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Author: Ara H. Merjian Publisher: ISBN: 9780300176599 Category : Art Languages : en Pages : 351
Book Description
Painted in Paris on the eve of World War One, the Metaphysical cityscapes of Giorgio de Chirico (1888-1978) redirected the course of modernist painting and the modern architectural imagination alike. Giorgio de Chirico and the Metaphysical City examines the two most salient dimensions of the artist’s early imagery: its representations of architectural space and its sustained engagement with the philosophy of Friedrich Nietzsche. Centering upon a single painting from 1914 – deemed by the painter “the fatal year” – each chapter examines why and how de Chirico’s self-declared “Nietzschean method” takes architecture as its pictorial means and metaphor. The first, full-length study in English to focus on the painter’s seminal work from pre-war Paris, the book places de Chirico’s “literary” images back in the context of the city’s avant-garde, particularly the circle of Guillaume Apollinaire. Merjian’s study sheds light on one of the most influential and least understood figures in 20th-century aesthetics, while also contributing to an understanding of Nietzsche’s paradoxical consequences for modernism.
Author: Ara H. Merjian Publisher: ISBN: 9780300176599 Category : Art Languages : en Pages : 351
Book Description
Painted in Paris on the eve of World War One, the Metaphysical cityscapes of Giorgio de Chirico (1888-1978) redirected the course of modernist painting and the modern architectural imagination alike. Giorgio de Chirico and the Metaphysical City examines the two most salient dimensions of the artist’s early imagery: its representations of architectural space and its sustained engagement with the philosophy of Friedrich Nietzsche. Centering upon a single painting from 1914 – deemed by the painter “the fatal year” – each chapter examines why and how de Chirico’s self-declared “Nietzschean method” takes architecture as its pictorial means and metaphor. The first, full-length study in English to focus on the painter’s seminal work from pre-war Paris, the book places de Chirico’s “literary” images back in the context of the city’s avant-garde, particularly the circle of Guillaume Apollinaire. Merjian’s study sheds light on one of the most influential and least understood figures in 20th-century aesthetics, while also contributing to an understanding of Nietzsche’s paradoxical consequences for modernism.
Author: Ara Hagop Merjian Publisher: ISBN: 9780542825897 Category : Metaphysical school (Art movement) Languages : en Pages : 838
Book Description
A substantial introductory chapter examines changes in de Chirico's painting after his arrival in Paris in 1911. I pay close attention to these pictures' mounting ambivalences between narrative and abstraction, architectural coherence and spatial disorientation, inhabitable depth and radical flatness. These vacillating registers derive, I argue, from de Chirico's affinities for philosophical and "literary" themes, as well as his attendant, oblique engagement with the pictorial language of Parisian modernism (particularly Cubism and abstraction).
Author: Giorgio De Chirico Publisher: Public Space Books, A ISBN: 9780998267548 Category : Art Languages : en Pages : 124
Book Description
Gathered from early twentieth-century Italian magazines, manuscripts, correspondence, television recordings, and ephemeral art volumes, Geometry of Shadows is the first comprehensive collection of Giorgio de Chirico's Italian poetry, with award-winning poet Stefania Heim's translations presented alongside the Italian originals.
Author: Victoria Noel-Johnson Publisher: Skira Editore ISBN: 9788857240589 Category : Art Languages : en Pages : 264
Book Description
An innovative analysis of the artistic poetics of the master of metaphysical painting. Through a selection of important works made during this master's career, this volume aims to conduct a critical revision of the artist's complex practice for the centenary of his so-called volte-face in 1919, the year he was criticised for leaving metaphysical painting (1910-1918) in favour of styles and techniques inspired by Classicism and the grand masters. Edited by the most important experts of De Chirico, The Face of Metaphysics promotes an innovative interpretation of the artist's oeuvre (both metaphysical, where the traditional confines of linear time and space are replaced by the doctrine of cyclical coexistence); an arrangement according to themes and not chronology underlines the idea that, despite the many changes in style, technique and subject, composition and colour tone, all of De Chirico's works may offer tangible visions of the intangible philosophical concept of Metaphysics, advanced by Nietzsche in the late 1800s: constant metaphysics. Divided into six sections (The Eternal Return; Metaphysical Exteriors; Metaphysical Protagonists; Metaphysical Interiors; Metaphysical nature; Metaphysics Encounters Tradition), this volume gathers around 90 works from some of the most prestigious private museums and collections in Italy and from the Fondazione de Chirico and also offers a rich core of archive documents including letters, period photos and exhibition catalogues.
Author: Magdalena Holzhey Publisher: Taschen ISBN: 9783836546171 Category : Languages : en Pages : 96
Book Description
Greek-born Italian painter Giorgio De Chirico (1888-1978) was hugely influential in the early years of the Surrealist movement. His paintings during the teens in Paris, where he moved in 1911, caused such a stir that such important figures as Picasso and Paul Eluard immediately praised them. This phase of his work, which he later termed pittura metafisica (metaphysical painting) was marked by dramatic compositions involving sharp perspective, striking shadows, geometrical planes, voids of space, and a general feeling of anxiety and loneliness; the sense of absurdity evoked by the mannequin-like figures in almost nightmarish landscapes seemed to suggest a Freudian expression of the unconscious. After 1930, De Chirico turned to a more classical style of painting and continued in the same vein for the rest of his career; his later work was widely criticized, especially by the Surrealists who had so admired his early paintings.
Author: Ara H. Merjian
Author: Ara H. Merjian
Author: Ara Hagop Merjian
Author: Giorgio De Chirico
Author: Giorgio De Chirico
Author: Philadelphia Museum of Art
Author: Giorgio De Chirico
Author: Thomas Mical
Author: Giorgio De Chirico
Author: Victoria Noel-Johnson
Author: Magdalena Holzhey