Giotto's O & Other Tales PDF Download

Author: Diane Johnson Handloser
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 24

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Author: Paul Barolsky
Publisher: Penn State Press
ISBN: 0271038527
Category : Art
Languages : en
Pages : 149

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Author: Georgiana M. Craik
Publisher:
ISBN:
Category :
Languages : en
Pages : 304

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Author: Basil De Selincourt
Publisher:
ISBN:
Category : Mural painting and decoration, Gothic
Languages : en
Pages : 364

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Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217357
Category : Art
Languages : en
Pages : 1454

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Book Description
Vol. 1: Life Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. Vol. 2: Works The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Vol. 3: Survival Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.

Author: Mary Arrigan
Publisher: Frances Lincoln Childrens Books
ISBN: 1845074041
Category : Juvenile Fiction
Languages : en
Pages : 26

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Young Mario wants to help Giotto as he paints a fresco featuring the nativity scene, but he only causes trouble until he figures out what the picture is missing.

Author:
Publisher: Penn State Press
ISBN: 9780271039916
Category : Art
Languages : en
Pages : 206

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Sequel to Barolsky's Vasari trilogy and pendant volume in particular to Michelangelo's Nose, this book continues the author's examination of the poetic imagination of Michelangelo's autobiography in relation to his art and poetry. With his usual brio, Barolsky suggests that Michelangelo's concerns with poetic origins are linked in subtle, diverse ways to the meanings of Botticelli's Primavera, Signorelli's Pan, Piero di Cosimo's Prometheus pictures, Raphael's Parnassus, and Titan's Fete Champetre. Focusing on the unexpected importance for Michelangelo of the pastoral, Barolsky illuminates the role of Ovid both in the artist's biography and in his theory and practice of art. Conceiving his book as a contribution to our understanding of poetic imagination in the age of the Renaissance, Barolsky elaborates here on his previous discussion of Renaissance, Barolsky elaborates here on his previous discussion of Renaissance biography in the tradition of Boccaccio's fables.

Author: Andrew Ladis
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 238

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A discussion of the murals by Giotto in the Arena Chapel of Padua, Italy. The artist's work is considered in terms of its relationship to the structure of the poetry of Dante, biblical exegesis, geometry, and symmetry.

Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205216970
Category : Art
Languages : en
Pages : 427

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Book Description
Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist.

Author: Kelly Mass
Publisher: Efalon Acies
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 30

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Book Description
In the annals of late-medieval artistry, Giotto di Bondone, affectionately known as Giottus, emerges as a luminary figure hailing from the vibrant city of Florence. His artistic endeavors unfolded during the epoch of Gothic/Proto-Renaissance, a period marked by a nuanced blend of traditions and emerging artistic expressions. Giovanni Villani, a contemporaneous banker and chronicler immersed in the cultural tapestry of Giotto's era, extolled him as "the most sovereign master of painting in his day." Villani marveled at Giotto's ability to draw figures and poses in harmony with nature, lauding his skill and excellence. Meanwhile, Giorgio Vasari, a later art historian, credited Giotto with initiating a paradigm shift in painting, laying the foundation for the art as we recognize it today. Vasari emphasized Giotto's groundbreaking approach, which involved drawing precisely from life, a method overlooked for over two centuries. Giotto's magnum opus, the Scrovegni Chapel, also known as the Arena Chapel, stands as a testament to his artistic prowess. Completed around 1305 in Padua, this masterpiece unfolds a narrative tapestry portraying the lives of the Virgin and Christ. Revered as one of the paramount achievements of the Early Renaissance, the chapel's fresco cycle resonates with the spirit of innovation and a departure from convention. Despite the acclaim surrounding Giotto's artistic contributions, the details of his life remain shrouded in ambiguity. While he is definitively credited with painting the Arena Chapel, his appointment by the Commune of Florence in 1334 to construct the new campanile of the Florence Cathedral underscores his broader impact. However, Giotto's birth date, birthplace, physical appearance, apprenticeship details, the chronological order of his works, and even the attribution of famous paintings in the Upper Basilica of Saint Francis in Assisi remain subjects of scholarly contention. In the kaleidoscope of Giotto's legacy, the interplay of art and mystery weaves a captivating narrative. The enigmatic facets of his life not only contribute to the allure surrounding his persona but also underscore the complex nature of artistic identity in a bygone era. As Giotto's brushstrokes echo through time, each stroke invites contemplation, inviting us to delve into the untold chapters of a masterful artist's journey.