description
This collection of essays offers a thorough study of the patron-artist relationship through the lens of one of early modern Italy’s most powerful and influential historical families. Contributors present a longitudinal study of the della Rovere family’s ascent into Italian nobility. The della Rovere was a family of popes, cardinals, and powerful dukes who financed some of the world’s best-known and greatest artwork. The essays explore the issue of identity and its maintenance, of carving a permanent spot for a family name in a rapidly changing atmosphere. Although these studies depart from art patronage, they uncover how the popes, cardinals, dukes, and signore of the della Rovere family constituted their identity. Originally a nouveau-riche creation of papal nepotism, the della Rovere first populated the ranks of cardinals under the powerful popes Sixtus IV and Julius II. Within the framework of later papal relations, the family negotiated its position within the economy of Italian nobles.
The Undevelopment of Capitalism
Author: Rebecca Emigh
Publisher: Temple University Press
ISBN: 1592136192
Category : Business & Economics
Languages : en
Pages : 289
Book Description
In The Undevelopment of Capitalism, Emigh argues that the expansion of the Florentine economic market in the fifteenth century helped to undo the development of markets of other economies--especially the rural economy of Tuscany. As this highly developed urban market penetrated rural regions, it actually erased rural market institutions that rural inhabitants had used to organize agricultural production and family life. Thus, an advanced economy at the time of the late Middle Ages and early Renaissance "undeveloped" over time. The economic development of this region in Italy was delayed as it failed to keep pace with the rest of Europe. Using a negative case methodology to show how urban and rural markets change, Emigh employs methods of historical sociology and sectoral theories to examine how markets can prosper and suffer at the same time. She shows how sectoral relations are crucial to transitions to capitalism and how capitalist development can also contract markets.
Publisher: Temple University Press
ISBN: 1592136192
Category : Business & Economics
Languages : en
Pages : 289
Book Description
In The Undevelopment of Capitalism, Emigh argues that the expansion of the Florentine economic market in the fifteenth century helped to undo the development of markets of other economies--especially the rural economy of Tuscany. As this highly developed urban market penetrated rural regions, it actually erased rural market institutions that rural inhabitants had used to organize agricultural production and family life. Thus, an advanced economy at the time of the late Middle Ages and early Renaissance "undeveloped" over time. The economic development of this region in Italy was delayed as it failed to keep pace with the rest of Europe. Using a negative case methodology to show how urban and rural markets change, Emigh employs methods of historical sociology and sectoral theories to examine how markets can prosper and suffer at the same time. She shows how sectoral relations are crucial to transitions to capitalism and how capitalist development can also contract markets.
Re-thinking Renaissance Objects
Author: Peta Motture
Publisher: John Wiley & Sons
ISBN: 1444396765
Category : History
Languages : en
Pages : 310
Book Description
Inspired by research undertaken for the new Medieval & Renaissance Galleries at the Victoria and Albert Museum, Re-thinking Renaissance Objects explores and often challenges some of the key issues and current debates relating to Renaissance art and culture. Puts forward original research, including evidence provided by an in-depth study arising from the Medieval & Renaissance Gallery project Contributions are unusual in their combination of a variety of approaches, but with each paper starting with an examination of the objects themselves New theories emerge from several papers, some of which challenge current thinking
Publisher: John Wiley & Sons
ISBN: 1444396765
Category : History
Languages : en
Pages : 310
Book Description
Inspired by research undertaken for the new Medieval & Renaissance Galleries at the Victoria and Albert Museum, Re-thinking Renaissance Objects explores and often challenges some of the key issues and current debates relating to Renaissance art and culture. Puts forward original research, including evidence provided by an in-depth study arising from the Medieval & Renaissance Gallery project Contributions are unusual in their combination of a variety of approaches, but with each paper starting with an examination of the objects themselves New theories emerge from several papers, some of which challenge current thinking
The Viewer and the Printed Image in Late Medieval Europe
Author: DavidS. Areford
Publisher: Routledge
ISBN: 135153968X
Category : Art
Languages : en
Pages : 347
Book Description
Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
Publisher: Routledge
ISBN: 135153968X
Category : Art
Languages : en
Pages : 347
Book Description
Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.